The Petitfils-Boos Residence from “Hollywood”

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My stalking backlog is ridiculously large, so much so that I often forget places I’ve been.  Case in point?  The Petitfils-Boos Residence.  (With a name like that, you’d think I would have remembered it, right?)  I stalked the historic Windsor Square mansion way back in November 2012 (which is crazy to me – looking at the photos, I feel as if it was just yesterday!) after it made a brief appearance on Dexter and then it promptly slipped my mind.  Though I was reminded of the place when I saw it pop up on Feud: Bette and Joan in 2017, I somehow quickly forgot about it again.  It was not until I spotted the pad in an episode of the new Netflix miniseries Hollywood recently that I decided it was finally time for a post!  So here goes!

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The Italian Renaissance Revival-style mansion was designed in 1922 by architect Charles F. Plummer for Walter M. Petitfils, one of the confectioners behind the gorgeous Dutch Chocolate Shop in downtown L.A.  Walter didn’t stay on the premises long – in 1927 he sold the pad to his friends Henry and Cassie Boos, hence its hyphenated, hard-to-pronounce name.

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Not only is the property absolutely HUGE – between the main house and the guest house, it measures a total of 10,120 square feet! – but it looks even bigger than it actually is thanks to its V-shape and diagonal placement on a corner lot.

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The 2-story estate boasts an 8,594-square-foot main house with 4 bedrooms, 5 baths, walnut paneling, stained glass windows, archways, murals hand-painted by Dutch artist Anthony Heinsbergen, and a Gladding, McBean terra cotta tile façade.  There’s also a 1,526-square-foot guest house, a 0.74-acre lot, a pool, a hot tub, a BBQ, multiple gardens, a loggia, a courtyard, and a detached 2-car garage.  You can check out some interior images of it here.

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Every square inch of the place is stunning – even the front gate!  With those dripping topiaries, the residence looks straight out of Midnight in the Garden of Good and Evil.

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Not only is the property listed on the National Register of Historic Places, but the Los Angeles Conservancy procured an easement on the entire frontage, assuring no alterations can ever be made to the exterior.

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Considering the manse’s Old Hollywood feel, its appearance on the 1940s-set Hollywood must have been a no-brainer for producers.  The residence pops up in the episode titled “Hooray for Hollywood: Part 2” as the supposed former Beverly Hills home of Bugsy Siegel – “Might even be the house he got shot in!” according to Ernie West (Dylan McDermott) – where Jack Castello (David Corenswet) escorts Avis Amberg (Patti LuPone) to an estate sale of the slain gangster’s belongings.

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While there Avis bids on – and wins – a soup tureen that she says Bugsy borrowed from her and never returned.

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Hollywood is hardly the Petitfils-Boos Residence’s first rodeo.

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As I mentioned, the estate was featured on Dexter in 2012.  In the Season 7 episode titled “Are You . . . ?”, it masks as the Ukrainian mansion of Isaak Sirko (Ray Stevenson).

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In 2014, it portrayed the home of Governor Paul Lane (Joel Gretsch) and his family in the Season 1 episode of Scorpion titled ‘”Single Point of Failure.”

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Jennifer Aniston posed there for People magazine’s 2016 World’s Most Beautiful issue.  You can see some video clips of the shoot here.

Jennifer Garner also posed at the mansion in 2016 for the March issue of Vanity Fair.  You can watch a behind-the-scenes video of the shoot here.

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The Petitfils-Boos Residence played Hedda Hopper’s (Judy Davis) home – or as she calls it, “the house that fear built” – in the pilot episode of Feud: Bette and Joan, which aired in 2017.

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And it popped up several times as the dwelling of Police Commission President Bradley Walker (John Getz) during the fourth season of Bosch, which aired in 2018.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Petitfils-Boos Residence, aka Bugsy Siegel’s house from the “Hooray for Hollywood: Part 2” episode of Hollywood, is located at 545 South Plymouth Boulevard in Windsor Square.

LINE LA from “The L Word: Generation Q”

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Noise is a real trigger for me.  I don’t know why, but loud sounds, namely of the musical variety, bother me to the extreme!  I can’t think of anything that turns me off more, in fact, especially when I’m at a hotel.  So I was thoroughly disappointed walking into LINE LA back in July 2015 only to discover techno music blaring from the lobby speakers.  I could hardly hear myself think!  The disappointment escalated as we made our way to Commissary, the lodging’s gorgeous former restaurant, and realized that the adjacent pool had been transformed into a weekend discotheque!  As I wrote to my friend Michael (whom you may remember from his many fabulous guest posts and who vacationed at the hotel several months prior), “We would have needed noise-canceling headphones just to eat lunch!”  Needless to say, we did not dine on the premises, nor did I get any photos of the place.  I regretted that move last week when I spotted Commissary while scanning through the pilot episode of The L Word: Generation Q for my write-up on the InterContinental Downtown Los Angeles.  Fortunately, Michael saved the day by kindly sharing the many images he took during his stay at the LINE for this post.  Thank you, Michael!

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LINE LA started life as the Hyatt Wilshire in 1964.

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The 12-story hotel, which originally encompassed 396 rooms, was designed in the Brutalist style by the Daniel, Mann, Johnson & Mendenhall architecture firm.

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Boasting fabulous mid-century detailing, the exterior of the steel and glass structure looks like a wall of old-time televisions stacked on top of each other.

