The Oviatt Penthouse from “Hollywood”

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There’s no denying that Henry Willson (Jim Parsons), the Hollywood character based upon the real-life post-war power agent to the stars, is despicable.  But he’s also, hands down, one of the best parts of the show!  Those one-liners, amirite?  I couldn’t help but smile every time he came onscreen.  The only thing better than his pithy comments was his incredible, mid-century office!  The ziggurat lighting sconces, shiny wood paneling, and marble fireplace were enough to make me drool!  Thanks to the space’s unique detailing, I recognized it immediately as the Oviatt Penthouse, the sleek Art Deco former home of clothier James Oviatt.  I got to tour the grand site, situated on the 13th floor of downtown L.A.’s Oviatt Building, while scouting wedding venues back in 2008 and was completely taken with it – so much so that I brought my mom back to see it just a few days later.  She was equally taken, describing it as having the feel of an Old Hollywood train car.  Though the Grim Cheaper and I did not end up getting married there, the Oviatt Penthouse left an indelible impression, so I, of course, identified it straightaway when it popped up on Hollywood.

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The exquisite 10-room suite was created in 1928 by Parisian interior design firm Saddler et Fils (French for “Saddler and Son”).

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Replete with gleaming marble, ornate chandeliers, Lalique glasswork, moire wall coverings, hand-carved parquet flooring, and burled maple, mahogany and thuya built-ins, the Oviatt Penthouse is a definite stunner!

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Interestingly, the master bath is one of the space’s most lavish and talked-about areas, featuring carved lacquer-covered terra cotta walls, a Lalique glass skylight, a brightly-tiled steam/massage room, two sinks (one strictly for shaving), a large step-down bathtub, and a bidet.

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With a hideaway toilet, the powder room is also pretty darn unique!  (And yes, I know it looks like our tour guide is flipping off the camera below, but, in reality, I just happened to catch him at an unfortunate moment while he was pointing out features of the latrine.)  Now you see it . . .

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. . . now you don’t!

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The powder room features a hidden sink, as well!

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The Oviatt Penthouse also has an upper and lower terrace, the latter of which is reached via the curved staircase pictured below.  During James’ tenure, the spaces were comprised of a tennis court, a small pool, a putting green, gardens, and a sunbathing beach made complete with sand brought in from the French Riviera.

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James, who lived as a bachelor there until marrying his wife, Mary, in 1945, called the penthouse his “castle in the air.”  The couple remained on the premises until their deaths in the 1970s.

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The Oviatt Penthouse was completely restored in 1977 and then again in 1988 and today is used as a special events venue.

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During the latter renovation, a wall was taken down, combing the property’s second bedroom with the dining area to create more space for revelers.

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The terrace accoutrements were also removed to make the outdoor area special-event friendly.

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Otherwise, the flat was left largely unchanged and simply restored to its original glory.  As a 1988 Los Angeles Times article states, “Guests stepping from the elevator now will see virtually the same flooring spaces that Oviatt and his architects laid out 60 years ago.”  You can check out additional photos of the penthouse here, as well as a video tour here.

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Henry Willson’s office appears several times throughout Hollywood, first popping up in the episode titled “Hooray for Hollywood: Part 2” in the scene in which aspiring actor Rock Hudson (Jake Picking) has his initial meeting with the agent.

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The penthouse’s living room was utilized for all of Henry’s office scenes.

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Though outfitted with a desk, bookshelf, and other furnishings for the shoot, producers really didn’t have to add much to transform the space into a 1940s-era talent agency.

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For whatever reason, the room’s intricate chandeliers were swapped out with more conventional ones.  The originals would have fit better with the time period, as well as the accompanying décor, so it was a bit of an odd move.  Otherwise though, the office is perfection!

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Additional areas of the penthouse appeared on Hollywood, as well, including the dining room, which portrayed Henry’s waiting room.  The space was heavily dressed for the shoot and the wall mural covered over, rendering it largely unrecognizable as you can see in the screen capture and matching photograph below.

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The master bedroom also made an appearance . . .

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. . . as did many of its actual furnishings.

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The penthouse’s spectacular hallway, which is capped by a canopied ceiling painted with a night sky, was featured, too.  The bold geometric carpeting running the length of it is a nod to both The Shining and Murphy’s American Horror Story: Hotel (the latter was also shot at the Oviatt Building!).  It looks as if the carpet was even left intact after Hollywood wrapped.

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The Netflix series isn’t the penthouse’s first cameo.

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Bugsy Siegel (Warren Beatty) very briefly takes a telephone call in the master bathroom in the 1991 biopic Bugsy.

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Max Hoover (Nick Nolte) and Elleroy Coolidge (Chazz Palminteri) break up a party there in the 1996 drama Mulholland Falls.

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And thanks to fellow stalker Gilles I learned that Mylene Farmer also shot her “California” music video at the penthouse in 1996.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Oviatt Penthouse, aka Henry Willson’s office from Hollywood, is located on the top floor of the Oviatt Building at 617 South Olive Street in downtown L.A.  The space is not open to the public, but can often be viewed via the Los Angeles Conservancy’s Art Deco Walking Tour.

