Mitch’s House from “The Morning Show”

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My dad is unfortunately back in the hospital and right now this blog is one of the main things keeping me sane.  Being able to research, track down and write about filming locations, trivial as that may be, sparks major joy for me and has provided a much-needed distraction from all that is going on with my dad, not to mention the world.  So I’ll be here, blogging away.  Hopefully my posts will provide my fellow stalkers with a bit of joy and distraction, too.  Last week, I received an email from a reader named Esteban letting me know that he had tracked down the house where Mitch Kessler (Steve Carell) lived on The Morning Show.  I had actually IDed the locale and stalked it a while back, but had not gotten around to blogging about it.  So thanks for the reminder, Esteban!  I became extremely mesmerized with Mitch’s massive home as soon as it popped up in the first episode of The Morning Show, titled “In the Dark Night of the Soul It’s Always 3:30 in the Morning.”  Thankfully, finding it was a snap – after I overcame an initial hurdle at least.

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The first glimpse we are given of Mitch’s pad is the aerial view below.  Purported to be located in a wealthy suburb of Manhattan, with its expansive yard and Cape Cod detailing, the place definitely has an East Coast feel.  So much so that when I initially saw it, I became convinced filming of the series had taken place in New York!  It was not until I spotted Cicada restaurant pop up in episode 2 that I figured out The Morning Show had actually been shot in Los Angeles.

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In that same episode, I also noticed an address number of 4019 visible on the gate in front of Mitch’s estate.  Considering the four-digit number, the size of the house and the large yard, I decided to take a look in the Encino area first.  Armed with an address number and an aerial view, it did not take long to find the right place at 4019 Valley Meadow Road.

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In real life, the extremely private residence, which was built in 2007, boasts 8 en suite bedrooms including a 3-room master suite with a sitting room, upstairs office, his and her bathrooms and a walk-in closet, 14 baths, 15,000 square feet of living space, a formal living room, a formal dining room, a 2-story library, 5 fireplaces, a cook’s kitchen with 2 islands, 2 refrigerators, 2 dishwashers and 4 ovens (!), coffered ceilings, wainscoting, a maid’s room, a gym, a home theatre, a 1.46-acre lot, a tennis court, a basketball court, a pool, a pool house, a waterslide, a waterfall, a fire pit, an outdoor kitchen, a dog run, and a home generator that can run the property for several weeks without power.  Talk about amenities galore!

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Sitting perched behind a plethora of foliage and a large gate, virtually none of the place is visible from the street, though, sadly.

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But we do see plenty of it on The Morning Show, including the front exterior . . .

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. . . the expansive backyard . . .

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. . . and the real life interior, which you can check out some photos of here.  It even looks like some of the homeowners’ actual furniture was utilized in the shoot!

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Mitch’s pad is a pretty special place.  It’s exactly the type of spot I’d love to shelter-at-home in over the next couples of weeks, amirite?

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Mitch’s house from The Morning Show is located at 4019 Valley Meadow Road in Encino.  Steve’s (James Marsden) mansion from Dead to Me can be found just a half a mile north at 4230 Valley Meadow Road.

Steve’s House from “Dead to Me”

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I have a major thing for modern houses.  So it’s no shock that my favorite locale from the new Netflix series Dead to Me is the uber-contemporary abode belonging to Judy Hale’s (Linda Cardellini) ex, Steve Wood (James Marsden).  Huge, avant-garde and decidedly unique, I fell in love with the place as soon as it came into view in the pilot episode and set out to find it immediately.  Though an address number of “232” was clearly visible on the front of the residence in many scenes, it turned out to be fake – which thankfully did not lead me astray.  From the start, I had an inkling that the obviously newly-built home was located in the San Fernando Valley, most likely Encino.  So I inputted “large modern house” and “Encino” into Google and the second result kicked back was this Peerspace listing for an “Ultra Modern Huge Mansion with Pool and Tennis.” One look at the photos posted told me it was the right spot!  Though no address was given, the copy below the images stated that the pad was in Encino’s Royal Oaks neighborhood and from there it did not take me long to pinpoint its location as 4230 Valley Meadow Road.  I ran out to stalk it a few days later and that’s when fate stepped in!

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While the Grim Cheaper and I were out front snapping photos, the owner happened to pull up.  As he got out of his car, he noticed us and inquired as to what we were doing.  Bracing myself for being told to leave immediately, I explained that I was visiting the house because of its appearance in Dead to Me and, amazingly, without hesitation, he invited us right in!

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Yes, you read that right – he invited us inside the residence to take a closer look!  I could not believe my luck!

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Steve's House from Dead to Me (70 of 74)

Nor could I believe how impressive the house was in person!  Though it obviously looked stellar on Dead to Me . . .

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. . . close-up it was even far more remarkable!

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The 3-story property, which is currently for sale, boasts 8 bedrooms (all en suite and with walk-in closets), 11 baths, 9-foot ceilings, a grand entry, multiple fireplaces, a theatre, a gym, an elevator, a laundry room, an entertainment area with a built-in bar, a detached in-law unit, and an 8-car garage!

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All 10,400 square feet of it is stunning!

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Everywhere you turn is like a work of art!

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Even the hallways are dramatic.

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And the theatre!  Oh my gosh, the theatre!  Can you imagine having that in your house?

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Or the gym?

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It is the master bedroom, though, that really had me drooling.

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The spacious suite boasts both his-and-her bathrooms AND his-and-her walk-in closets.

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While the male bathroom (pictured above and below) is nothing to shake a stick at . . .

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– the GC was especially impressed with the fact that there was a urinal (me, not so much) –

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. . . and the male closet is nice, as well . . .

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. . . the female bathroom is the stuff dreams are made of!

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I mean!

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When can I move in?

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And don’t even get me started on the attached bathed-in-pink female closet!

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The 0.92-acre grounds are pretty extraordinary, as well, with a 60-foot lap pool, a spa, a wading pool, a fire pit, a 70-foot waterfall, a built-in BBQ and bar, a tennis court, and a large cabana area situated off the master bedroom.

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Steve's House from Dead to Me (10 of 74)

Yeah, I could hang here.

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The home somehow manages to be sleek and modern yet warm and inviting at the same time.

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And it can all be yours for a cool $7,495,000, which honestly I think is a bargain, considering.

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Steve's House from Dead to Me (21 of 74)

As it turns out, the super-friendly owner was also the home’s builder.  The lavish pad, completed in 2018, replaced the 1952 ranch house pictured below (which you can see more photos of here).

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Producers made fabulous use of the property throughout Dead to Me’s ten-episode run.