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In December 1991, the Hyatt Wilshire was purchased by the South Korean-based Koreana Hotel company and renamed the Wilshire Plaza Hotel.  You can check out some photos of what it looked like during that era here.  It’s quite a difference from the current concrete-on-concrete-on-concrete aesthetic.

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The lodging changed hands once again in 2012 when it was snapped up by the Sydell Group, the hospitality team behind The Saguaro Palm Springs.  The company collaborated with chef Roy Choi, nightlife impresarios Mark and Johnny Houston, and interior designer Sean Knibb on a major overhaul of the site.  The result is an atmosphere that is both highly modernized and minimalistic and in keeping with the property’s Brutalist origins.

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LINE LA opened its doors in January 2014 boasting 388 rooms (each with floor-to-ceiling windows), 2 restaurants, a café, 2 nightclubs, a 24-hour fitness studio, a pool, and 12,000 square feet of indoor and outdoor event space.

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The accommodations are tasteful, if not a bit odd.  As Michael commented when he emailed me the photos, “I’m still haunted by that cement room with the crooked lamp.”

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One area of the hotel that is right up both my and Michael’s alley is the poolside restaurant, now named Openaire (though it was still operating as Commissary during Michael’s 2015 stay).

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The gorgeous, light-filled eatery, which is situated inside of a greenhouse next to the pool, was the brainchild of Choi.

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  With a glass ceiling and walls, hanging topiaries and a plethora of natural light, it is easily one of the prettiest restaurants in all of L.A.

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   And one of its most unconventional!  As the menu states, “There are no description words.  I know, I know.  Don’t freak out.  Trust the pictures.  And choose your own adventure.  This is the experience.  Point and build.  And have a great time.”  Though an unusual culinary concept, Michael thoroughly enjoyed it.

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In fact, he said dining there was the highlight of his stay!  (That’s his Shrimp Po’boy lunch pictured below.)

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Choi severed connections with the LINE in June 2018 at which time two-star Michelin Chef Josiah Citrin took over operation of Commissary, transforming it into Openaire.

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The eatery definitely has a more upscale vibe now, with mirrored tables, tailored chairs, and a marble-capped bar, as you can see here, but it remains just as gorgeous as ever.  As such, it’s no shock that it made its way to the screen.

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In the premiere episode of The L Word: Generation Q titled “Let’s Do It Again,” which aired in 2019, Bette Porter (Jennifer Beals), Shane McCutcheon (Katherine Moennig), and Alice Pieszecki (Leisha Hailey) brunch at Openaire.

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Thanks to Michael I learned that, way back in 1980, the Hyatt Wilshire popped up in the background of the Season 2 episode of Hart to Hart titled “What Murder?”

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Issa Dee (Issa Rae) and Molly Carter (Yvonne Orji) dine at Commissary in the Season 1 episode of Insecure titled “Messy as F*ck,” which aired in 2016.

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Besides filming, the hotel has another claim to fame!  It was there that George Steinbrenner got into an elevator fight with two Dodger fans back in 1981, causing him to wind up with a bump on his head, a swollen lip, and a mangled left hand.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

  Huge THANK YOU to my friend/guest poster extraordinaire Michael for providing the photos that appear in this post!  Smile

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Until next time, Happy Stalking! Smile

Stalk It: LINE LA, from the pilot episode of The L Word: Generation Q, is located at 3515 Wilshire Boulevard in Koreatown.  You can visit the property’s official website here.

The Theatre at Ace Hotel from “Bosch”

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The latest season of Bosch, which kept me thoroughly entertained during this quarantine, featured countless new-to-me restaurants that I am itching to stalk!  I can only hope they are still in business when this craziness ends.  Fortunately, I did spot one locale that I previously stalked but have yet to blog about – The Theatre at Ace Hotel, a gorgeous and historic venue that began life as the famed United Artists Theatre.  I visited the auditorium via the Los Angeles Conservancy’s Broadway Historic Theatre and Commercial District Walking Tour (another enterprise I hope is still in operation when businesses are allowed to reopen) back on June 20th, 2015 and was thoroughly awed!  I am thrilled to finally be able to dedicate a post to the place.

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The venue was initially built in 1927 as the flagship theatre for United Artists, the independent film studio established by Hollywood legends Mary Pickford, Douglas Fairbanks, Charlie Chaplin, and D.W. Griffith.

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The Spanish Gothic-style auditorium is situated on the bottom 3 levels of a 14-story building designed by Walker & Eisen.

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Inspired by a recent vacation, Pickford and Fairbanks sought to include European elements in the design of the theatre itself and enlisted C. Howard Crane to realize their vision.

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The finished product is nothing short of stunning, with gilded mirrors, elaborately carved plasterwork, and murals galore!

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They truly just don’t build ’em like this anymore!

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The detailing is absolutely remarkable!

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I mean!

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The auditorium itself is the real showpiece, though!

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Its focal point is a circular mirrored and crystal dome that reflects light and color in an absolutely dazzling way.

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Green lighting gels were in use when I visited, which cast the entire space in an emerald glow to magnificent effect.

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It felt like I had wandered into the Land of Oz!

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The Great Depression hit the venue hard.  In the years following, it closed several times and went through several ownership changes before ceasing theatre operations entirely in 1989.

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The following year, the site was leased to the Los Angeles University Cathedral church.  The group occupied the theatre for the following two decades and even wound up purchasing the building that housed it at some point.