Golden Tip Gasoline from “Hollywood”

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Who knew what we needed right now was a happy retelling of Hollywood history?  Ryan Murphy, apparently!  And he sure delivers with his new Netflix series, aptly titled HollywoodLoosely based upon an actual high-end prostitution ring run out of a 1940s Tinseltown gas station, the show is a feast for the eyes when it comes to locations!  Apartment buildings, offices, restaurants – every spot featured is prettier than the last.  At the center of it all is Golden Tip Gasoline, a gleaming yellow and white Streamline Moderne site that had me drooling as soon as it came onscreen.  So, of course, I set out to find it.  Thankfully, doing so was a snap thanks to this Eastsider article which chronicled the October 2019 filming of “a new Netflix drama set in 1940s Hollywood” at Luis Lopez Automotive.  One look at the photos of the Atwater Village repair shop dressed in all of its retro glory told me it was the right place.  So to the top of my To-Stalk List it went and I headed over there while doing some socially-distant stalking in L.A. last week.

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Luis Lopez Automotive was originally constructed as a Mobil station in the 1930s.  You can check out an early photo of it here.  It is amazing how little of the structure has been altered over the years!

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Per Eastsider, the adjacent repair shop was added sometime in the 1940s.

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The locale didn’t become Luis Lopez Automotive until Luis Lopez Sr. took over in 1968.  The photo of him featured on the homepage of the shop’s website looks like it was ripped straight out of a scene from Hollywood!

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Luis’ son, Luis Lopez Jr., worked at the garage throughout his childhood, eventually becoming full-time in 1995.  He runs the place today.

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With its sleek lines, dotting of palm trees and brilliant blue sky backdrop, the shop is definitely cinematic!

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I couldn’t stop snapping photos!

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Considering its picturesque aesthetic and retro look, it’s no surprise the site wound up in Hollywood.  It is out of Golden Tip Gasoline (a double entendre if I’ve ever heard one!) that Ernie West (Dylan McDermott) runs his very lucrative prostitution ring, employing young Hollywood hopefuls like Jack Castello (David Corenswet) and Archie Coleman (Jeremy Pope) to, ahem, “service” Tinseltown’s elite.

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Though the station does boast a yellow and white color scheme onscreen, production did away with its amber paint trim for the shoot, I’m guessing to give it a cleaner look.

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A secondary overhang and additional pumps were also added to the northeast side of the station for the filming.

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Though my images above and below were taken from slightly different angles than the screen captures, they show what that area looks like in real life.

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Despite the alterations, Luis Lopez Automotive is still very recognizable from its Hollywood stint.

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The only thing missing is the fabulously retro Golden Tip sign.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine, and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Luis Lopez Automotive, aka Golden Tip Gasoline from Hollywood, is located at 2751 Fletcher Drive in Atwater Village.

Chief Irving’s House from “Bosch”

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Bosch never fails to disappoint when it comes to locations – or storylines, for that matter.  The latest season, the show’s 6th (Bosch is Amazon’s longest-running original series, incidentally!), was no different.  One spot stood out far above the rest, though – the spectacular Spanish home where Chief Irvin Irving (Lance Reddick) lived with Jun Park (Linda Park).  One look at the beamed ceilings, wrought-iron chandeliers, and tiled fireplace, and I was completely smitten.  So, of course, I set right out to find it.

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Thankfully, a street sign reading “4300 West 8th” was visible in the season’s first episode, titled “The Overlook,” in the scene in which Harry Bosch (Titus Welliver) drives away from Irving’s house, leaving him standing alone on the front sidewalk.

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Upon spotting the signage, I promptly headed over to 4300 West 8th Street, Los Angeles via Google Street View, and, sure enough, there was Irving’s residence staring back at me from the southeast corner of 8th and Plymouth Boulevard!  Hardly able to contain my excitement, I drove out to L.A. last week to stalk it – from an appropriate social distance of, course!

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In person, the place did not disappoint.

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And, as it turns out, boasts quite an interesting history.

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The sprawling Mission Revival-style pad was originally designed by architect Frank Meline in 1922 as a Sunday school/rectory for a local Methodist church.  The bell-tower-looking chimney certainly reflects that.

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The church sold the property in 1926 to the Ruskin Art Club, a women’s organization dedicated to supporting the arts and artists of Southern California.  The group proceeded to utilize the structure, which is Los Angeles Historic-Cultural Monument #639, as a clubhouse for the next nine decades.

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Sadly, the site fell into quite a bit of disrepair during the later years of the Ruskin Art Club’s tenancy.  By 2014, the group found itself no longer able to maintain it and put it on the market.  Scott Lander of Lander Design quickly snapped the place up and began transforming it into a single-family residence.  Though it was in pretty bad shape when he got his hands on it, his renovation is nothing short of exquisite!  You can check out some before and after pics here.

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Today, the dwelling boasts 3 bedrooms, 3 baths, 2,890 square feet, countless original details, a living room with exposed beams, multiple Batchelder tile fireplaces, a central courtyard, a detached 2-car garage, and a 1-bedroom, 1-bath guest house.