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Said to be in Newport Beach’s Harbor Ridge area, the home’s exterior appeared numerous times on the series.

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The interior did, as well.

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You can see why I fell in love with the place.

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The landing just outside the elevator on the residence’s second floor was the site of one of my favorite scenes from the show in which the recently widowed Jen Harding (Christina Applegate) hosts an open house where she runs into her ex mother-in-law, Lorna (Valerie Mahaffey), and gets pressured into having a birthday party/memorial for her dead husband.

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I was just a little thrilled to pose in that same spot, though my photo was taken from the opposite angle from which the scene was shot.

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Interestingly, producers did not make use of the home’s master bedroom on the show.  Instead, a set was built to portray Steve’s bedroom.  Said set was much less plush than that of the actual house, as you can see below.

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According to the owner, the pad will be making an appearance on the upcoming season of The Affair, as well.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Steve’s house from Dead to Me is located at 4230 Valley Meadow Road in Encino.

The “Secrets and Lies” Brothel

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I found the second season of Secrets and Lies abysmal – which is surprising being that, on paper, it contained several elements that should have made it a sure-fire hit in my book.  Murder mystery premise?  Check!  Shot in L.A.?  Check!  And it starred both AnnaLynne McCord (from my beloved 90210) and David James Elliott (one of my all-time favorite cuties).  Considering I couldn’t have loved the first season more, especially its locations, Season 2 turned out to be a major disappointment.  There was one locale I became fairly obsessed with, though – the Cape Cod-style dwelling from which Melanie Warner (McCord) ran a high-class brothel.  The house not only figured prominently in the season’s storyline, but was extremely idyllic and picturesque.  So I, of course, immediately set about tracking it down, which wound up being a more fruitful venture than watching Secrets and Lies through to the end.  (What the heck was that finale, amirite?  I was not at all shocked to hear the series was given the ax a few months after its airing.  But I digress.)

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On Secrets and Lies, Melanie’s brothel is said to be at 8686 Mint Hill Drive in Charlotte, North Carolina.  A fake “8686” address placard was even placed on the exterior of the residence for the shoot.

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While watching the episode titled “The Statement,” though, I noticed that “4735” was painted on the curb of a neighboring house barely visible in the background.  I had an inkling the brothel was most likely located in Encino, thanks to its seemingly new construction (the city has been a hotbed of new home activity as of late, especially Cape Cod-style properties which pop up on the regular), so I did a search for residences numbered 4735 in the area and was led to a pad at 4735 Yarmouth Avenue.  When I dropped Street View’s little yellow man in front of that address and turned him around, there was the Secrets and Lies brothel staring me in the face.  In reality, it can be found at 4720 Yarmouth.

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My hunch about the pad being newly constructed turned out to be correct.  The massive estate was custom-built in 2013 for its then owner.  The residence previously situated on the premises (pictured in the Google Street View image from 2012 below) was much more modest in both size and style.

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The new house consists of 5 bedrooms, a whopping 7 baths (one is resort-style with a standalone tub), 6,347 square feet of living space, a chef’s kitchen, a walk-in pantry and a butler’s pantry, a double Calacatta marble island (because one is never enough), both cathedral and coffered ceilings, a formal dining room, a breakfast room, multiple fireplaces (including one outside), a master suite with a sitting room and his-and-her walk-in closets (why, oh why, do the Grim Cheaper and I not have those?), a gym, guest/maids’ quarters, and a 0.45-acre lot with a covered patio, a fire pit, a pool (with a slide!), a spa, a BBQ, a sport court, a putting green, and a covered pool pavilion with three – count ‘em! – three TVs.  Talk about amenities goals!

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  The sprawling estate last sold in July 2016 for $3,950,000.

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You can check out some interior photos of the place here.  And yes, they’re straight up real estate porn!

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The brothel popped up numerous times during the second season of Secrets and Lies, beginning with the episode titled “The Detective” in which Melanie’s husband, Patrick Warner (Charlie Barnett), first finds out about his wife’s illicit business venture.

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We don’t get a great view of the pad until “The Statement,” though, in the scene in which Patrick’s brother, Eric Warner (Michael Ealy), stops by the property to investigate what has been going on there.  As you can see, the residence is currently much more covered over with foliage than it was when filming took place in late 2015.

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While the real interior also appeared in “The Statement,” as well as in the episode that followed titled “The Racket,” the shots were far too tight and contained too much movement for me to be able to get any useable screen shots.

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Thanks to IMDB, I learned that the same house was utilized as the residence of Roger Murtaugh (Damon Wayans) and his family during Season 2 of the Lethal Weapon television series.  (In Season 1, a different home at 3816 Longridge Avenue in Sherman Oaks portrayed the Murtaugh pad.)

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Melanie’s brothel from Secrets and Lies is located at 4720 Yarmouth Avenue in Encino.  Ali’s (Elisabeth Shue) house from The Karate Kid can be found right around the corner at 4072 Alonzo Avenue.

Oliver’s House from “A Lot Like Love”

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A Lot Like Love is a movie I can’t not watch.  Even though I’ve seen it at least a dozen times and own the DVD, if I happen to catch it on TV, need to scan through it for a post, or it pops up in my Netflix recommendations, I’m pretty much viewing it in its entirety.  And thank goodness, too, because doing so led me to find a new location from the film recently, one that I thought I had already pinpointed – the house belonging to Oliver Martin’s (Ashton Kutcher) parents in the 2005 romcom.  First, let me back up a bit.

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Ten years ago (egads!), my buddy Mike, from MovieShotsLA, tracked down what I thought was the Martin residence via a 2006 Los Angeles Times article chronicling homes featured onscreen.  In the blurb, author Danny Miller states, “Encino resident Ramona Hennesy creates brochures showing her house’s best features and sends them off to location scouts all over town.  Her efforts have paid off.  Several commercials have been filmed in her ranch home.  Last year, the house had a featured role in the film A Lot Like Love.  Both the interior and the backyard were used, and her carport was even transformed into Ashton Kutcher’s bedroom.”  A quick scan through public records provided us with the property’s address (17050 Magnolia Boulevard) and I ran right out to stalk the place shortly thereafter.  Upon arriving, I was surprised to see the pad fronted by large hedges that obscured it almost entirely from view, as you can see below.  What little was visible did not look familiar from the movie, as I mentioned in the post I wrote about the locale a few days later.

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Google Maps imagery from 2007 (two years after the movie was released) show the hedges in a much less mature state, so figuring they were a post-A Lot Like Love addition, I did not think much further on the subject.