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University Cathedral put the building on the market in 2010 and it sold to hotel developer Greenfield Partners the next year.  The Ace Hotel was quickly tapped to manage the site and a restoration soon got underway.

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The 189-room Ace Hotel Downtown Los Angeles opened to the public on January 6th, 2014.  The former United Artists space became a special events/live performance venue known as The Theatre at Ace Hotel.

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It’s also, of course, a filming location.

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In the Season 6 episode of Bosch aptly titled “The Ace Hotel,” Harry Bosch (Titus Welliver) tracks FBI Agent Maxwell (Carter MacIntyre), a murder suspect, to the Ace Hotel . . .

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. . . and winds up chasing him through the theatre.

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Bosch is hardly the first production to feature the space, though it hasn’t wound up onscreen nearly as much as I would have thought.

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The United Artist’s lit and unlit marquee is visible a couple of times in the 1950 noir classic The Asphalt Jungle.

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Benny Goodman (Steve Allen) plays there in the 1956 biopic The Benny Goodman Story.

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The venue portrays a New York theatre in 1957’s Sweet Smell of Success.

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Mr. T (Robert Hooks) breaks into the venue and then into one of the offices upstairs in the 1972 crime flick Trouble Man.

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Ashe Corven (Vincent Perez) scales the building in 1996’s The Crow: City of Angels, though most of what we see is a model, per the Historic L.A. Theatres in Movies blog.

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Quinn Brenner (Stefanie Scott) also auditions for a performing arts school spot at the theatre in the 2015 horror film Insidious: Chapter 3.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Theatre at Ace Hotel, from “The Ace Hotel” episode of Bosch, is located at 929 South Broadway in downtown Los Angeles.  You can visit the venue’s official website here and the hotel’s here.

The InterContinental Los Angeles Downtown from “The Morning Show”

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Aside from flying, there is little I am afraid of.  Spiders?  Nope.  Public speaking?  Not even a lick!  Heights?  Not typically.  But when the Grim Cheaper and I visited the new InterContinental Los Angeles Downtown inside Wilshire Grand Center, which stands at 1,100 feet, I almost had a panic attack!  I am not sure why, but as soon as we stepped into the elevator and the GC pressed the 70th-floor button to head to the hotel’s sky lobby, my heart started fluttering and instinct had me running back out into the foyer before the doors could close.  I finally got myself together and made it up to the building’s top (quite quickly, I might add – the elevators travel at 1,600 feet per minute!), but I never felt fully comfortable while there.  In fact, my heart rate didn’t return to normal until my feet were firmly planted back on terra firma.  I am sure glad I braved it, though, because not only is the hotel stunning, but it later popped up on The Morning Show!

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Construction on Wilshire Grand Center, which replaced the Wilshire Grand Hotel, began on February 15, 2014.

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The Korean Air-backed metamodernist tower was designed by the AC Martin architecture firm.  I had the pleasure of interviewing CEO and Chairman Chris Martin about the building for this 2015 Los Angeles magazine article and even got to tour the site mid-construction, both of which were highlights of my stalking career.  That’s me perched atop what was then the property’s highest floor.

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As I stated in the L.A. mag article, Wilshire Grand’s design was inspired by the California landscape, particularly Half Dome and Yosemite’s Merced River.  Perhaps the most dramatic element of the building is the 240-by-60 foot skylight that hangs over the main entrance, which Martin dubbed a “river of glass.”

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It truly does look like a wave cresting over the front doors.

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Capped by a glass sail, Wilshire Grand is the only L.A. skyscraper sans a flat roof.  Prior to its construction, all city buildings over 75 feet were required to have helicopter landing pads and, therefore, flat tops.  Thanks to its plethora of fire safety measures which far exceed code requirements, though, the Grand was granted permission to instead have a small landing “platform,” allowing for a unique curved roofline.  It definitely sets the place apart from the other structures in the skyline.

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Officially, Wilshire Grand is L.A.’s tallest building, as well as the tallest edifice West of the Mississippi, though that is a point of contention among many as the distinction is only met thanks to its 294-foot spire.  Runner-up U.S. Bank Tower, which stands at 1,018 feet, also dwarfs it due to its location atop Bunker Hill (as you can see here), further complicating the matter.  But whether you think Wilshire Grand is deserving of the superlative or not, there’s no denying the tower is spectacular!

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The mixed-use property, which is comprised of offices, retail space and the InterContinental, opened to the public on June 23rd, 2017.  The 900-room hotel makes up the building’s upper 43 floors.

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One of its most unique elements is its lobby, which can’t be found at street level, but all the way up on floor 70!

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It’s a pretty striking place to check-in.

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The sky lobby boasts plenty of comfortable spots to sit, windows galore, and a lounge serving food and drinks.

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The construction beams . . .

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. . . which stretch up to the ceiling . . .

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. . . are an integral part of the space’s design.

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As are the floor-to-ceiling windows.

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When we first arrived at the sky lobby, I was too nervous to get close to the windows . . .

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. . . which didn’t make for the best photos.

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But I finally worked up the courage and, wow, once I did, I couldn’t get over the views!

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Wilshire Grand seems to just tower over the neighboring buildings.

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It felt like the entire city was stretched out below me.

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Even the Hollywood Sign was visible!