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Oh, and a massive 0.34-acre corner lot.

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You can check out some additional interior images of it here.

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As I discovered while writing this post, Chief Irving’s house actually first made an appearance during Bosch’s fifth season.  I failed to take note of it at the time, though, I think largely because the dazzling vaulted ceiling was never shown.

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It was not until Season 6’s “Three Widows” that we were given a glimpse of it and I was stopped right in my tracks!

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Though the MLS images above and below were taken from opposite angles than what was shown on Bosch, you can still see that the home looks just as gorgeous in real life as it did onscreen.  In fact, it appears that some of the actual décor and furniture were even utilized on the show!

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The residence’s exterior also makes a few appearances this season . . .

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. . . including in the finale, titled “Some Measure of Justice,” when Irving holds a press conference to announce he is withdrawing his mayoral bid.

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And it is in the home’s pastoral courtyard that Irving and June tie the knot in the episode titled “Money, Honey.”

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Chief Irving’s house from Bosch, aka the former Ruskin Art Club, is located at 800 South Plymouth Boulevard in the Mid-Wilshire area of Los Angeles.

Super A Foods from “Once Upon a Time in Hollywood”

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It’s not every day a location is featured in back-to-back Oscar frontrunners, but such was the case with Glassell Park’s Super A Foods!  The small mid-century market made appearances in both 2018’s A Star Is Born and 2019’s Once Upon a Time in Hollywood.  Neither movie wound up locking down the Best Picture prize, but Super A Foods became a household name among fans, not to mention a popular stalking venue, nonetheless.  I had long been familiar with the grocery store thanks to its cameo in the 2002 Britney Spears vehicle Crossroads and even blogged about it in 2011.  It sure has come a long way since then, though, so I figured it was definitely time for a redo and ran right out to re-stalk it.

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Built in 1967, the one-story grocer was designed by architect Robert H. Peterson and originally housed a Food Fair market.

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In 1975, Super A moved in and never looked back.  The chain, which today boasts 8 outposts, was founded in 1971 by Lou Amen, who sadly passed away two weeks ago at the age of 90 after miraculously recovering from a case of COVID-19.  He was still actively working for the family-run company until just a few days before his death.

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Per the Los Angeles Conservancy, the Glassell Park Super A Foods “is significant as a largely intact example of a postwar-era grocery market.”  The building features fabulous mid-century detailing including glazed glass, a geometric sign, and a canted ceiling.

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That roofline, though!

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It is at Super A that Pussycat (Margaret Qualley) and other Manson Family members dumpster-dive for food toward the beginning of Once Upon a Time In Hollywood.  The segment was shot on the market’s west side, along Cypress Avenue.

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The signage visible behind the women in the scene is authentic to the store, painted there long before filming took place.

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The James Dean mural the group walks by upon leaving Super A is not, though.  It was created specifically for the shoot on the western side of S & S Pharmacy, directly across the street from the market.

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Sadly, the mural was painted over after filming wrapped and there are no vestiges of it left today.

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As I mentioned above, Super A was also featured in Crossroads.  It is at the supposed Alabama store that Lucy (Britney Spears), Mimi (Taryn Manning), Kit (Zoe Saldana), and Ben (Anson Mount) make a pit stop for snacks during their road trip from Georgia to California.

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And in A Star Is Born, Ally (Lady Gaga) and Jackson Maine (Bradley Cooper) stop by Super A for frozen peas after Ally gets into a bit of a scuffle, punching someone at a bar.  While sitting in the market’s parking lot nursing her swollen hand, Ally begins to write “Shallow,” the song that eventually makes her famous.  Of the location, cinematographer Matthew Libatique told radio station KPCC, “If a grocery store can possibly be cinematic, it’s this one.”  He also considered the site pretty central to the movie.  As Libatique expressed to LAist in a 2018 interview, “It was meant to root [Ally’s] existence on the Eastside of Los Angeles.  It was very important for [production designer Karen Murphy], as a designer, to make sure the character had an identity through her environment.”

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Yellowcard’s 2003 “Way Away “ music video was shot at the market, as well.

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And in 2019 Cuco filmed his “Keeping Tabs” music video at Super A.

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The Glassell Park Super A Foods is not the chain’s only claim to fame.  The former Eagle Park outpost at 2245 Yosemite Drive, which today houses a Sprouts Famers Market, made several appearances in the 1981 comedy The Incredible Shrinking Woman.

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The Eagle Rock store was also featured in Travis’ 2007 “Closer” music video.

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And the 2008 comedy Over Her Dead Body filmed a couple of scenes at the Highland Park Super A, located at 5250 York Avenue.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Super A Foods, from Once Upon a Time in Hollywood, is located at 2925 Division Street in Glassell Park.

The Petitfils-Boos Residence from “Hollywood”

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My stalking backlog is ridiculously large, so much so that I often forget places I’ve been.  Case in point?  The Petitfils-Boos Residence.  (With a name like that, you’d think I would have remembered it, right?)  I stalked the historic Windsor Square mansion way back in November 2012 (which is crazy to me – looking at the photos, I feel as if it was just yesterday!) after it made a brief appearance on Dexter and then it promptly slipped my mind.  Though I was reminded of the place when I saw it pop up on Feud: Bette and Joan in 2017, I somehow quickly forgot about it again.  It was not until I spotted the pad in an episode of the new Netflix miniseries Hollywood recently that I decided it was finally time for a post!  So here goes!

