Mawby’s Bar from “Flashdance” – An Update

Mawby's Bar from Flashdance (6 of 6)

Typically, when a vacant space is built out for a production, it is dismantled as soon as filming wraps – though sometimes stranger things, ahem, do happen.  Take Gwinnett Place, for instance.  A wing of the largely deserted Duluth, Georgia shopping center was transformed (with breathtaking attention to detail, I might add) into Hawkins, Indiana’s Starcourt Mall for the third season of Stranger Things. It is one of my favorite locations ever to be brought to life onscreen and, incredibly, was left completely dressed in its destroyed ‘80s state up until earlier this month – almost a year after filming took place!  Atypical as that is, the same scenario appears to be true for Mawby’s Bar from Flashdance!  As I chronicled in an August 2017 post, the supposed Pittsburgh nightclub was not a real place, but a set created especially for the 1983 movie at a vacant warehouse located at 229 Boyd Street in downtown L.A.  While I assumed said set was disassembled following the shoot, fellow stalker Dave (you may remember his amazing research from this post) recently informed me that it popped up again two years later as Coyle’s Club & Cuff in Police Academy 2: Their First Assignment!  Why producers (not to mention the building owner) chose to leave the bar space intact is beyond me, but I am so grateful they did!  Due to the many changes the warehouse incurred in the three-plus decades since Flashdance was shot, it is not at all recognizable, so prior to writing my 2017 post I attempted to dig up additional footage of it from other productions lensed around the same time to further verify its use in the movie.  I was unsuccessful, but, thankfully, Dave has now done the legwork for me!  So I figure an update is in order!

[ad]

It is at Coyle’s Club & Cuff that the officers of the 16th Precinct regularly hang out in Police Academy 2.  As Dave explained to me, the small octagonal windows flanking the bar’s front door, the larger one situated on the wall beside it, and the glass block framing perfectly match Mawby’s exterior from Flashdance, giving away its location as 229 Boyd Street, despite looking completely different today.

Screenshot-011586

  Screenshot-011613

Mawby's Bar from Flashdance (2 of 6)

Dave went on to explain that in one scene, Tackleberry (David Graf) is shown walking inside Coyle’s and, as he enters, it becomes obvious from the octagonal window visible behind him (denoted with a blue arrow below) as well as the glass block framing above the doorway (denoted with a pink arrow) that the warehouse was used for both interiors and exteriors.

Screenshot-011628-2

Those exact same elements are also apparent in Flashdance, which cements the fact that the inside of the building was utilized in that film, as well – something I hypothesized about in my 2017 post, but could not prove at the time.

Screenshot-0116130-2

As Dave scrutinized the two movies further, he discovered even more matching details!  He called my attention to the two shots below, taken from practically the same angle, noting that although framing was built atop the bar for Police Academy 2 changing the look of it, the countertop was left untouched as were the doorway and hatch visible beyond it!

Screenshot-011596

Screenshot-011607

Seeing that doorway and hatch (denoted with pink and blue arrows below) gave me goosebumps!  I could hardly believe my eyes, but, sure enough, right before me was proof that the Mawby’s set was left intact long after Flashdance wrapped.

Screenshot-011596-2

Screenshot-011607-2

A clearer view of the octagonal hatch is pictured below.  (To quote Jake Peralta, “Literal goosebumps!”)

Screenshot-011594-2

Thrilled at the new development, I excitedly began dissecting Flashdance and Police Academy 2 myself and dug up a few additional elements visible in both, including a vestibule with decorative wood paneling (shown from opposing angles below) situated just inside the front door of the two spaces.

Screenshot-011590-2

Screenshot-011601-2

  A partition with seating that runs the length of the interiors is also apparent in both flicks.

Screenshot-011592-2

Screenshot-011603-2

The counter attached to said partition (shown from opposite angles below) boasts red siding in both productions, as well.

Screenshot-011597-3

Screenshot-011614-3

The lip of the bar and the tan and red paneling below it are also direct matches.  Oh, how I wish that interior was still intact today!

Screenshot-011593-2

Screenshot-011609-5

During his research, Dave unearthed an even more unusual twist!  Toward the middle of Police Academy 2, the outside of 229 Boyd appears in an undressed state in the scene in which Doug Fackler (Bruce Mahler) heads to a gas station looking for a public restroom.  As Dave wrote to me, “So at some point during production, either before or after Fackler drives past the building, the set designers will have given it quite a makeover!”  Though definitely odd, the segment provides a fabulous full view of what the property looked like in 1985 – which is pretty darn close to how it appeared in Flashdance (minus the Mawby’s accoutrements, of course)!  Dave notes, “Even the HOTEL lettering is still intact!”  Sadly, the location in its current state does not resemble its ‘80s self in the slightest.