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Flash forward to this past April.  While making screen captures of the flick in preparation for this post, I fell into the familiar trap of viewing it through to the end and was shocked to see an address number of “17204” posted by the front door of the house across the street from Oliver’s parents’ place in the closing scene in which Oliver and his longtime on-again/off-again paramour Emily Friehl (Amanda Peet) finally get together.  That number, though close, did not exactly coincide with the 17050 address of the property I’d blogged about all those years ago.  What the whaaat?  So I headed over to Google to search for homes numbered 17204 in the Los Angeles area and quickly came across one at 17204 Otsego Street in Encino that matched the residence Emily and Oliver kissed in front of, albeit with quite a bit more foliage.

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From there, I flipped Google Street View’s little yellow man around to see the property across the street and, sure enough, Oliver’s parents’ house was staring me right in the face (again, with quite a bit more foliage).  Had the article gotten things wrong?

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Confused, I pulled up the old Los Angeles Times article and quickly realized that I had read too much between the lines all those years ago (that was back when I was an amateur stalker, after all Winking smile).  I’d simply assumed the Magnolia Boulevard residence had been used for exteriors and interiors, as well as backyard shots, but the article never actually mentions the front exterior at all.  D’oh!  As I soon came to find out, Oliver’s parents’ house was a mash-up of both properties, which are located right around the corner from each other.  The Otsego Street house was utilized in all scenes featuring the front of the Martin home . . .

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. . . including the final scene, which was my favorite of the movie.  While there, I couldn’t help but re-enact the hissy fit Oliver’s sister, Ellen (Taryn Manning), has over the fact that Oliver is holding up her wedding.  (Lucifer fans – that’s Aimee Garcia, aka forensics expert Ella Lopez, in the pink dress below!  She plays Ellen’s best friend in the movie.)

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All interior filming took place just around the corner at the Magnolia Boulevard house.

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As you can see in the screen capture as compared to my photograph below, the roofline and window framing of 17050 Magnolia match that of the Martin home.

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The shape of the Martin’s pool and its location in regard to the house, as well as the residence’s rear roofline . . .

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. . . all also match what is visible of the Magnolia Boulevard dwelling in aerial views.

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As mentioned in the Los Angeles Times article, the property’s carport was transformed into Oliver’s bedroom for the movie.

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Luckily, the Magnolia Boulevard home’s front gates were open when I stalked the place back in 2008, so I got to snap a couple of photos of said carport.

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Why producers chose to use two properties in the film is unclear to me, but I am guessing it has something to do with the hedges surrounding the Magnolia Boulevard residence, which I now believe were there at the time of the A Lot Like Love shoot.  The movie’s final scene, in which Emily runs from Oliver’s house to her car parked across the street, required a location that was open to the road.  I think the production team likely fell in love with the Magnolia pad’s interior, but found the exterior too closed-off for the end sequence, so they searched for a secondary property to utilize.  I was hoping the DVD commentary with director Nigel Cole and producers Armyan Bernstein and Kevin Messick would provide some clarification on the subject, but, other than the fact that filming of the wedding segment took place in the Valley, nothing was said about the Martin residence.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The house used for exterior shots of Oliver’s parents’ residence in A Lot Like Love can be found at 17201 Otsego Street in Encino.  The pad Emily parks in front of at the end of the movie is directly across the street at 17204 Otsego.  The home utilized for interior and backyard sequences is located around the corner at 17050 Magnolia Boulevard.

The Lewis Estate from “American Woman”

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The internet has been going crazy as of late over images of Quentin Tarantino’s latest movie Once Upon a Time in Hollywood filming on location in L.A.  The period piece, which stars Brad Pitt, Leonardo DiCaprio and Luke Perry (OMG!) and chronicles the murder of Sharon Tate, is set in 1960s Tinseltown.  As Tarantino said at CinemaCon in April, “Street by street, block by block, we’ll transform Los Angeles into the Hollywood of 1969.”  And transform it, he has.  The director has brought countless lost city landmarks back to life in their original locations.  I so wish I was there to witness it all!  Another recent production that has also been resurrecting retro L.A. is American Woman, which debuted on the Paramount Network in early June.  Set in 1975, the series is loosely based upon the life of Kathleen Richards, mom of The Real Housewives of Beverly Hills star Kyle Richards, who serves as co-executive producer.  Though I find the show to be a bit blah, the costumes and music are downright intriguing and the locations have me practically foaming at the mouth, especially the mid-century modern pad that serves as the home of lead character Bonnie Nolan (Alicia Silverstone) and her two daughters, Becca (Makenna James) and Jessica (Lia McHugh).  So I, of course, set out to pinpoint it.

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Said to be in Bel Air on the series, one look at the retro-fabulous property told me it was more likely located in Encino.

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Thanks to the unique configuration of the residence, which consists of two adjacent rotundas, it was a snap to find.  I simply inputted “mid-century modern,” “house,” “Encino,” and “circular” into Google and the first response kicked back was a 2011 article about a pad for sale at 17862 Via Vallarta in Lake Encino complete with listing photos showing the very same spot I was searching for!  I ran out to stalk it shortly thereafter.

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Known as the Lewis Estate in real life, the 1972 residence was commissioned by Joby and Helen Lewis, proprietors of Lake Tahoe’s Cal-Vada Lodge, as well as several Los Angeles nightclubs.

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The unique property, designed by Benton/Park/Candreva Architects, is formed by two dodecagons (aka 12-sided structures) connected via a glass pavilion.

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The sprawling 4-bedroom, 4-bath, 5,377-square-foot estate boasts a 3-car garage, a sunken living room, Rosewood detailing, brass sunburst front doors, maid’s quarters, a fireplace, a fire pit, a pool, a spa, and 1.33 acres of land.  Amazingly, very little of the home has been altered since it was built 45-plus years ago.

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After Joby passed away in 1998, Helen continued to live at the residence.  Upon her death in July 2011, the property was put on the market for $2,900,000.  It eventually sold that November for $1,887,500 to husband-and-wife art auctioneers/architecture buffs Peter and Shannon Loughrey who have resolved to keep much of the place’s original detailing intact.  Peter is definitely a man after my own heart.  As a Ventura Boulevard article about the house states, “When Peter Loughrey first moved to California he was so enamored by the modernist homes he’d pass while driving through Brentwood and Bel Air that he’d often stop, ring the doorbell and ask the owner for a tour.  ‘A little old lady would answer and I’d say “Is this a Neutra house?”’ recalls Peter, referring to pioneering Austrian-American architect Richard Neutra.  ‘She’d say “Yes! How did you know?” Then she’d let me in, make me a sandwich and show me around.’”  Oh Peter, you and I could so hang!