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Along with stellar views, the hotel boasts 3 restaurants, 3 bars (sadly, Spire 73, the rooftop bar, was closed when we were there), 94,977 square feet of event space, a 13,000-square-foot gym known as Attitude Fitness, and an outdoor pool (the latter three make up floors 5, 6 and 7 of the Wilshire Grand).  The InterContinental really is a must-see for anyone visiting Los Angeles!

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Considering its unique design, modern style, and stunning views, it is no surprise the place made its way to the screen.

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The InterContinental was used several times throughout Season 1 of The Morning Show.  It first showed up in episode 3, “Chaos Is the New Cocaine,” in the scene in which Alex Levy (Jennifer Aniston) delivers her great “You don’t have the power anymore!” speech to UBA network executives.  The segment was filmed in one of the hotel’s sixth-floor board rooms, which you can see images of here and here.

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Attitude Fitness (which you can see photos of here) is where Cory Ellison (Billy Crudup) watches Bradley Jackson’s (Reese Witherspoon) first TMS taping in episode 4, “That Woman.”

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In episode 8, “Lonely at the Top,” and briefly in episode 10, “The Interview,” the presidential suite (which you can see here) masks as Mitch Kessler’s (Steve Carell) Las Vegas hotel room.

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Alex and Chip Black (Mark Duplass) pass each other on the fabulous escalators leading up to the hotel’s conference area in episode 10, “The Interview.”

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The InterContinental is most prominently used, though, as UBA President Fred Micklen’s (Tom Irwin) office, which first pops up in “That Woman,” but went on to appear in almost every episode following.

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Fred’s office scenes were also shot in one of the hotel’s sixth-floor board rooms.

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  You can check out images of it here

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Other productions have found their way to the InterContinental, as well.  In the Season 7 episode of Silicon Valley titled “Exit Event,” which aired in 2019, Dinesh Chugtai (Kumail Nanjiani) scaled the staircase inside the rooftop sail.

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That same year, one of the hotel’s boardrooms portrayed a meeting room at Núñez Incorporated in the first two episodes of The L Word: Generation Q, titled “Let’s Do It Again” and “Less Is More,” respectively.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The InterContinental Los Angeles Downtown, from The Morning Show, is located at 900 Wilshire Boulevard in downtown L.A.  You can visit the property’s official website here.

First Church of Christ, Scientist from “Little Fires Everywhere”

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Though I stalked and blogged about Little Fires Everywhere locations ad nauseam, amazingly there is still one spot I have yet to cover – Pasadena’s First Church of Christ, Scientist, which masked as the Shaker Heights courthouse on the new Hulu series.  I recognized the building as soon as it came onscreen in episode 7 (though, truth be told, I often get it confused with the similar-looking Second Church of Christ, Scientist in West Adams).  Not only did I used to live just a few blocks from the temple and pass by it regularly on my thrice daily walks to Starbucks, but I am very familiar with it thanks to its appearance in Scream 2.  I was sure I had taken pictures of the place for my October 2016 write-up on the horror flick’s Los Angeles locales, but when I went to look, I couldn’t find any in my photo library.  So onto my To-Stalk List it went.  Then, late last week, my friend Kim sent me a text asking about must-see places in Pasadena.  Turns out she was heading to Crown City for a little (socially distant) stalking trek the following day.  Thrilled, I asked if she might pop by First Church of Christ, Scientist to snap some pics for me, which she gladly did.  Thank you, Kim!

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First Church of Christ, Scientist was designed by Franklin Pierce Burnham beginning in 1909.  The Classical Revival building was one of the architect’s last works and he, sadly, didn’t live to see it completed.  Burnham passed away unexpectedly in December 1909, at which point Marston & Van Pelt (who also gave us Arden Villa from Vacation, the Gilmore mansion from Gilmore Girls, the S.S. Hinds Estate from Beaches,  and the A.L. Garford House from Twins) took over.

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The structure’s most notable feature is its central dome, inspired by the Church of Christ, Scientist in Boston, aka the religion’s “mother church.”

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When it was completed, First Church of Christ, Scientist had the distinction of being Pasadena’s largest building.  Though that is no longer the case, it remains one of the city’s prettiest.  As such, it is no shock that it found its way to the screen.

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The church first pops up as the Shaker Heights courthouse in the seventh episode of Little Fires Everywhere, titled “Picture Perfect,” as the custody battle for Mirabelle McCullough/May Ling Chow (I cannot find the name of the actress who plays her anywhere!) gets underway.

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The building also appears a couple of times in the Little Fires Everywhere finale, titled “Find a Way.”  It is first shown as in an establishing shot as the McCullough/Chow trial continues.

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And then later, after the verdict is announced, the McCulloughs’ lawyer, Bill Richardson (Joshua Jackson), holds a press conference on the front steps.

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Only the exterior of the building was used on the series.  Interiors were shot elsewhere, though I am unsure of where.

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As I mentioned earlier, First Church of Christ, Scientist is also featured in Scream 2.  Though little of it can be seen, it is outside of the building that Ghostface gets into a car crash and kills Hallie McDaniel (Elise Neal) in the 1997 horror flick.  In the caps below, Hallie is standing at the eastern end of the church’s Green Street side, with the camera facing west.

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Jax Teller (Charlie Hunnam) shoots August Marks (Billy Brown) in front of First Church of Christ, Scientist in the series finale of Sons of Anarchy, titled “Papa’s Goods,” which aired in 2014.

