The Brock House from “Picket Fences”

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I was recently asked how I come up with new material to write about.  My answer?  I am a huge consumer of content!  All content – movies, television shows, magazines, books, blogs, websites, podcasts, documentaries, etc. etc. etc.  I eat them all up!  (In fact, I was tipped off to two Haunted Hollywood locations via old newspaper articles while doing research for this very post!)  Many times, too, inspiration comes from fellow stalkers.  Case in point – a longtime reader named Brad recently messaged to ask if I had ever done any stalking of the David E. Kelley series Picket Fences, which ran on CBS from 1992 to 1996.  The quirky family drama/small-town police procedural, largely shot in Monrovia, was one of my favorite shows back in the day, but somehow I hadn’t thought about it in years!  I had actually stalked the main house from the series when I first moved to Los Angeles in 2000, years before I had a blog.  It was so long ago, though, that I no longer had the address listed in any of my files.  Brad was kind enough to provide it to me, along with a few others, which I was thrilled to run out and stalk.  I was even more thrilled to discover shortly thereafter that Season 1 is currently available for streaming on Amazon Prime and promptly settled in for a watch.  Despite being almost three decades old, Picket Fences really holds up!  I’m enjoying it just as much today as I did when I was a teen.  And being so familiar with the L.A. area this time around has made revisiting the show even more of a joy!  You can expect quite a few PF locations to be popping up here in the coming weeks.  And what better spot to kick things off with than the supposed Rome, Wisconsin home where Sherriff Jimmy Brock (Tom Skerritt) lived with his wife, Dr. Jill Brock (Kathy Baker), and their three children, Kimberly (Holly Marie Combs), Matthew (Justin Shenkarow) and Zachary (Adam Wylie), on the whimsical series.

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In real life, the handsome 1924 Colonial sits on a leafy street just north of Old Town Monrovia.  The 4-bedroom, 2-bath, 2,844-square-foot property last sold in 1971, which is a lucky break for us stalkers as the lack of changeover has resulted in very few alterations to the exterior.  Outside of two large trees which have since been removed from the front yard, the place is a virtual time capsule from the Picket Fences days!

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In an atypical move for a television show, no location changes were made by the network once Picket Fences got picked up by CBS.  The Brock house remained the same from the pilot through the end of the series, as did the police station, Jill’s office, and the town courthouse – all of which I will be reporting on soon, don’t you worry!

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Not only did the property appear regularly in establishing shots of the Brock residence, but some on-location filming took place there as well, including in the Season 1 episode titled “Thanksgiving” (pictured below).

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The pad actually seems a bit of an odd choice to portray the main house on the show considering there’s not a picket fence in sight (then or now), as many readers have pointed out.  You’d think at the very least the production crew would have temporarily installed one on the various shoot days that took place there.

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Though I have not been able to track down any interior photos of the dwelling, I am fairly certain it was never utilized on Picket Fences, not even in the pilot.  From the outset, the Brock house appears to have been nothing more than a set built inside of a soundstage, first at Santa Clarita Studios and then Ren-Mar Studios Hollywood (now Red Studios Hollywood).

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Big THANK YOU to fellow stalker Brad for reminding me about this location!  Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine, and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Brock residence from Picket Fences is located at 211 Highland Place in Monrovia.

Red Studios Hollywood – aka Kinograph Studios from “The Artist”

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In early March, my friend Tony, the fellow stalker who has the amazeballs On Location in Los Angeles Flickr photostream, wrote a comment on my post about the duplex where George Valentin (Jean Dujardin) lived in The Artist alerting me to a blog named Silent Locations.  The blog, which is authored by business lawyer/film historian John Bengtson, features a six-part column chronicling several locales that appeared in The Artist and their connection with various silent films made during Hollywood’s heyday.  I highly recommend checking out the feature and the site in general.  It is fabulous!  Anyway, one of the places mentioned in the column was Red Studios Hollywood, the exterior of which stood in for both the exterior of Kinograph Studios in The Artist and Maroon Cartoons in 1988’s Who Framed Roger Rabbit.  So I dragged the Grim Cheaper right on out to stalk the place on a very windy Sunday afternoon two weekends ago.