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The Lewis Estate’s original detailing is no doubt what led to its use on American Woman.  The residence is featured regularly on the series in establishing shots of the Nolan family home, as well as in some on-location scenes.

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The residence’s actual interior, which you can see photos of here and here, appeared in the show’s first two episodes, “Liberation” (pictured below) and “Changes and the New Normal.”

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Beginning with episode 4, titled “The Cost of Living,” the production began utilizing a set for interiors of the Nolan home.  That set is pictured below.

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The property’s real-life pool and backyard area have been featured several times on the series, as well.

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Fellow stalker Lisa informed me that the Lewis Estate also appears extensively as the home of Ken (Brían F. O’Byrne) and Grace Karn (Michaela McManus) during the first season of the television series Aquarius, which aired in 2015.

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The Lewis Estate briefly pops up in the pilot episode of Snowfall, which aired in 2017, as the residence of Robert Volpe (Taylor Kowalski).

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And the house party at the end of 2019’s Booksmart takes place there, as well.

Eagle-eyed fellow stalkers likely noticed the blue and white filming notification attached to the residence’s front lamp in my photos.

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That notification was for Elle King’s “Shame” music video, which you can watch here.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The American Woman house is located at 17862 Via Vallarta in the Lake Encino neighborhood of Encino.

Marie McDonald’s Former House

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There are strange Hollywood crimes and then there are strange Hollywood crimes.  Today’s locale fits into the latter category.  Last week, my friend Owen, of the When Write Is Wrong blog, emailed me to let me know about a mystifying case concerning an actress that was detailed in a recent issue of Entertainment Weekly (issue #1485, dated October 6th, 2017).  In the article, titled “Hollywood’s Original Gone Girl” (you can check out the online version here), author Joe McGovern chronicles the 1957 kidnapping of starlet Marie McDonald, who was better known to movie audiences as “The Body,” the nickname bestowed upon her after her vivacious curves stole the spotlight in 1942’s Pardon My Sarong.  Though the story does not involve death, murder or hauntings, and the whole episode is largely believed to have been a hoax executed by Marie herself, Owen thought it would fit in perfectly with my Haunted Hollywood theme and I wholeheartedly agree.  I was immediately transfixed by his Cliffs Notes version of the scandal and ran right out to buy EW and stalk the house where the kidnapping was said to have occurred.

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From start to finish, Marie’s life was the stuff tabloid reporters’ dreams are made of.  Born Cora Marie Frye in 1923 to a former Ziegfeld Follies showgirl, McDonald spent her childhood in Kentucky before moving to the Big Apple during her teenage years.  She entered the pageant circuit, worked on Broadway, and eventually headed to California where she secured a contact at Universal Pictures.  It wasn’t long before the blonde bombshell found success in movies, appearing alongside such actors as Alan Ladd, Fred MacMurray, Gene Kelly and Cesar Romero (in Lucky Jordan, Standing Room Only, Living in a Big Way, and Once a Thief, respectively), to name a few.  McDonald became much more well-known for her off-camera antics, though, which included a total of six marriages (she twice wedded – and twice divorced – shoe store magnate Harry Karl), an escape from an Australian psychiatric ward, a tryst with mobster Bugsy Siegel, an arrest for forging prescriptions, a DUI hit-and-run that culminated with the actress kicking one police officer and biting another, and, of course, her abduction, by far her most infamous escapade.

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As the story goes, shortly before midnight on January 3rd, 1957, while in the bedroom of the Encino home she shared with her three children, housekeeper, chauffer and large dog (at the time she was estranged from Harry Karl, for the second time, awaiting a divorce), McDonald was startled by a noise outside.  That noise, according to Marie, was caused by two men, one carrying a stick, the other a sawed-off shotgun.  The men entered the residence, a sprawling one-story ranch house that Entertainment Weekly noted as being located at 17031 West Magnolia Boulevard (thanks, EW!), and told the starlet, “We want your rings, your money, and your body.”  After ransacking the pad of valuables, the duo proceeded to spend quite a bit of time cutting mismatched letters out of newspapers to fashion a ransom note.  (They must have gone to the JonBenét Ramsey school of ransom-note creation!)  The abductors then inexplicably put the note in Marie’s mailbox.  (I mean, that would be the first place I’d go looking for a ransom note if I discovered a loved one missing.)  McDonald was subsequently blind-folded and forced into the men’s car.

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After driving for about an hour, the threesome arrived at a small home where Marie was stashed away in a bedroom (one that strangely had a working telephone) and drugged.  The men then made two calls, one to McDonald’s mother, Marie Tuboni (yes, both mother and daughter were named Marie), and one to Harry Karl, informing them of the kidnapping.  Though told not to, Tuboni immediately contacted police, who headed to McDonald’s residence, where the gate and front door were found standing open.  Detectives also discovered the ransom note in the mailbox (how they thought to look there is beyond me, but maybe mailing ransom notes back in the day was common practice), which oddly read “She won’t be hurt to get money.”  A few hours later, back at the kidnappers’ den, Marie awoke and spotted the telephone.  She proceeded to call, not the police, not her mother, but gossip columnist Harrison Carroll.  (As one does when seeking rescue from a kidnapping.)  It did not take long for the story of the actress’ abduction to catch fire with the media from that point.  Marie’s second call was to her boyfriend, actor Michael Wilding, and the third, to her manager, Harold Plant.  (Again, as one does.)  It was at that time that the men discovered Marie had been using the phone (duh!) and roughed her up a bit before blind-folding her once again, leading her outside, and forcing her into their car.  The duo then headed east to Coachella where they tossed McDonald down a dike near the side of the road and took off.

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Slightly worse for wear, Marie managed to climb 25 feet back up to the road and flag down a passing motorist.  It was 11:15 p.m. on January 4th, a little under 24 hours since she’d been taken.  The starlet was quite a sight, bruised and bloodied, missing two teeth, and wearing a bathrobe and slippers.  She was shuttled to the hospital where she doled out the chaotic tale to police.  Though she was adamant in her tellings, the plethora of strange circumstances had detectives, reporters, and fans alike wondering if the whole thing was nothing more than a publicity stunt designed to revive Marie’s lackluster career.  The many discrepancies discovered by law enforcement did nothing to help her case.  One LAPD officer, Edward Walker, found the ransom note especially puzzling, saying, “It is far-fetched to believe that any kidnappers would take that much time and trouble to make up a note in the home.”  (John and Patsy Ramsey apparently didn’t get that memo.)  Most damaging of all, though, was the copy of The Fuzzy Pink Nightgown found at her residence.  The 1956 novel (later turned into a movie starring Jane Russell), about the abduction of a pajama-clad movie star, bore striking similarities to Marie’s tale.  McDonald was definitely the Sherri Papini of yesteryear.  And then things got really strange.