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That same year, the building posed as Washington, D.C.’s United States Department of Justice at the top of the Season 1 episode of Agents of S.H.I.E.L.D. titled “Nothing Personal.”

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Huge THANK YOU to my friend Kim for stalking this location for me and taking all of the photos that appear in this post!  Smile

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: First Church of Christ, Scientist, aka Shaker Heights courthouse from Little Fires Everywhere, is located at 80 South Oakland Avenue in Pasadena.

Frank’s Coffee Shop and Restaurant from “Why Women Kill”

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The Grim Cheaper and I often joke that my friend Lavonna should be in charge of our DVR.  She has recommended countless shows over the years that became fast favorites, including The Goldbergs, Veep, The Office, and Parks and Recreation.  Her latest suggestion, Why Women Kill, hasn’t quite hit the beloved mark for me yet (it’s just a bit too dark and risqué), though its premise – the CBS All Access series centers around a Pasadena mansion and three couples who call it home over various decades – is something I can certainly get behind!  And the locations are fab!  Early in her viewing, before I started to watch, Von texted me a photo of a diner used in the production to see if I recognized it.  Sure enough, I did!  The eatery was none other than Frank’s Coffee Shop and Restaurant, a historic Burbank spot I stalked and blogged about back in 2012 after it was prominently featured in fave romcom Larry Crowne.  Since its resume has seriously bulked up since then, I figured a redo was in order.

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Frank’s Coffee Shop and Restaurant, which is also known as Frank’s Steak House, was originally established by Frank Kunelis and his wife, Soula, in 1957.

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Lined with brown tufted booths and a long wooden counter with swivel stools, the interior looks as if not much has changed since opening day.  And I mean that in a good way.

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Pretty much the only thing that has been altered over the years is the fare, thanks to Jose Lopez, a longtime chef from another Burbank eatery named Genio’s, who purchased Frank’s in 2008.  As Lopez told the Los Angeles Times, “I thought I was going to retire there, but when Genio’s closed, and I bought Frank’s, I put the menus together.”  The result is a vast offering of salads, sandwiches, burgers, and traditional American comfort food.

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Other than that, though, the restaurant remains much as it was under Kunelis’ tutelage – which is just the way Frank’s customers like it.

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  Sadly, the eatery began suffering a decline in patronage in early 2012 and closed its doors in March of that year, shortly after I stalked it.  Sam Patel, owner of the adjacent Portofino Inn, wound up stepping in and purchasing the place.  He kept Jose on as manager and reopened that June much to the delight of locals.  Frank’s is still going strong today – especially when it comes to movie and television appearances!

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In the August 2019 pilot episode of Why Women Kill, titled “Murder Means Never Having to Say You’re Sorry,” Frank’s masks as the supposed Glendale-area Jansen’s Diner, where Beth Ann Stanton (Ginnifer Goodwin) catches her husband cheating with a waitress named April Warner (Sadie Calvano).

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The eatery goes on to appear in subsequent episodes of the series as Beth Ann attempts to befriend April.

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Though the chandeliers were swapped out for the shoot, I recognized Frank’s as soon as I laid eyes on the screen captures Lavonna sent me.

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Thanks to its retro décor and Anywhere, U.S.A. appeal, the restaurant has long been a favorite of location scouts.

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   Frank’s was used for exterior shots of the diner where Valerie Malone (Tiffani Thiessen) convinced Ray Pruit (Jamie Walters) to return to Beverly Hills in the Season 5 episode of Beverly Hills, 90210 titled “Squash It,” which aired in 1995.  Interiors were filmed elsewhere, though.

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The eatery has been featured in no less than five episodes of CSI: Crime Scene Investigation!  It first popped up in Season 6’s “Rashomama,” which aired in 2006, as the supposed Las Vegas, Nevada-area coffee shop where the car belonging to Nick Stokes (George Eads) was stolen (pictured below).  It then went on to appear in Season 7’s “Law of Gravity,” Season 9’s “Mascara,” Season 11’s “The List,” and Season 12’s “Willows in the Wind.”

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Ron Swanson (Nick Offerman) takes his ex-wife, Tammy Swanson (Megan Mullally), out for lunch at Frank’s in the Season 2 episode of Parks and Recreation titled “Ron and Tammy,” which aired in 2009.

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Frank’s serves as the central location in the 2011 romantic comedy Larry Crowne.  It is there that Larry (Tom Hanks) gets a gig as a line cook after losing his job at the local U-Mart store.

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The diner is the site of a confrontation between Wynn Duffy (Jere Burns) and Art Mullen (Nick Searcy) in the Season 5 episode of Justified titled “Shot All to Hell,” which aired in 2014.

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Nick Dunne (Ben Affleck) meets his sister, Margo (Carrie Coon), and his lawyer, Tanner Bolt (Tyler Perry), at Frank’s to discuss his case in the 2014 thriller Gone Girl.

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Walter O’Brien (Elyes Gabel) and his team commandeer the restaurant in order to save a doomed plane in the pilot episode of Scorpion, which aired in 2014.

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Efraim Diveroli (Jonah Hill) presents David Packouz (Miles Teller) with a severance agreement at Frank’s in the 2016 crime drama War Dogs.