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The Italian Renaissance Revival-style mansion was designed in 1922 by architect Charles F. Plummer for Walter M. Petitfils, one of the confectioners behind the gorgeous Dutch Chocolate Shop in downtown L.A.  Walter didn’t stay on the premises long – in 1927 he sold the pad to his friends Henry and Cassie Boos, hence its hyphenated, hard-to-pronounce name.

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Not only is the property absolutely HUGE – between the main house and the guest house, it measures a total of 10,120 square feet! – but it looks even bigger than it actually is thanks to its V-shape and diagonal placement on a corner lot.

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The 2-story estate boasts an 8,594-square-foot main house with 4 bedrooms, 5 baths, walnut paneling, stained glass windows, archways, murals hand-painted by Dutch artist Anthony Heinsbergen, and a Gladding, McBean terra cotta tile façade.  There’s also a 1,526-square-foot guest house, a 0.74-acre lot, a pool, a hot tub, a BBQ, multiple gardens, a loggia, a courtyard, and a detached 2-car garage.  You can check out some interior images of it here.

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Every square inch of the place is stunning – even the front gate!  With those dripping topiaries, the residence looks straight out of Midnight in the Garden of Good and Evil.

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Not only is the property listed on the National Register of Historic Places, but the Los Angeles Conservancy procured an easement on the entire frontage, assuring no alterations can ever be made to the exterior.

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Considering the manse’s Old Hollywood feel, its appearance on the 1940s-set Hollywood must have been a no-brainer for producers.  The residence pops up in the episode titled “Hooray for Hollywood: Part 2” as the supposed former Beverly Hills home of Bugsy Siegel – “Might even be the house he got shot in!” according to Ernie West (Dylan McDermott) – where Jack Castello (David Corenswet) escorts Avis Amberg (Patti LuPone) to an estate sale of the slain gangster’s belongings.

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While there Avis bids on – and wins – a soup tureen that she says Bugsy borrowed from her and never returned.

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Hollywood is hardly the Petitfils-Boos Residence’s first rodeo.

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As I mentioned, the estate was featured on Dexter in 2012.  In the Season 7 episode titled “Are You . . . ?”, it masks as the Ukrainian mansion of Isaak Sirko (Ray Stevenson).

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In 2014, it portrayed the home of Governor Paul Lane (Joel Gretsch) and his family in the Season 1 episode of Scorpion titled ‘”Single Point of Failure.”

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Jennifer Aniston posed there for People magazine’s 2016 World’s Most Beautiful issue.  You can see some video clips of the shoot here.

Jennifer Garner also posed at the mansion in 2016 for the March issue of Vanity Fair.  You can watch a behind-the-scenes video of the shoot here.

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The Petitfils-Boos Residence played Hedda Hopper’s (Judy Davis) home – or as she calls it, “the house that fear built” – in the pilot episode of Feud: Bette and Joan, which aired in 2017.

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And it popped up several times as the dwelling of Police Commission President Bradley Walker (John Getz) during the fourth season of Bosch, which aired in 2018.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Petitfils-Boos Residence, aka Bugsy Siegel’s house from the “Hooray for Hollywood: Part 2” episode of Hollywood, is located at 545 South Plymouth Boulevard in Windsor Square.

Donna’s House from “La Bamba”

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I would be remiss if, in all my blogging of Cameron Woods (herehere and here), I did not mention the neighborhood’s most famous “resident,” especially since I am asked about it all.the.time.  Towards the southern end of the 6200/6300 block of Orion Avenue in Van Nuys sits the picturesque Cape Cod where Donna Ludwig (Danielle von Zerneck) lived in the 1987 biopic La Bamba.  I first learned about the locale thanks to Mike, from MovieShotsLA, who took me to stalk Cameron Woods way back in 2008.  I was recently reminded of the place while in the area taking photos of the house from the Season 2 finale of You just prior to my dad’s surgery and decided it was high time I dedicate a post to it.  So I wandered right on over to snap some more current pics.  (“Oh, Donna” stuck in your head yet?  ‘Cause it sure is in mine!)

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The picturesque one-story property, originally built in 1948, boasts 4 bedrooms, 2 baths, 1,931 square feet, original hardwood flooring, a brick fireplace, an open floor plan, a breakfast nook, French doors, a 0.44-acre lot, a pool, a hot tub, a BBQ, a detached 2-car garage, and what a former real estate listing describes as “an entertainer’s backyard.”  You can check out some interior images of it here.

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The residence last sold in 2013 for $715,000 and, per Zillow, is currently worth a whopping $1.3 million.

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Oddly, we are only given one semi-wide shot of the home in La Bamba.  In it, you can see how different the property is today.  Since filming took place 33 years ago (how is that possible?!?), the white picket fencing out front has been removed (which, per Google Street View, looks to have occurred in 2014) and four gable windows have been added to the roof.  Despite those alterations, though, the dwelling is still recognizable from its big-screen stint.