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On January 9th, five days after she was rescued, LAPD officers staged an elaborate reenactment of Marie’s kidnapping on location at her home, an event described by McGovern in EW as “one of the most spectacular charades in California law enforcement history.”  Dozens of reporters were on-hand to witness the spectacle, during which McDonald was front and center- and in full costume (natch!).  One reporter, James Bacon, later penned an article in which he said the exploit “had everything any Cecil B. DeMille epic ever had – except camels.  There were four scenes requiring six takes; a bedroom shot and an outdoor location; a producer and director (both policemen)!”  A photograph of the bizarre affair is pictured below.  Owen included the image in his email to me along with the exciting news that the white brick gate posts pictured in it are miraculously still standing, more than 60 years after the fact!

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Sadly, aside from said gate posts and the exterior fencing surrounding the property, not much of the 5-bedroom, 5-bath, 4,419-square-foot home is visible from the road.  You can check out some images of the 1948 dwelling here, though.  The pad, which last sold in 2014 for just over $2 million, also boasts a 3-car garage, a chef’s kitchen, a library, maids’ quarters, a whopping 4 fireplaces, parquet wood flooring, an indoor spa, a pool, a pool house, and a 0.93-acre lot.

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Marie’s sordid tale doesn’t end there, though.  The actress’ kidnappers were never found and a grand jury eventually determined there was not enough evidence to file John Doe indictments against them.  Then, a little over a year after her rescue, McDonald contacted police to let them know that she had tracked down and met with her abductors.  In exchange for $5,000, the men told her who was the mastermind behind the crime – her estranged husband, Harry Karl.  Harry agreed to a polygraph, though, which he passed, and police cleared him of any involvement.  The two finalized their divorce shortly thereafter and most who followed the case went back to believing the whole thing was a poorly-executed hoax.  Marie’s career never recovered and on October 21st, 1965, husband number six, Donald Taylor, found her slumped over her dressing table at their home at 5337 Jed Smith Road in Hidden Hills.  The actress was dead from a drug overdose at the age of 42.  She went to her grave vehemently denying her kidnapping had been faked.  Fifty people showed up to her funeral, where, according to my friend Scott Michaels, of the Find a Death website, three of Marie’s divorce attorneys served as pallbearers.  There are still more oddities to come, though.  Just nine weeks later, Taylor was also found dead.  He had swallowed a bottle of sleeping pills and passed away a few feet from the spot where he had discovered his wife’s body.  And in one final remarkable twist, after McDonald’s passing, her three children were taken in by their father, Harry, to be raised alongside Carrie Fisher and her brother, Todd.  Harry, of course, was married to none other than movie star Debbie Reynolds at the time.  Only in Hollywood!

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to Owen, from the When Write Is Wrong blog, for telling me about this location!  Smile

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Until next time, Happy Stalking!  Smile

Stalk It: Marie McDonald’s former home is located at 17031 West Magnolia Boulevard in Encino.

“The Brady Bunch” MegaPost

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My friend, fellow stalker Michael, is proving to be a true Brady Bunch virtuoso!  Here he is yet again gifting us with yet another fabulous post about the 1969 sitcom – this one a round-up of nine different locales featured on the series!  Take it away, Michael!

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I know, I know. Yet another Brady guest post foisted upon you. I swear, I do know how to find non-Brady locations. However, I had compiled a bunch of Brady Bunch establishing shot sites that I hadn’t seen posted anywhere online, and asked Lindsay if she’d be up for a catch-all post to at least get these addresses out there, and save anyone interested from duplicating research efforts. Note, as is frequently the case, while these establishing shots were filmed on location, the scenes with the actors were filmed on a Paramount soundstage.

Davey Jones’ Royal Towers Hotel

Wilshire Regent

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I thought I’d start with a location I happened upon by accident. This winter, I was in Los Angeles riding down Wilshire Boulevard when I looked ahead and saw a building that I thought had been used in a Brady Bunch episode. I snapped a couple quick pics and found their match when I got home.

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In the third-season episode, “Getting Davy Jones,” Marcia (in drag) and Greg sneak into Davy Jones’ hotel room in an effort to coax him into performing at the Fillmore Junior High prom.

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The establishing shot of of the fictional Royal Towers Hotel was in reality the Wilshire Regent, a luxury co-op built in 1963. The section of Wilshire Blvd where it stands, known as the Wilshire Corridor, is now filled with high-rises, but the Wilshire Regent was one of the first apartment towers built in the area. And lucky for us, the exterior of the building looks remarkably unchanged.

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Stalk It: Wilshire Regent, aka Davy Jones’ Hotel, aka Royal Towers Hotel is located at 10501 Wilshire Boulevard in Los Angeles.

Mr. Dimsdale’s Recording Studio / Mercola Building

Fred Hayman Building

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In keeping with the musical theme, the next location comes from an establishing shot in the third-season episode, “Dough Re Mi.” The Brady Kids, ready to share their musical stylings with the world, get in hock against their collective allowances to rent studio time from Johnny Dimsdale’s father so they can record a demo of Greg’s latest, “We Can Make the World a Whole Lot Brighter.” However, Peter’s cracking voice jeopardizes the venture and their “$150 non-refundable dollars.”

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One would think with a name slapped on the facade, it’d be a cinch to track down this location. Nevertheless, to this day, I haven’t found any other references to the Mercola Building (if anyone out there has, let me know!). As it turns out, I ended up running across this location by accident.

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Last year, I walked through Beverly Hills on my way to meet up with a friend for coffee, and as I meandered down Canon Drive I couldn’t help but notice the bright yellow Fred Hayman Building. But, no sooner did I start to reflect on the difference between Giorgio yellow and Bijan yellow (iconic Beverly Hills boutiques known for their use of the color), then my attention was caught by another structure in the area and I forgot all about the Fred Hayman Building.

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Researching that neighborhood when I got home, I found myself on Google Street View. Randomly turning my virtual self around, I saw the Fred Hayman Building again and realized it was a Brady location I’d looked for in the past.

Other than a paint job, the structure still looks remarkably similar to its appearance on The Brady Bunch. What looks to be a parking lot on the right of Brady clip is now home to Spago Beverly Hills, and the exterior of the shorter annex building has been remodeled numerous times, most recently housing a restaurant.

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Stalk It: Fred Hayman Building, aka Mr. Dimsale’s Recording Studio, aka Mercola Building is located at 190 (& 184) North Canon Drive in Beverly Hills.