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In the Season 1 episode of Unsolved: The Murders of Tupac and the Notorious B.I.G. titled “Tupac Amaru Shakur,” which aired in 2018, Detective Greg Kading (Josh Duhamel) and Officer Daryn Dupree (Bokeem Woodbine) meet with an informant named Percy (Amin Joseph) at Frank’s.

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The eatery masks as the Denver Diner in the Season 3 episode of Lethal Weapon titled “Panama,” which aired in 2018.

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Andrew Cunanan (Darren Criss) and David Madson (Cody Fern) dine at Frank’s and reminisce about the night they first met in the Season 2 episode of American Crime Story titled “House by the Lake,” which aired in 2018.

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In the Season 1 episode of I Am the Night titled “Phenomenon of Interference,” which aired in 2019, Jay Singletary (Chris Pine) meets with an old army buddy at Frank’s.

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And Leslie Peterson (David Hornsby) shares a meal with Baby Tyler (Caleb Emery) at the coffee shop just prior to heading to jail in the Season 3 episode of Good Girls titled “Nana,” which aired in 2020.

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On a Why Women Kill Side-Note – For those wondering, the stunning “Pasadena” mansion at the center of the series isn’t really in Pasadena at all, but Hancock Park.  It can be found at 113 Fremont Place.  Sadly, it is located in a gated community, so I won’t be blogging about it, but figured I’d provide the info here.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Frank’s Coffee Shop and Restaurant, from Why Women Kill, is located at 925 West Olive Avenue in Burbank.  You can visit the eatery’s official website here.

The Peach Pit Pop-Up

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Stalking opportunities sometimes get away from me.  Such was the case with the Johnny Rockets restaurant on Melrose Avenue in Los Angeles’ Fairfax District.  The site, which was actually the well-known burger chain’s first location, had long been on my To-Stalk List.  Though I’d dined there numerous times over the years, I had yet to officially visit it for the purposes of a post when it shuttered unexpectedly in 2015.  So I was thrilled when I learned that a Peach Pit pop-up was being held on the premises last fall!  I quickly secured a reservation and the Grim Cheaper and I headed into L.A. to attend, but the experience wasn’t exactly all I’d hoped for.  Considering the place boasts ties to both Beverly Hills, 90210 and its spinoff, Melrose Place, though, I figured it was still worthy of a blog.

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The original Johnny Rockets first opened its doors smack dab in the middle of Melrose Avenue on June 6th, 1986.  Established by former fashion merchandiser Ronn Teitelbaum, the tiny Streamline-Moderne eatery was a “non-gimmicky” re-imagining of the diners he visited as a boy in the 1940s, namely Santa Monica’s Incline and West L.A.’s The Apple Pan.  Per the Pierce website, “He founded the concept on the belief that everyone deserves a place where they can escape from today’s complicated world and experience the uncomplicated goodness of classic Americana.  The name originated by combining the timeless Johnny Appleseed story with the classic Oldsmobile Rocket 88.  Together, they embody the concept of classic Americana and the promise of the future.”  You can check out an image of the restaurant from its early days here.  Boasting just twenty counter seats, the site became a fast hit and even had its share of celebrity fans including Milla Jovovich, who dropped by in 1987, Bob Hope and Elizabeth Taylor.  Ronn soon began opening sister sites and offering franchise opportunities.  By the time he decided to sell the company in 1995, there were more than 60 locations dotted throughout 6 countries!  When he passed away in 2000, the chain counted 138 eateries in 25 states and 9 countries!

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Unfortunately, when the lease on the Melrose outpost came up for renewal in 2015, a suitable agreement between landlord and tenant could not be reached and the landmark restaurant shuttered on October 26th of that year.  It was the end of an era!  Per the Melrose Action website, Johnny Rockets was “the last standing icon of the amazing 80’s era along Melrose Avenue.”  The space has remained vacant ever since, aside from the occasional pop-up like the Peach Pit, which was the brainchild of the Fox network and Pop Sugar and ran in conjunction with the premiere of the BH90210 reboot.

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The tiny eatery was completely transformed to resemble the West Beverly gang’s ‘90s hangout.

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Memorabilia and cast images were everywhere, along with the familiar vinyl record wall decorations!

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There was even a loving tribute to Luke Perry.

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And the employees were all decked out in traditional Peach Pit garb.

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The photo opportunities were endless.

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But while things looked pretty good from afar . . .

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. . . upon closer inspection, it became obvious the set-up was rather janky.

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No part of it was executed particularly well.

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It seemed kind of just thrown together, not to mention dirty (as evidenced below).

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We visited during the end of the pop-up’s run and things were definitely falling apart.  The tile floor in the main dining area was actually just some sort of vinyl adhesive and it was apparent from the peeling and rips that high heels had taken their toll on it throughout the six weeks the place was in operation.  (You can see some of said peeling in the bottom left of the pic below.)

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The food choices were also extremely limited, with a total of only seven food offerings.  And there wasn’t a French fry to be found!  I can only imagine what Nat would say!  The prices weren’t cheap, either.  Including the cost of admission, we spent about $110 to experience the Peach Pit pop-up and I can’t say it was really worth it.

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To be fair, the Peach Pit was originally supposed to run for three days only, but it proved so popular that Fox and Pop Sugar handed over the reins to the team behind the Saved by the Bell-inspired pop-up Saved by the Max who extended things an additional six weeks.  I don’t think the space was built to withstand that much time.