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Donna’s residence pops up several times throughout La Bamba . . .

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. . . but typically only in very tight shots, as evidenced above and below.

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We also get some glimpses of the houses to the immediate north . . .

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. . . and south of Donna’s in the scene in which Ritchie Valens (Lou Diamond Phillips) walks his love interest home for the first time.

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I was thrilled to discover while looking at MLS images of the property that the actual interior was also used in the movie!

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Its aesthetic was quite a bit different at the time, though!  (The angle of the MLS photo below is a little off as compared to the screen grab, but it does show the same room – sans wood-paneling and pink walls.  You can check out a better matching view of the space here.)

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I am not sure if the décor seen in La Bamba was that of the actual homeowners or set dressing, but I am guessing the latter.  Either way, it sure is fabulous!  Check out that mid-century kitsch!  The wall coloring, chandelier, ashtray, lamp, and rotary phone are perfection!

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Considering its idyllic qualities, Anywhere, U.S.A. appeal, and the fact that it is located on one of L.A.’s most oft-filmed blocks, I would have guessed that the house had been featured in other productions, but I was unable to dig up any additional cameos.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Donna’s house from La Bamba is located at 6238 Orion Avenue in Van Nuys’ Cameron Woods neighborhood.  Many other filming locations can be found on the same street, including Mary-Kate and Ashley’s home from “The Case of Thorn Mansion” episode of The Adventures of Mary-Kate & Ashley at 6332 Orion, Pete’s (Brian Petsos) residence from Bridesmaids at 6309 Orion, and Joe Goldberg (Penn Badgley) and Love Quinn’s (Victoria Pedretti) new pad from the Season 2 finale of You at 6301 Orion.

Mary-Kate and Ashley’s House from “The Adventures of Mary-Kate & Ashley”

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One Hollywood factoid that always manages to shock me no matter how many times I hear it is that Mary-Kate and Ashley Olsen are fraternal twins!  Though the women look – and have always looked – identical, they aren’t!  Don’t believe me – you can hear it straight from the horse’s mouth, so to speak, here.  I know, I know – it’s almost unbelievable!  As Catriona Harvey-Jenner stated in this 2016 Cosmopolitan article, “During one of my daily travels around the great expanse that is the internet, I stumbled across a piece of information so shocking, so life-altering, that it shook me to my very core.  Are you ready for this?  Mary-Kate and Ashley Olsen, as in the identical-looking twins from our childhood TV movies, AREN’T identical twins.  It’s okay if you want to just take a moment to sit down after hearing that.  Practice some deep breathing and stuff.”  Equally as surprising, at least to those who know me and my MK & A obsession well, is the fact that I never watched The Adventures of Mary-Kate & Ashley, the girls’ 1994 mystery/musical video series.  Nevertheless, I was thrilled when fellow stalker Chris (who you may remember from this post) let me know the address of the house the twins called home in the pilot episode, titled “The Case of Thorn Mansion.”  As it turns out, it’s in Cameron Woods, the quarter-mile stretch of Van Nuys’ Orion Avenue that is one of L.A.’s most oft-filmed spots.  So I had to run by while I was in the area a couple of months ago.

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In real life, the traditional 1-story residence, which was built in 1947, boasts 3 bedrooms, 2 baths, 1,825 square feet, a fireplace, a 0.49-acre lot, and a detached garage with what appears to be an in-law unit.  You can check out some interior pictures of the place here.

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With its white picket fencing, large setback from the street, green and white color scheme, and dotting of tall trees, the dwelling, like all of the others in Cameron Woods, is extremely idyllic.

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Even the mailbox, fashioned to look like a house, is picturesque!

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So it is no surprise that the place is a favorite of location scouts!  I mean, look at that walkway!

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The stately pad pops up twice in “The Case of Thorn Mansion,” first at the beginning of the episode as the twins return home from a day at school.

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  Though we don’t get a full view of the residence, what is shown looks much the same today as it did when filming took place over 2 and a half decades ago.  (And yeah, I did the math – Mary-Kate and Ashley are currently 33!  How’s that for making you feel old?!?)

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The property also appears in the episode’s “B-U-T-T Out” musical number, which you can watch here.  (That’s a very young Elizabeth Olsen wearing overalls in the caps below.)

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Coincidentally, the house figured into another production featuring twins!  In the Season 1 episode of CHiPS titled “Green Thumb Burglar,” Officers Frank Poncherello (Erik Estrada) and Jon Baker (Larry Wilcox) pull over a set of identical twins in front of the residence, which I learned via IMDB.  But thanks to the large tree out front, little of the place can actually be seen.  I was thrilled to spot the two white benches that still flank the front pathway (denoted with blue arrows below), though.  “Green Thumb Burglar” aired way back in 1977, so those things have been in place virtually forever!

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The same property portrays the home of Elaine Spencer (Jessica Walter), said to be at 1227 Lakeview in Cleveland, in the 1993 thriller Ghost in the Machine.

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A digital version of the pad is even shown in the movie!