Daily Chronicle Newspaper Building

Marfay Building

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In the first-season episode, “Father of The Year,” Marcia sneaks out of the house to mail an essay submitting Mike for the local newspaper’s father of the year competition. Later in the episode, an office building is used to establish a scene set in the publisher’s office.

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I stumbled across this building while looking through the massive archive of architectural photographer Julius Schulman that The Getty Research Institute has posted online.

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© J. Paul Getty Trust. Getty Research Institute, Los Angeles (2004.R.10 Job 593)

As soon as I saw the photo, I knew that it had been seen on The Brady Bunch. It took me a while longer to home in on the specific episode. A quick web search found that the structure—known as the Marfay Building—was built in 1949 by Welton Becket and Walter Wurdeman. You may know Becket’s and Wurdeman’s work from many classic mid-century buildings throughout Los Angeles—Pan-Pacific Auditorium, Capitol Records Building, Cinerama Dome, and the Century City master plan just to name a few.

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The building’s facade was drastically overhauled in 1987, still you’ll notice the structure next door has maintained its integrity from the days of Brady.

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Stalk It: Marfay Building, aka Daily Chronicle Newspaper Building is located at 5657 Wilshire Boulevard in Los Angeles.

Encino Medical Tower Dentist Office

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Sometimes I luck out and an establishing shot does the work for me. Such is the case in the fourth-season episode titled “Love and the Older Man.” The Brady’s regular dentist has a new associate, Dr. Stanley Vogel, and Marcia is gaga, so much so that she fantasizes of a future replete with a dental chair in her living room. “Imagine me, Mrs. Marcia Dentist,” she dreamily exclaims.

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The Encino Medical Tower looks much the same as it did in the 1970s, however some of the charmingly retro arches have unfortunately been remodeled.

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Stalk It: Encino Medical Tower is located at 16260 Ventura Boulevard in Encino.

Gilbert’s Books

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Another Brady location that didn’t camouflage its real-world name can be seen in the first-season episode, “The Hero.” It also happens to be another episode where we find Marcia envisioning her future. This time she writes in her diary, “My dream of dreams is to be Mrs. Desi Arnaz Jr.” Unfortunately, Cindy accidently donates said diary to charity resulting in a mortified Marcia. The family forms a search party to scour LA’s used bookstores in an attempt to track down the journal; Mike and Cindy stop at Gilbert’s Book Shop.

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The Hollywood Boulevard-located bookstore is sadly no more, the building has been razed, and the W Hollywood occupies its former footprint (and then some). Fortunately, the Taft Building—the first high rise office building in LA, built in 1923—a sliver of which is visible in the Brady clip to the right of Gilbert’s, is still holding its own.

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Stalk It: Gilbert’s Book Shop was located at 6278 Hollywood Boulevard in Hollywood.

Valley Drug

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In the second-season episode, “The Not-So-Ugly Duckling,” when Jan’s crush, Clark Tyson, is more interested in Marcia, she decides that her freckles are “making her a social outcast,” and heads to the drug store to look for a quick fix. The establishing shot again makes no attempt to hide its name; Valley Drug in bold script is emblazoned above the doorway.

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A quick web search provided a present-day Valley Drug & Compounding in Encino. Although the Encino business’ logo matched the Brady clip, the structure did not.

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After digging through newspaper archives, phone books, and verifying addresses against old Los Angeles building permits I was able to confirm that the drug store shown in the establishing shot was located on the corner of Laurel Canyon Boulevard and Magnolia Blvd.

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Pharmacist, Sidney Simmons purchased Valley Drug at 5161 Laurel Canyon Boulevard in 1955 and in the early 1990s relocated the business down the road to 4800 Laurel Canyon Boulevard. In 1998, he sold the store to the Rite Aid chain and opened up the specialty pharmacy in Encino. An archived building permit shows the original drug store and its distinct chamfered corner entrance.

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Sadly, the structure is long gone and the land now provides additional parking for a Jon’s Marketplace. At least a present-day Jan wouldn’t have to go far to find a lemon for her at-home freckle treatment.

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Stalk It: Valley Drug was located at 5161 Laurel Canyon Boulevard in North Hollywood.

Television Studio (and Ballet Studio)
Metromedia Square

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Shown in a number of episodes, now-razed television and film studio, Metromedia Square was a popular Brady-establishing-shot location. The Hollywood-constructed lot was originally known as Nassour Studios and built in the 1940s. The Times-Mirror Company purchased the facility in the 1950s and Metromedia took over the studio in the late 1960s. In the 1980s Metromedia started leasing the lot to News Corporation and the name was again changed to Fox Television Center. Finally, Metromedia sold the land in 2000 and the studio was torn down and Helen Bernstein High School was built on the property.

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Establishing shots of Metromedia Square were used in a number of fifth-season Brady episodes, but the site is first seen in the forth-season episode “Amateur Nite.” Mike and Carol’s anniversary is coming up and the kids decide to buy them a silver platter. Unbelievably, Jan isn’t as familiar as most teens in the byzantine methods by which engraving is priced and can’t cover the cost of the customized platter. The kids naturally turn to song in an effort to pay their debts. Dubbing themselves “The Silver Platters,” they perform (in matching jumpsuits) on a local television show competition.

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The exterior is next see in the episode “You Can’t Win ‘Em All.” Cindy becomes a prima donna when her test scores qualify her to help represent Clinton Grammar School on a local television station’s quiz show. Cindy’s inflated ego has no bounds, even turning down Alice’s cooking with a terse, “A star can’t go on television all fat and broken out.” When at the television studio, Cindy freezes with stage fright the moment the red light on the camera glows.

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The exterior is shown again in “Adios, Johnny Bravo.” The Brady Kids—no longer strangers to the television studio—are taping a performance and Greg is pulled aside by a couple of quick-talking record producers hoping to mold him into the newest pop sensation because he literally “fit the suit.”

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The last we see of Metromedia Square is in the episode “Try, Try Again,” where it’s inconsistently used to establish a scene set in the girls’ ballet class.

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Although, I knew the establishing shots were of Metromedia Square, I wanted to figure out where exactly the shots were filmed. Strangely, I couldn’t find many photos of the lot, so I started with a contemporary aerial photo [below in color] and one photographed when the studio was still in existence [below in black & white]. I was also lucky to come across a few maps of the lot in my go-to resource, the LA building permit archives.