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And I know it must sound like I’m nitpicking here, but I wasn’t the only one.  I can’t tell you the number of people I overheard at nearby tables expressing dismay at how poorly executed the whole thing was.  Several of my neighbors had been to Saved by the Max and were shocked at how much the Peach Pit paled by comparison.  One party even asked for their money back upon entering and taking a look at the menu.

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Nevertheless, the space was chock full of nostalgia and I don’t regret my visit for a moment – though I can’t say I’d feel comfortable recommending my fellow stalkers shell out $100+ to attend if the pop-up ever re-opens.

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It is pretty fortuitous that the original Johnny Rockets was chosen as the site of the pop-up being that Brandon Walsh (Jason Priestley) drove Sheryl (Paula Irvine) by the restaurant while sightseeing in the Season 1 episode of Beverly Hills, 90210 titled “The First Time,” which aired in 1990.  Amazingly, despite the passage of three decades (say whaaat?) and a change in paint color, the place is still very recognizable from its cameo.  But that’s not the eatery’s only 90210 connection!

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Jason also posed for photographer Jonathan Exley at the Melrose Place Johnny Rockets in 1991.

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I remember my thirteen-year-old self first seeing the spread in a teen magazine and knowing instantly that the shoot took place at a Johnny Rockets, though I was unclear which one.  When I first visited the Melrose outpost years later, I recognized it immediately and couldn’t have been more thrilled!

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But wait, there’s one more Beverly Hills, 90210 tie!  The burger joint was also featured weekly in the opening credits of the show’s 1992 spinoff, Melrose Place, which you can watch here.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Peach Pit Pop-up, aka the original Johnny Rockets from “The First Time” episode of Beverly Hills, 90210 and the Melrose Place opening credits, was formerly located at 7507 Melrose Avenue in Los Angeles’ Fairfax District.  Sadly, both the restaurant and the pop-up are now closed.

The Lemonade Stand from “Little Fires Everywhere”

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The Little Fires Everywhere finale left me flabbergasted!  Maybe I paid too much attention to the series’ locations and not enough to its character development because I was rather shocked when (spoiler alert!) Elena Richardson (Reese Witherspoon) was painted as the story’s villain.  Were we supposed to hate her from the outset?  I liked her!  Sure she’s high-strung, misguided, and a touch overbearing, but until the end of episode 7, when she revealed Mia Warren’s (Kerry Washington) secret, I never thought of her as bad, per se.  In fact, I thought the series was about two very different mothers trying to do their best with the hands they were dealt.  Never did I think that audiences were supposed to view Elena as evil and Mia, who stole a baby away from its father (which, to me, is unforgivable), as the show’s heroine.  To be fair, I never read the book so I am probably missing some backstory, but wow, that ending was a real disappointment!  Even the locations left me wanting, especially the house where the Richardson youngsters set up a lemonade stand at the episode’s opening.  I was tipped off to the locale shortly after filming took place thanks to a reader who lives in the area.  All I was told about the shoot was that it involved a lemonade stand.  I stalked the pad shortly thereafter, was taken by its beauty, and have been eagerly awaiting its appearance ever since.  So I was thrilled when the finale opened on a close-up of a lemonade pitcher.  That thrill quickly became disappointment – and shock – when I saw that, thanks to extremely tight camerawork, the house in the background wasn’t visible at all!  What the what?  Despite that, because the residence is so picturesque, I deemed it worthy of a post.

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Built in 1925, the stately 2-story abode boasts a whopping 5,999 square feet of living space, 6 bedrooms, 6 baths, a fireplace, a pool, and a 0.43-acre lot.

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But none of it appears in the Little Fires Everywhere finale, titled “Find a Way.”

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The episode opens with a flashback scene of the Richardson children in their younger days setting up a “fat-free” lemonade stand.  Only a portion of the curved front exterior staircase, a large hedge, and the sidewalk are shown in the segment.

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Had the camera panned up a bit, audiences would have been given a pretty great view.  Along with the house not being visible, one thing that seems a bit strange is the fact that the Richardson kids set up a lemonade stand in front of a home that is not their own.  When I was a kid, my lemonade stands were always in front of my residence or on a street corner, neither of which is the case here.  You might be thinking ‘Maybe the segment was supposed to take place in front of the Richardson pad, but for whatever reason, they had to shoot elsewhere, which explains the background not being shown.’  But at one point Lexie Richardson (Jade Pettyjohn) tells her sister, “Run back to the house,” so that’s not it.  I don’t really know what the story is with this one.

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Considering its beauty, I thought for sure the pad would have been featured in other productions, but I was unable to dig up any additional cameos.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The lemonade stand, from the “Find a Way” episode of Little Fires Everywhere, was set up in front of 533 South Muirfield Road in Hancock ParkThe Richardson mansion from the series is just two houses away at 511 South Muirfield.

Fair Oaks Burger from “Little Fires Everywhere”

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I have never been a burger girl (I know, I know), but I’ve long been familiar with Altadena staple Fair Oaks Burger.  The veteran eatery sits at the northern end of Fair Oaks Avenue and, though I never popped in for a bite, I passed by it countless times throughout the 15+ years I lived in the area.  So I was thrilled when a reader informed me the place would be making an appearance in the new Hulu series Little Fires Everywhere and promptly ran out to stalk it while in L.A. in January prior to my dad’s surgery.  I have been anxiously awaiting its appearance ever since and was happy to finally see it pop up in last week’s episode titled “Picture Perfect.”  Though its cameo was brief, I figured the locale was still worthy of a post.