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And it pops up as the supposed Wisconsin-area childhood home of Alison Parker (Courtney Thorne-Smith) in the Season 2 episode of Melrose Place titled “The Two Mrs. Mancinis,” which aired in 1994.

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The actual interior of the home was utilized in the episode, as well.

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Thanks to fellow stalker Mimi, I learned that Meghan Trainor’s 2015 “Dear Future Husband” music video was also shot at the pad.

The dwellilng’s interior appeared in the video, as well.

Big THANK YOU to fellow stalker Chris for telling me about this location!  Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Mary-Kate and Ashley’s house from “The Case of Thorn Mansion” episode of The Adventures of Mary-Kate & Ashley is located at 6332 Orion Avenue in the Cameron Woods neighborhood of Van NuysPete’s (Brian Petsos) residence from Bridesmaids can be found across the street at 6309 Orion, as can Joe Goldberg (Penn Badgley) and Love Quinn’s (Victoria Pedretti) new pad from the Season 2 finale of You at 6301 Orion.

LINE LA from “The L Word: Generation Q”

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Noise is a real trigger for me.  I don’t know why, but loud sounds, namely of the musical variety, bother me to the extreme!  I can’t think of anything that turns me off more, in fact, especially when I’m at a hotel.  So I was thoroughly disappointed walking into LINE LA back in July 2015 only to discover techno music blaring from the lobby speakers.  I could hardly hear myself think!  The disappointment escalated as we made our way to Commissary, the lodging’s gorgeous former restaurant, and realized that the adjacent pool had been transformed into a weekend discotheque!  As I wrote to my friend Michael (whom you may remember from his many fabulous guest posts and who vacationed at the hotel several months prior), “We would have needed noise-canceling headphones just to eat lunch!”  Needless to say, we did not dine on the premises, nor did I get any photos of the place.  I regretted that move last week when I spotted Commissary while scanning through the pilot episode of The L Word: Generation Q for my write-up on the InterContinental Downtown Los Angeles.  Fortunately, Michael saved the day by kindly sharing the many images he took during his stay at the LINE for this post.  Thank you, Michael!

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LINE LA started life as the Hyatt Wilshire in 1964.

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The 12-story hotel, which originally encompassed 396 rooms, was designed in the Brutalist style by the Daniel, Mann, Johnson & Mendenhall architecture firm.

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Boasting fabulous mid-century detailing, the exterior of the steel and glass structure looks like a wall of old-time televisions stacked on top of each other.

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In December 1991, the Hyatt Wilshire was purchased by the South Korean-based Koreana Hotel company and renamed the Wilshire Plaza Hotel.  You can check out some photos of what it looked like during that era here.  It’s quite a difference from the current concrete-on-concrete-on-concrete aesthetic.

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The lodging changed hands once again in 2012 when it was snapped up by the Sydell Group, the hospitality team behind The Saguaro Palm Springs.  The company collaborated with chef Roy Choi, nightlife impresarios Mark and Johnny Houston, and interior designer Sean Knibb on a major overhaul of the site.  The result is an atmosphere that is both highly modernized and minimalistic and in keeping with the property’s Brutalist origins.

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LINE LA opened its doors in January 2014 boasting 388 rooms (each with floor-to-ceiling windows), 2 restaurants, a café, 2 nightclubs, a 24-hour fitness studio, a pool, and 12,000 square feet of indoor and outdoor event space.

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The accommodations are tasteful, if not a bit odd.  As Michael commented when he emailed me the photos, “I’m still haunted by that cement room with the crooked lamp.”

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One area of the hotel that is right up both my and Michael’s alley is the poolside restaurant, now named Openaire (though it was still operating as Commissary during Michael’s 2015 stay).

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The gorgeous, light-filled eatery, which is situated inside of a greenhouse next to the pool, was the brainchild of Choi.

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  With a glass ceiling and walls, hanging topiaries and a plethora of natural light, it is easily one of the prettiest restaurants in all of L.A.

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   And one of its most unconventional!  As the menu states, “There are no description words.  I know, I know.  Don’t freak out.  Trust the pictures.  And choose your own adventure.  This is the experience.  Point and build.  And have a great time.”  Though an unusual culinary concept, Michael thoroughly enjoyed it.

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In fact, he said dining there was the highlight of his stay!  (That’s his Shrimp Po’boy lunch pictured below.)

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Choi severed connections with the LINE in June 2018 at which time two-star Michelin Chef Josiah Citrin took over operation of Commissary, transforming it into Openaire.

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The eatery definitely has a more upscale vibe now, with mirrored tables, tailored chairs, and a marble-capped bar, as you can see here, but it remains just as gorgeous as ever.  As such, it’s no shock that it made its way to the screen.

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In the premiere episode of The L Word: Generation Q titled “Let’s Do It Again,” which aired in 2019, Bette Porter (Jennifer Beals), Shane McCutcheon (Katherine Moennig), and Alice Pieszecki (Leisha Hailey) brunch at Openaire.

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Thanks to Michael I learned that, way back in 1980, the Hyatt Wilshire popped up in the background of the Season 2 episode of Hart to Hart titled “What Murder?”