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From those, I was able to home in on the area that was shown in the Brady clips. The direction in which the roads intersected proved to be a helpful guide, and the corner of an “Audience Parking” sign in the Brady clip confirmed that I’d zeroed in on the correct part of the lot. The orange arrows on the aerial photos and map above mark the location of the camera and the approximate angle used for the establishing shots. I was also surprised to find that the corner of a building at Fernwood Avenue and North Van Ness Avenue, formerly across the street from Metromedia Square, is still there. It’s the KTLA building at Sunset Bronson Studios and still looks the same as it did in the Brady clip. Interestingly, the current Sunset Bronson Studios was the original Warner Bros. lot, purchased by the young studio in 1920, and the current KTLA building originally housed Leon Schlesinger Productions (of Looney Tunes and Merrie Melodies fame). Warner Bros. purchased Schlesinger’s interest in the animation company in 1944, and in 1953 they sold the entire lot to Paramount; KTLA moved into the old Schlesinger building thereafter. You can see a vintage photo of Schlesinger’s building with its distinctive quoining here. At least a little sliver of history from the Brady clip still remains.

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As you can see, Metromedia Square is no more and its buildings seen in the Brady clips have been replaced with the school’s basketball courts.

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Stalk It: Metromedia Square Audience Parking was located on North Van Ness Avenue at Fernwood Avenue in Hollywood.

Drive-In Theatre

Gilmore Drive-In

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The Gilmore Drive-In is another establishing shot location that was used in more than one Brady episode. In the forth-season episode “Greg Gets Grounded,” as a punishment for driving on the freeway while reading the back of a new record album, Greg’s family-car privileges are taken away for a week. After irking Carol and Mike with another misdeed, he narrowly avoids further punishment on a technicality by claiming that he followed their “exact words.” Predictably, Mike and Carol later hold Greg to his “exact words” and force him to cancel a date and bring Bobby and Peter to a frog jumping competition (naturally). After the competition, the young masters Brady absentmindedly leave their frogs in Greg’s car. Unfortunately for Greg, in a rush to pick up his date for a drive-in movie, Croaker and Spunker’s presence goes unnoticed until it’s too late.

And in the fifth-season episode “Peter and the Wolf,” Greg has a date with Sandra, but unless he can find a date for her cousin Linda, she’ll have to cancel. Enter Linda’s new date, a faux mustachioed Peter, alias Phil Packer, “Some swinging guy from another high school.” Need I write more? Obviously, nothing but comedy gold can come from a setup like that.

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The establishing shot as it’s seen in the episode is rather dark (as evening is wont to do), but with a quick digital adjustment, a few clues to the drive-in’s location were unveiled. The detailing on the screen tower along with the larger panel to its right seemed unique to the Gilmore Drive-In in Los Angeles. My suspicions were confirmed when the lightened image also revealed the Park La Brea Apartments in the distance.

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In the 1880s, Arthur Fremont Gilmore bought hundreds of acres of farmland around what is now Fairfax Avenue. In the early 1900s he struck oil on the property and transitioned from farming to the oil business. In 1918, his son Earl Bell Gilmore took over the family business and by the 1940s had sold the majority of their original acreage. He however kept a few dozen acres which housed Gilmore Stadium, Gilmore Field, the Farmers Market, and of course the Gilmore Drive-In.

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Built in 1948, the theatre reportedly had a 650-vehicle capacity and was designed by architects William Glenn Balch and Louis L. Bryan. The asymmetric panel that helped me identify the theatre, upon further research, turned out to be an enlarged light shield built in 1955. By the 1970s the theatre had fallen into disrepair and demolition permits were issued in 1979. Today, The Grove shopping center, specifically Nordstrom, sits in the screen’s former location, leaving the Farmers Market as the only remaining original Gilmore-related enterprise in the area. The former site of the Gilmore Drive-In is outlined in orange below, with an arrow pointing in the direction of the former location of the screen.

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CBS purchased Gilmore Stadium in 1950 and built CBS Television City on the land. Later in the decade, CBS expanded their studio onto the former site of Gilmore Field. Their website has some great aerial photos of the area, and many include the drive-in. Cinematreasures.org also has a nice selection of photos of the road-facing side of theatre’s screen tower.

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Stalk It: The Gilmore Drive-In was located at 6201 West 3rd Street in Los Angeles.

Rose Bowl Stadium

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In the fifth-season episode “Mail Order Hero,” Bobby’s in a pickle when after claiming to know Joe Namath, the football player is in town and Bobby’s friends call his bluff. In an effort to help her brother, Cindy puts pen to paper and speciously writes a letter to Namath on Bobby’s behalf, beginning with, “I’m writing to you because I’m very very sick.”

Inspired by the letter, the football player stops by the Brady residence, Bobby plays sick, Cindy plays nursemaid, and Mike and Carol, out of the loop from Cindy’s letter, shock Namath with their lack of concern over their dying son—“Well when you have six kids, something like this is bound to happen to one of them.”

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A scene set at the stadium office with Namath is established with a shot of the Rose Bowl Stadium in Pasadena. The entrance area to the 1922-built stadium has recently undergone some renovations, but the structure itself still matches the Brady shot.

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The angle from which the establishing shot was filmed obscured the Rose Bowl logo with some tress, but if you look carefully, you can still make out the corners of the signage.

Stalk It: The Rose Bowl Stadium is located at 1001 Rose Bowl Drive in Pasadena.

And there you have it, nine locations for the price of one. If you’ve made it to the end, congratulations and thanks for sticking with me! As always, many thanks to Lindsay for generously offering up her forum for another very-Brady post.  (Editor’s note – a big THANK YOU to you, Michael, for yet another scintillating and fastidiously-researched article!  Smile)

New “L.A.” Mag Post – About Robert Kardashian’s Former House

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My Los Angeles magazine postings are back!  For the time being, until a new full-time editor is found to replace my former editor, I will only be contributing to LAmag.com once or twice a month, for The Culture Files section of the website.  Check out my latest post about Robert Kardashian’s former home, which just made an appearance as itself in the new FX miniseries The People v. O.J. Simpson.