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  While it seems like Fair Oaks Burger has been around forever, from what I’ve been able to gather, the restaurant was actually founded in 1984.

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The burger stand was the brainchild of the Lee family.  Though it always operated under the Fair Oaks Burger name, the Lees leased the restaurant out to a different party in 1998 before ultimately returning to take over the reins again in 2008.

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Today, the eatery is run by Jung Ja Lee and her daughter, Christy.

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As the name suggests, Fair Oaks Burger serves up standard American fare like hamburgers and onion rings, but there are also a plethora of Mexican and Chinese offerings on the diverse menu.

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Unfortunately, the restaurant was closed when I showed up to stalk it, so not only was I unable to sample any of the dishes (which I’ve heard are stellar!) . . .

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. . . but I was only able to take interior photos through the front windows.

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It is in the drive-thru of Fair Oaks Burger that Lexie Richardson (Jade Pettyjohn) and Brian Harlins (Stevonte Hart) get into a heated discussion concerning race in the “Picture Perfect” episode of Little Fires Everywhere.  The burger stand looks much the same in person as it did onscreen, minus the snowy detritus, of course.

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Though I learned about the restaurant’s appearance on the show long before it started airing, it wouldn’t have been hard to ID the place had I not.  As you can see below, the name “Fair Oaks Burger” was visible on the uniform of the cashier in the scene.

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Fair Oaks Burger actually has a slew of appearances on its resume!  The restaurant poses as Haddonfield Char-Broiled Burger, where Dr. Samuel Loomis (Malcolm McDowell) first meets with Sheriff Lee Brackett (Brad Dourif), in the 2007 Halloween remake.

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It pops up as Big Joey’s, where John (James Brolin) and Joan (Dianne Wiest) painstakingly attempt to grab a milkshake, in the Season 1 episode of Life in Pieces titled “Burn Vasectomy Milkshake Pong,” which aired in 2015.

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Javon Beard (Sam Adegoke) also takes his girlfriend for a date at the restaurant, which masks as a fried chicken joint, in 2017’s Michael Jackson: Searching for Neverland.  Only the interior of the space was utilized, though.

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The establishing shot shown is of Southwest Diner at 761 Nevada Highway in Boulder City, Nevada, which I learned from fellow stalker Walter.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking! Smile

Stalk It: Fair Oaks Burger, from the “Picture Perfect” episode of Little Fires Everywhere, is located at 2560 North Fair Oaks Avenue in Altadena.  You can visit the eatery’s official website here.

Tilly’s House from “Flaked”

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I never thought I’d say I’m in love with a gate, but here we are.  Back in March 2016, my Los Angeles magazine editor assigned me a piece chronicling the locations from the then-new Netflix series Flaked.  I got to work researching right away and one spot immediately stood out among the rest – the manse belonging to Chip’s (Will Arnett) estranged wife, Tilly (Heather Graham).  Or I should say the gate of the manse belonging to Chip’s estranged wife, Tilly.  The shiny blue wall of glass was impressive, to say the least, and I promptly labeled it a must-see.  I finally made it out there last September and, though I briefly featured the pad in my L.A. mag article, figured it was worthy of a post all its own.

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In person, Tilly’s gate did not disappoint!

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Sleek, polished and striking, the reflective blue wall pretty much commands the street.

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Spanning twelve feet, the enclosure is made up of Cobalt blue glass.

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The rich coloring and sheer size of it make for some pretty arresting onscreen imagery.

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While not visible from the street, the house that sits behind the gate is pretty darn impressive, as well.  Designed by architect Paul McClean in 2014, the massive estate boasts 6 bedrooms, 8 baths 9,393 square feet of living space, white slab marble flooring, walls of glass, a chef’s kitchen with 2 islands, a built-in wine station and a coffee bar, a movie theatre, an atrium, a game room, a bar, a massive glass wine room, a cigar lounge, a gym with a steam room, a 0.56-acre lot, a courtyard, a 2-story fountain, outdoor living spaces, an outdoor kitchen, a negative-edge infinity pool, a spa, a BBQ, and panoramic views of Los Angeles, the Pacific Ocean, and Catalina.  The ultra-modern estate is currently on the market for a cool $19,995,000.  You can check out some interior photographs of it here.

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A very traditional looking pad sat on the lot before McClean got his hands on it, as you can see in the Google Street View imagery from 2011 below.

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While I much prefer the new house, the geometrically-paneled window that formerly overlooked the street is pretty darn spectacular.

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The property pops up twice on Flaked – first in Season 1’s “Rose,” in the scene in which Chip visits Tilly, a massive television star, in the hopes that she can help him save his business.

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Along with the gate, the home’s actual interior also appears in the scene.

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Chip later returns to the pad in the episode titled “7th,” though Tilly refuses to let him in.

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While Tilly makes an appearance in Flaked’s second season, sadly her fabulous residence does not.

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The home’s real estate listing states, “Proven filming history provides substantial income for investors,” but, unfortunately, there is no specific mention of what productions have shot on the premises, so I am unsure if the place has any additional cameos on its resume.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: Tilly’s house from Flaked is located at 1620 Carla Ridge in Beverly Hills’ Trousdale Estates neighborhood.