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Issa Dee (Issa Rae) and Molly Carter (Yvonne Orji) dine at Commissary in the Season 1 episode of Insecure titled “Messy as F*ck,” which aired in 2016.

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Besides filming, the hotel has another claim to fame!  It was there that George Steinbrenner got into an elevator fight with two Dodger fans back in 1981, causing him to wind up with a bump on his head, a swollen lip, and a mangled left hand.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

  Huge THANK YOU to my friend/guest poster extraordinaire Michael for providing the photos that appear in this post!  Smile

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Until next time, Happy Stalking! Smile

Stalk It: LINE LA, from the pilot episode of The L Word: Generation Q, is located at 3515 Wilshire Boulevard in Koreatown.  You can visit the property’s official website here.

The Theatre at Ace Hotel from “Bosch”

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The latest season of Bosch, which kept me thoroughly entertained during this quarantine, featured countless new-to-me restaurants that I am itching to stalk!  I can only hope they are still in business when this craziness ends.  Fortunately, I did spot one locale that I previously stalked but have yet to blog about – The Theatre at Ace Hotel, a gorgeous and historic venue that began life as the famed United Artists Theatre.  I visited the auditorium via the Los Angeles Conservancy’s Broadway Historic Theatre and Commercial District Walking Tour (another enterprise I hope is still in operation when businesses are allowed to reopen) back on June 20th, 2015 and was thoroughly awed!  I am thrilled to finally be able to dedicate a post to the place.

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The venue was initially built in 1927 as the flagship theatre for United Artists, the independent film studio established by Hollywood legends Mary Pickford, Douglas Fairbanks, Charlie Chaplin, and D.W. Griffith.

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The Spanish Gothic-style auditorium is situated on the bottom 3 levels of a 14-story building designed by Walker & Eisen.

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Inspired by a recent vacation, Pickford and Fairbanks sought to include European elements in the design of the theatre itself and enlisted C. Howard Crane to realize their vision.

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The finished product is nothing short of stunning, with gilded mirrors, elaborately carved plasterwork, and murals galore!

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They truly just don’t build ’em like this anymore!

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The detailing is absolutely remarkable!

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I mean!

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The auditorium itself is the real showpiece, though!

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Its focal point is a circular mirrored and crystal dome that reflects light and color in an absolutely dazzling way.

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Green lighting gels were in use when I visited, which cast the entire space in an emerald glow to magnificent effect.

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It felt like I had wandered into the Land of Oz!

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The Great Depression hit the venue hard.  In the years following, it closed several times and went through several ownership changes before ceasing theatre operations entirely in 1989.

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The following year, the site was leased to the Los Angeles University Cathedral church.  The group occupied the theatre for the following two decades and even wound up purchasing the building that housed it at some point.

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University Cathedral put the building on the market in 2010 and it sold to hotel developer Greenfield Partners the next year.  The Ace Hotel was quickly tapped to manage the site and a restoration soon got underway.

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The 189-room Ace Hotel Downtown Los Angeles opened to the public on January 6th, 2014.  The former United Artists space became a special events/live performance venue known as The Theatre at Ace Hotel.

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It’s also, of course, a filming location.

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In the Season 6 episode of Bosch aptly titled “The Ace Hotel,” Harry Bosch (Titus Welliver) tracks FBI Agent Maxwell (Carter MacIntyre), a murder suspect, to the Ace Hotel . . .

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. . . and winds up chasing him through the theatre.

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Bosch is hardly the first production to feature the space, though it hasn’t wound up onscreen nearly as much as I would have thought.

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The United Artist’s lit and unlit marquee is visible a couple of times in the 1950 noir classic The Asphalt Jungle.

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Benny Goodman (Steve Allen) plays there in the 1956 biopic The Benny Goodman Story.

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The venue portrays a New York theatre in 1957’s Sweet Smell of Success.

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Mr. T (Robert Hooks) breaks into the venue and then into one of the offices upstairs in the 1972 crime flick Trouble Man.

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Ashe Corven (Vincent Perez) scales the building in 1996’s The Crow: City of Angels, though most of what we see is a model, per the Historic L.A. Theatres in Movies blog.

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Quinn Brenner (Stefanie Scott) also auditions for a performing arts school spot at the theatre in the 2015 horror film Insidious: Chapter 3.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Theatre at Ace Hotel, from “The Ace Hotel” episode of Bosch, is located at 929 South Broadway in downtown Los Angeles.  You can visit the venue’s official website here and the hotel’s here.

The InterContinental Los Angeles Downtown from “The Morning Show”

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Aside from flying, there is little I am afraid of.  Spiders?  Nope.  Public speaking?  Not even a lick!  Heights?  Not typically.  But when the Grim Cheaper and I visited the new InterContinental Los Angeles Downtown inside Wilshire Grand Center, which stands at 1,100 feet, I almost had a panic attack!  I am not sure why, but as soon as we stepped into the elevator and the GC pressed the 70th-floor button to head to the hotel’s sky lobby, my heart started fluttering and instinct had me running back out into the foyer before the doors could close.  I finally got myself together and made it up to the building’s top (quite quickly, I might add – the elevators travel at 1,600 feet per minute!), but I never felt fully comfortable while there.  In fact, my heart rate didn’t return to normal until my feet were firmly planted back on terra firma.  I am sure glad I braved it, though, because not only is the hotel stunning, but it later popped up on The Morning Show!