David Wallace’s House from “The Office” – Part II

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Another filming location from The Office that I dragged my fiance out to stalk two weekends ago was the large Colonial-style estate belonging to Dunder Mifflin Paper Company CFO David Wallace (aka Andy Buckley) on the show.  This is not the same Pasadena-area property that stood in for the Wallace residence in the Season 3 episode of the series titled “Branch Closing” that I blogged about two weeks ago, however.  For an unexplained reason, after shooting the “Branch Closing” episode, producers chose to use a different, but similar-looking home located in the Encino-area, to stand in for the Wallace residence.  I found this location, as usual, thanks to fellow stalker Owen, who tracked down a slew of Office filming locales long before I ever even watched the show.  So, thank you, Owen!
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Owen had warned me before I stalked the house that the property was not only gated, but set quite a ways back from the street and was most likely not at all visible to the public.  I am very happy to report, though, that the stalking gods were smiling down upon us when we arrived to stalk the house because miraculously the front gates were standing WIDE OPEN!  YAY!  I am also happy to report that the home looks exactly the same in person as it did on the show.
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I honestly can’t get over how large the Wallace residence is!  The place is absolutely gargantuan!  And it is currently for sale!  According to its real estate listing, the home, which is currently being offered at $4,998,000, boasts 6 bedrooms, 6.5 bathrooms, 6,000 square feet of living space, and sits on a whopping 3 acres of what the listing describes as “park-like” land.  The home also features a separate 700-square foot guest house, working horse stables, a tennis court, a pool, and a spa.
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The home first appeared in the Season 3 episode of the series titled “Cocktails”, in which David Wallace and his wife, Rachel, throw a party at their house for all of the Dunder Mifflin managers.
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And, as you can see in the above screen captures as compared to these interior photographs of the home, the real life inside of the house and even some of the actual furniture was used in the filming of that episode.
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I have to say here that I absolutely LOVE LOVE LOVE the scene in “Cocktails” in which Dwight Schrute (aka Rainn Wilson) turns to a party guest who is eating shrimp and says, “You know that line on the top of the shrimp?  That’s feces.”  LOL LOL LOL  That scene especially resonates with me because someone once told me that very same thing when I was a little girl and I have NEVER forgotten it and now can’t eat shrimp unless that “line” has been removed.
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One VERY odd anomaly that I noticed while watching the “Cocktails” episode today was that the trash cans pictured in the background of the scene in which Michael and Dwight trade shirts were all spray-painted with the number “1485”.  And while the home where that episode was filmed is numbered “5133”, the Pasadena residence that stood in for David Wallace’s house in the previous “Branch Closing” episode was in fact numbered “1485”.  I don’t even know what to make of this development, as that shirt-trading scene was obviously not filmed at the Pasadena location.  I guess I’ll just have to chalk it up to being a very, very bizarre coincidence.
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David Wallace’s house also appeared in the Season 6 episode of The Office titled “Sabre” in the scene in which Michael goes to David’s home to get some advice on how to deal with the new corporation that has just taken over Dunder Mifflin.
Big THANK YOU to Owen for finding this location!  🙂

Until next time, Happy Stalking!  🙂

Stalk It: David Wallace’s (second) house from The Office is located at 5133 Louise Avenue in Encino.  You can visit the home’s real estate listing here.

Michael Jackson’s Former Condo

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A few months back I read a fabulous book named Michael Jackson: The Magic, The Madness, The Whole Story written by author J. Randy Taraborelli about the life and times of the King of Pop.  I’ve mentioned the biography once before in a post I wrote back in September about the Jackson Family’s first L.A. area home.  I actually stumbled upon the tome while browsing at a Barnes & Noble bookstore with my fiancé this past summer and once I picked it up, I literally could NOT put it down.  I was so absorbed in the book, in fact, that hours later the Grim Cheaper practically had to drag me out of the store – only after agreeing to let me purchase a copy of it for myself, of course.  😉  Because Taraborelli and Michael were longtime friends, first meeting in 1970 at the tender ages of 14 and 11 respectively, the 765-page! book is written from a true insider’s point of view.  The best part about the biography, though – well, at least in my opinion – is the fact that it doles out several addresses of places that the pop star called home during his far too brief life.  One of those places is the three story condominium that MJ purchased in February of 1981 and lived in for a brief time while his family’s Hayvenhurst mansion was being remodeled.  So, since my fiancé and I were in the area doing some Valley stalking two weekends ago, I just had to drag him right out to stalk the place.

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Michael purchased the 3 bedroom, 3 bathroom condo, which measures 1,890 square feet, upon the suggestion of his long time lawyer John Branca, who thought it was time the 22-year old singer moved out on his own.  The condo cost him $210,000 – $175,000 of which he paid in cash.  According to Taraborelli, Michael’s mother, Katherine, footed the remainder of the tab, not because MJ didn’t have the extra $35,000, but because he wanted his mother to own a piece of property – or a piece of a piece of property in this case – apart from her husband Joe Jackson in case the two were ever to separate.  Shortly after purchasing the condominium, Michael had a change of heart, though, and didn’t end up moving in.  Taraborelli’s book quotes him as saying, “I just don’t feel it’s time for me to move away from home yet. If I moved out now, I’d die of loneliness.  Most people who move out go to discos every night.  They party every night.  They invite friends over, and I don’t do any of those things.”  Such a heartbreaking sentiment from someone who, at the time, was, professionally speaking, on top of the world.  🙁

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A couple of years later, Michael took over ownership of his family’s Hayvenhurst estate and decided to completely raze the dwelling in order to rebuild a new, much more extravagant abode.  Construction of the new mansion, which was Tudor in style, took a full two years to complete during which time Michael and a few of his siblings lived in the Encino condo.  While there, Michael invited a journalist named Gerri Hirshey into his temporary home to conduct an interview.  In the interview, which was published in the February 17, 1983 issue of Rolling Stone Magazine, MJ says to Gerri of his dwelling, “Not what you expected, huh?”  And even though Gerri says that he goes on to explain that it is a only a temporary living situation and he “concedes that this is an unlikely spot for a young price of pop”, he would end up owning the place for the rest of his life.  And he was right – the complex, which is called the Lindbrook, does not look at all like the kind of place one would expect to find the King of Pop residing in during the height of the “Thriller” years.  Which is probably exactly why he chose it.  That and the fact that the building is gated.  From what I can tell, the complex, which was built in 1973 and is quite large, houses 81 different units.  Supposedly Ice Cube even lived there at one time.  You can see interior photographs of other units in the building here, here, and here.  And here is a photograph taken in 1981 of Michael outside of his condo.  Supposedly this absolutely adorable video of Michael dancing with television star Emmanuel Lewis was taken in the living room of the Encino condo, but I have not actually been able to verify that.  Either way, the clip is definitely worth a look.  🙂   After Michael and his family moved back into the Hayvenhurst estate, the condo remained vacant with various Jackson family members occupying it intermittently throughout the years.  At the time of his death, his sister LaToya’s name was also on the deed.

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Until next time, Happy Stalking!  🙂

Stalk It: Michael Jackson’s former condo, the Lindbrook, is located at 5420 Lindley Avenue in Encino.  MJ lived in Unit #9.  Ice Cube supposedly lived in Unit #4 of the same building.