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The site where Red Studios Hollywood now stands was originally founded as Metro Pictures Back Lot #3 in 1915, long before the company joined forces with Goldwyn Pictures and became Metro-Goldwyn-Mayer.  During its Metro heyday, such films as Scaramouche, Little Robinson Crusoe and The Champ were filmed on the premises.  Beginning in May 1946, the lot went through a series of different owners, the most prominent of whom were Lucille Ball and Desi Arnaz.  The showbiz powerhouse couple leased the property in 1953 and turned it into the very first Desilu Studios, where they shot seasons 3 through 6 of I Love Lucy.  In 1974, the lot became known as Ren-Mar Studios, an independently owned and operated facility where various production companies were able to rent out studio space.  Legendary television producer David E. Kelley made his home there in the 80s and shot Picket Fences (one of my faves!), Chicago Hope, The Practice and the first two seasons of Ally McBeal.  In January 2010, the lot was sold yet again, this time to Red Digital Camera Company, who renamed the place Red Studios Hollywood.

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A few of the countless other productions that have been filmed on the premises over the years include The Golden Girls, The Dick Van Dyke Show, the first four episodes of Seinfeld, The Andy Griffith Show, Make Room for Daddy, Lizzie McGuire, NewsRadio, Empty Nest, Monk, and, most recently, True Blood. The series Weeds was also filmed on the lot, back when it was Ren-Mar, and during Season 4, after Agrestic burned down, producers had Nancy Botwin (Mary-Louise Parker) move to a fictional seaside town named “Ren Mar” in honor of the historic studio.  Love it!

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In The Artist, the back entrance of Red was used as the main entrance of Kinograph Studios, where George Valentin worked at the beginning of the flick.

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As you can see above, that area was changed drastically for the movie – so much so that it is virtually unrecognizable today.  A huge false front was built over the actual studio entrance for the filming and the Hollywood Rounder blog was lucky enough to get to watch it being constructed.  You can check out some very cool pics of the construction here and here, the fake security guard kiosk here, and the finished product here.

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Interestingly enough, when Peppy Miller (Berenice Bejo) is shown being dropped off at a location that is supposedly directly across the street from the Kinograph entrance, she is actually on New York Street at Paramount Studios, in front of the building that is used regularly as the Boston police station on Rizzoli & Isles.

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At one point in The Artist, George is also shown walking in between some of the Red Studios Hollywood soundstages.

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The area where he walked is denoted with a pink circle above.

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In Who Framed Roger Rabbit, Red’s main entrance on Cahuenga Boulevard stood in for the entrance to Maroon Cartoons, where the famous animated hare worked.

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The courtyard just beyond that entrance was also used in the filming.

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That area is denoted with a pink circle above.

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On a Who Framed Roger Rabbit side-note – while doing research prior to writing this post, I came across a blurb in The Worldwide Guide to Movie Locations book which, in reference to the flick’s title, stated, “No, there is no question mark, as it’s considered bad luck in a film title.”  I had never before heard that bit of trivia and found it interesting, especially since my good friend Owen, of the When Write Is Wrong grammatical errors blog, had recently written a post which mentioned WFRR’s punctuation error.  Superstition or not, I think the flick really needed the mark in its title and I found myself inadvertently adding one each time I typed “Who Framed Roger Rabbit” in this post.  I guess some habits are hard to break.

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The music video for Britney Spears’ hit 2000 song “Lucky” was also shot at Ren-Mar and the exterior of the studio is visible in the MTV Making the Video special about the production.

You can watch Part I of the Making the Video of “Lucky” by clicking above.

Until next time, Happy Stalking!  Smile

Big THANK YOU to fellow stalker John Bengtson, from the Silent Locations blog, for finding this location and to fellow stalker Tony, from the fantastic On Location in Los Angeles Flickr photostream, for pointing me to John’s site!  Smile

Stalk It: Red Studios Hollywood, aka Kinograph Studios from The Artist, is located at 846 North Cahuenga Boulevard in Hollywood.  You can visit the official Red Studios Hollywood website here.  The area of the studio used in The Artist can be found on Lillian Way, in between Willoughby and Waring Avenues.  The studio’s main entrance on Cahuenga Boulevard is the entrance that stood in for Maroon Cartoons in Who Framed Roger Rabbit.  Red Studios Hollywood is not open to the public and does not currently offer a tour.