Screenshot-011624

Screenshot-011612

Mawby's Bar from Flashdance (4 of 6)

As chronicled in my 2017 post, the warehouse pops up in a few other productions, as well, including 1984’s Night of the Comet.  In the screen captures below, the Mawby’s site, located just beyond the stop sign, is denoted with a yellow arrow.

Harry Washello (Anthony Edwards) and Wilson (Mykelti Williamson) drive by the building in 1988’s Miracle Mile.

And a reused shot of it from Flashdance appeared as an establishing shot in the 1990 made-for-television movie Perry Mason: The Case of the Poisoned Pen, though no actual filming took place there.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

HUGE thank you to fellow stalker Dave for figuring out this location’s Police Academy 2 connection.  Smile

Mawby's Bar from Flashdance (5 of 6)

Until next time, Happy Stalking!  Smile

Stalk It: The building that portrayed both Mawby’s Bar in Flashdance and Coyle’s Club and Cuff in Police Academy 2 can be found at 229 Boyd Street in downtown Los Angeles.  The neighborhood where it is located is not the greatest, so please exercise caution when visiting.

The Firehouse from “Ghostbusters”

IMG_5806

This past weekend while doing some stalking in Downtown L.A. I dragged my fiancé out to see an oft-used filming location that has long been at the top of my “To-Stalk” list.  That location is known as Fire Station #23, a real life former working fire house that served as the offices of Dr. Raymond Stantz (aka Dan Aykroyd), Dr. Peter Venkman (aka Bill Murray), Dr. Egon Spengler (aka Harold Ramis), and Winston Zeddmore (aka Ernie Hudson) in the 1984 movie Ghostbusters.  And as fate would have it, when we pulled up to the now-defunct fire station, the caretaker of the property, an EXTREMELY nice man named Daniel Taylor, happened to be standing outside speaking with a student filmmaker.  So, I, of course, struck up a conversation with him and asked if it might be alright if I stepped inside to take a look around and snap a few photographs.  And, let me tell you, I just about fell over from excitement when Daniel told me to go right in!  YAY!

IMG_5807

[ad]

IMG_5805

Fire Station #23 actually has quite a storied, and sometimes scandalous, history.  The structure, which first opened on October 2, 1910, was designed by the prominent architectural firm of Hudson & Munsell and served as the headquarters of the Los Angeles Fire Department for over a decade.  The three story building, which cost between $57,000 and $60,000 to construct and measured 26 feet wide, 167 feet deep and encompassed 13,600 square feet of space, has been mired in controversy ever since the day it was first dedicated.  In the beginning, angry citizens deemed the construction costs far too steep for a public building, especially since tax payers were footing the bill and considering the extravagance with which the place was built.   And it has been said that no other fire station in the country is as opulent.  The top floor of the structure housed the Fire Chief’s suite, an apartment which every fire chief from 1910 to 1928 called home.  The suite featured a marble bathroom complete with a double bathtub, Peruvian mahogany wall paneling, imported Italian tile detailing, oak flooring, a private elevator, a brass bed, a roof garden, a marble fireplace, and French bevel glass mirrors.  The second floor contained the captain’s dwelling, a library with built-in bookshelves, and bunks for twenty firefighters.  The bottom floor contained an open arcade with enamel tiled walls, 21 foot high pressed tin ceilings, and stalls to accommodate ten horses.  Pretty amazing for a fire house, huh?  The Los Angeles Times even dubbed the place “the Taj Mahal of fire stations”.

IMG_5792

Fire Station #23 remained in operation for fifty years, whereupon its men responded to over 60,000 fires.  But with the city moving towards building more modernized stations, Engine Truck Company #23 closed its doors for good on November 23rd, 1960.  Because a station in Pacific Palisades adopted the “23” company number, the shuttered station took on the name “Old 23”.  For the next six years, the fire department utilized the space for medial records storage and as a training facility.  In 1966, the same year it became a City of Los Angeles Historic-Cultural Monument, the fire house was shut down by the department completely.  For the next ten years, as the area surrounding the building became more and more impoverished, the station fell into serious disrepair and suffered from extreme vandalism and looting.  In 1979, the Fire Commission decided to renovate the property and eventually turn it into a firehouse museum.  A non-profit organization named Olde 23 was set up to oversee the restoration process and to raise funds for the massive undertaking.  In 1980, the building was added to the National Register of Historic Places.  Nine years later, though, in 1988, the plans for turning Old #23 into a museum were nixed and the city opened their Los Angeles Fire Department Museum at a location in Hollywood instead.