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Construction on Wilshire Grand Center, which replaced the Wilshire Grand Hotel, began on February 15, 2014.

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The Korean Air-backed metamodernist tower was designed by the AC Martin architecture firm.  I had the pleasure of interviewing CEO and Chairman Chris Martin about the building for this 2015 Los Angeles magazine article and even got to tour the site mid-construction, both of which were highlights of my stalking career.  That’s me perched atop what was then the property’s highest floor.

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As I stated in the L.A. mag article, Wilshire Grand’s design was inspired by the California landscape, particularly Half Dome and Yosemite’s Merced River.  Perhaps the most dramatic element of the building is the 240-by-60 foot skylight that hangs over the main entrance, which Martin dubbed a “river of glass.”

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It truly does look like a wave cresting over the front doors.

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Capped by a glass sail, Wilshire Grand is the only L.A. skyscraper sans a flat roof.  Prior to its construction, all city buildings over 75 feet were required to have helicopter landing pads and, therefore, flat tops.  Thanks to its plethora of fire safety measures which far exceed code requirements, though, the Grand was granted permission to instead have a small landing “platform,” allowing for a unique curved roofline.  It definitely sets the place apart from the other structures in the skyline.

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Officially, Wilshire Grand is L.A.’s tallest building, as well as the tallest edifice West of the Mississippi, though that is a point of contention among many as the distinction is only met thanks to its 294-foot spire.  Runner-up U.S. Bank Tower, which stands at 1,018 feet, also dwarfs it due to its location atop Bunker Hill (as you can see here), further complicating the matter.  But whether you think Wilshire Grand is deserving of the superlative or not, there’s no denying the tower is spectacular!

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The mixed-use property, which is comprised of offices, retail space and the InterContinental, opened to the public on June 23rd, 2017.  The 900-room hotel makes up the building’s upper 43 floors.

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One of its most unique elements is its lobby, which can’t be found at street level, but all the way up on floor 70!

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It’s a pretty striking place to check-in.

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The sky lobby boasts plenty of comfortable spots to sit, windows galore, and a lounge serving food and drinks.

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The construction beams . . .

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. . . which stretch up to the ceiling . . .

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. . . are an integral part of the space’s design.

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As are the floor-to-ceiling windows.

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When we first arrived at the sky lobby, I was too nervous to get close to the windows . . .

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. . . which didn’t make for the best photos.

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But I finally worked up the courage and, wow, once I did, I couldn’t get over the views!

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Wilshire Grand seems to just tower over the neighboring buildings.

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It felt like the entire city was stretched out below me.

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Even the Hollywood Sign was visible!

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Along with stellar views, the hotel boasts 3 restaurants, 3 bars (sadly, Spire 73, the rooftop bar, was closed when we were there), 94,977 square feet of event space, a 13,000-square-foot gym known as Attitude Fitness, and an outdoor pool (the latter three make up floors 5, 6 and 7 of the Wilshire Grand).  The InterContinental really is a must-see for anyone visiting Los Angeles!

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Considering its unique design, modern style, and stunning views, it is no surprise the place made its way to the screen.

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The InterContinental was used several times throughout Season 1 of The Morning Show.  It first showed up in episode 3, “Chaos Is the New Cocaine,” in the scene in which Alex Levy (Jennifer Aniston) delivers her great “You don’t have the power anymore!” speech to UBA network executives.  The segment was filmed in one of the hotel’s sixth-floor board rooms, which you can see images of here and here.

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Attitude Fitness (which you can see photos of here) is where Cory Ellison (Billy Crudup) watches Bradley Jackson’s (Reese Witherspoon) first TMS taping in episode 4, “That Woman.”

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In episode 8, “Lonely at the Top,” and briefly in episode 10, “The Interview,” the presidential suite (which you can see here) masks as Mitch Kessler’s (Steve Carell) Las Vegas hotel room.

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Alex and Chip Black (Mark Duplass) pass each other on the fabulous escalators leading up to the hotel’s conference area in episode 10, “The Interview.”

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The InterContinental is most prominently used, though, as UBA President Fred Micklen’s (Tom Irwin) office, which first pops up in “That Woman,” but went on to appear in almost every episode following.

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Fred’s office scenes were also shot in one of the hotel’s sixth-floor board rooms.

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  You can check out images of it here

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Other productions have found their way to the InterContinental, as well.  In the Season 7 episode of Silicon Valley titled “Exit Event,” which aired in 2019, Dinesh Chugtai (Kumail Nanjiani) scaled the staircase inside the rooftop sail.

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That same year, one of the hotel’s boardrooms portrayed a meeting room at Núñez Incorporated in the first two episodes of The L Word: Generation Q, titled “Let’s Do It Again” and “Less Is More,” respectively.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The InterContinental Los Angeles Downtown, from The Morning Show, is located at 900 Wilshire Boulevard in downtown L.A.  You can visit the property’s official website here.