IMG_5793

Seven years later controversy came raining down upon the fire house once again when Los Angeles Times staff writer Robert J. Lopez authored a front page article accusing the Olde 23 corporation of misuse of funds.  According to the article, Olde 23 had been collecting massive amounts of money (over $210,000 to be exact) thanks to the numerous film shoots that had taken place on the premises over the years.  Not only had the company failed to turn that money over to the city, though, but no one had even informed the city that any sort of filming was going on.  Being that a city department is responsible for handing out film permits, I’m not quite sure how this even happened, but I guess it’s just another case of a beaurocracy’s right hand not knowing what the left is doing.  Causing further scandal was the fact that even though the city had moved the museum location to a different site seven years prior, Olde 23 was still collecting not only filming fees that would supposedly go into the museum fund, but also donations for the project.  AND (yes, there’s more!) the supposed non-profit was ALSO collecting filming fees from production companies for shoots that were taking place at other firehouses in the area – firehouses that the Olde 23 company had no jurisdiction over!  LOL  Talk about a sh*tstorm!!  😉  President and C.E.O. of the Olde 23 company was none other than Los Angeles Fire Chief Donald O. Manning himself, who resigned from his post just 8 days after Lopez’s newspaper article hit the stands.   Following his resignation, Fire Station #23 continued to host film shoots, with the money going to the City of Los Angeles, the property’s rightful owner.  Just this past September, though, the building was designated surplus property and the city is considering selling it to several different private investors, including a restaurant developer and a non-profit arts education group.

IMG_5804

Daniel Taylor, who has been caretaker of the property since 1985 and who the city is currently trying to evict, has different plans for the building, though.  He recently formed the Corporation for History, Arts, and Culture (CHAC) with the hopes of restoring the old firehouse to its original grandeur for use as both a cultural center and a filming location.  He estimates the restoration project to cost upwards of $8 million and is trying to raise funds now.  If you would like to learn more about the cause, you can do so on CHAC’s official website.  And while the future of the historic firehouse remains to be seen, in the meantime I highly recommend stalking it as it is a truly beautiful and unique building.

ScreenShot3559

In Ghostbusters, the exterior of the gang’s headquarters (pictured above) was actually filmed at Hook & Ladder Company #8 located at 14 North Moore Street in New York.

ScreenShot3566

ScreenShot3567

IMG_5801

ScreenShot3562

IMG_5800

ScreenShot3563

ScreenShot3571

IMG_5797

But for the interior filming, cast and crew came to Fire Station #23 in Downtown Los Angeles.  And I am happy to report that the interior looks almost exactly the same today as it did in 1984 when Ghostbusters was filmed!  Amazing!

ScreenShot3564

ScreenShot3565

The boys’ back office area is not there in real life, though, and I am assuming it was just a set that was added solely for the filming.

ScreenShot3568

ScreenShot3569

ScreenShot3570

The upstairs of the firehouse was used in the filming, as well, but unfortunately I didn’t get to see that area while I was there.

ScreenShot3572

ScreenShot3575

ScreenShot3576

Five years later cast and crew returned to Fire Station #23 once again to film the interior scenes for Ghostbusters II.

ScreenShot3573

ScreenShot3574

IMG_5798

And I just about died when I spotted the wooden wall adornment pictured above, which was featured in the sequel.  So cool!

ScreenShot3556

IMG_5791

ScreenShot3551

IMG_5802

ScreenShot3552

IMG_5794

The firehouse was also featured in 1994’s The Mask, in which it doubled as Jim Carrey’s deceitful car mechanic’s office.

ScreenShot3557

IMG_5809

ScreenShot3558

IMG_5810

He later vandalizes the place after turning into “The Mask”.

ScreenShot3577

ScreenShot3578

ScreenShot3580

In 2003’s National Security, the firehouse was used as the location of Earl Montgomery (aka Martin Lawrence) and Hank Rafferty (aka Steve Zahn’s) stakeout.  Only the exterior of the building and a very small portion of the interior (pictured above) were featured in that shoot, though.  Firehouse #23 has also appeared in V.I. Warshawski, Police Academy 2, Flatliners, Set It Off, RE(e)volution, Big Trouble in Little China, in the television series Firehouse, and in the Season 4 episode of The A-Team entitled “The Road to Hope”.  All in all, it has been featured in more than 50 commercial, television, movie, and music video productions over the years.

Until next time, Happy Stalking!  🙂

Stalk It: Fire Station #23, aka the firehouse from Ghostbusters, is located at 225 East Fifth Street in Downtown Los Angeles.  Unfortunately, the station is not in the safest of areas, so please exercise caution if you choose to stalk it.  You can visit the CHAC Fire Station #23 website here.