Downtown L.A. – Page 3 – IAMNOTASTALKER

April 1, 2019March 30, 2019

Zipper Concert Hall from “The West Wing”

Most actors will tell you that extra work is the worst. But when I first landed in L.A. back in 2000, I did quite a bit of it and couldn’t have enjoyed myself more. Just being on a movie or television set was surreal and provided an indelible opportunity to observe the inner workings of a production, watch my favorite actors live and in person (and sometimes even interact with them), and be truly immersed in the filmmaking process. I ate it all up with a spoon. One of my more memorable experiences took place on April 24th, 2000 (yes, I remember the date) when I sat in the audience of a supposed live town hall meeting with President Josiah ‘Jed’ Bartlett (Martin Sheen) for the Season 1 finale of The West Wing titled “What Kind of Day Has It Been.” I was not a viewer of the hit NBC series at the time and, despite my extraordinary experience on set, did not watch the episode when it aired and, shockingly, did not end up seeing it until last month when the Grim Cheaper and I went on a West Wing binge. Even though 19 years had passed, I was immediately brought right back to the day of the shoot and decided that I had to write a post on the auditorium where filming took place. While I did not remember its exact location, I did recall that it was in downtown L.A. near the U.S. Bank Tower. So I got to Googling and amazingly the first result kicked back when I inputted “auditorium” and “downtown Los Angeles” was a link to Zipper Concert Hall which turned out to be the right spot!

[ad]

Zipper Concert Hall is located on the campus of The Colburn School, a performing arts institution originally founded in 1950 as part of the USC School of Music. Initially housed in a warehouse across from the Shrine Auditorium in University Park, the facility offered piano lessons to young children. At some point, the curriculum was expanded to include college-level courses and the place re-branded as the Community School of Performing Arts. The academy broke away from USC in 1980 thanks to a sizeable donation from philanthropist/music enthusiast Richard D. Colburn and six years later it was renamed in his honor. Twelve years after that, The Colburn School was relocated to a new, larger custom-built campus at the corner of South Grand Avenue and East 2nd Street in downtown L.A., where it remains today.

Designed by Hardy Holzman Pfeiffer Associates, at its inception the modern complex boasted a library, a rehearsal hall, two dance studios, a piano lab, 28 teaching spaces, and the 415-seat Zipper Concert Hall. The auditorium (it’s the sloped structure with the sheet metal roof below) was named after Vienna-born musician Herbert Zipper who served as The Colburn School’s artistic advisor from 1980 until his death in 1997.

Interestingly, the Lloyd Wright-designed former studio of violinist Jascha Heifetz was also incorporated into the layout of the campus. Initially situated on the grounds of Heifetz’s Beverly Hills estate (at 1520 Gilcrest Drive), the standalone structure, which was connected to the main residence via a breezeway, was saved from demolition by a very unlikely source. Upon Heifetz’s passing in 1987, his home was sold to none other than James Woods, who set about tearing the place down. The actor recognized the significance of the studio, though, and offered it up to anyone who was willing to pay to have it relocated. The Colburn School’s then dean, Joseph Thayer, jumped at the chance. The small edifice was subsequently deconstructed and transported to a storage facility where it sat until the new campus was completed. It was then reassembled on the third floor of the Grand Building. You can check out some images of it in its original form and its current state here and here.

In 2007, the Colburn campus was expanded by the Pfeiffer Partners architecture firm at which time a 384,000-square-foot, 12-story building was added, as were a 3,900-square-foot rehearsal hall, residential housing for 147 students, a cafeteria, offices, an art park, and numerous practice and performance spaces. And the school is still growing. Just last year, prolific architect Frank Gehry was tapped to design yet another addition, this one bringing in 200,000 square feet, an additional concert hall, and a theatre. You can check out some images of what the school currently looks like here and here.

In the “What Kind of Day Has It Been” episode of The West Wing, Zipper Concert Hall masks as Virginia’s Newseum. Though exteriors were filmed at the museum’s former location at 1101 Wilson Boulevard in Rosslyn . . .

. . . all interiors were shot at Zipper. It is there that President Bartlett speaks to a large audience about the apathy of America’s youth when it comes to government and politics.

The hall appears prominently at both the beginning and end of the episode. Sadly, Zipper was closed when we showed up to stalk it so I did not get to revisit the inside, but you can check out some photographs of it here.

The Colburn School’s Grand Foyer (which you can see images of here) was also featured in “What Kind of Day Has It Been” . . .

. . . as was its Mayman Recital Hall (photos here and here).

I can still remember the filming of the episode as if it was yesterday. I even recall exactly where I was sitting – fourth row, right. (That’s me below!) During the shoot, I became completely enamored with Martin Sheen, who is very much like his presidential character in real life – gregarious, warm, witty, chatty, and a wealth of random knowledge that he loves to share. Throughout breaks in filming, he actively engaged the extras, both individually and as a group, and discussed everything from how he spent the day prior, Easter Sunday, memorizing the speech we were now listening to him perform to behind-the-scenes tidbits (like the fact that Dr. Josiah Bartlett, Jed’s supposed great-grandfather’s great-grandfather and the New Hampshire delegate to the second Continental Congress in 1776, whom he mentions in the speech, was, in fact, a real person) to Elián González, the young Cuban boy who had been seized by federal agents and returned to his father just a few days prior. To see him seamlessly transition between his character and his actual self, turning Jed Bartlett on and off like a switch, was incredible. The president’s speech in the scene was long (much longer than what was actually shown in the episode), detailed, wordy, and full of facts and figures. Martin knew it inside and out, though, and nailed it on every.single. take. The fact that he could be jovial and joking with us one minute and then, as soon as “action” was called, be immediately in character and 100% on-point the next was thrilling and fascinating to watch. It was a long day, too, but Martin was just as fresh on his first take as he was on his last, a good ten to twelve hours later. Witnessing his creative process was an incredible experience – truly a once-in-a-lifetime. I’ll never forget coming home that night and telling my parents that I had learned more about acting (not to mention the way an actor should behave on set) from one day of observing Martin Sheen than I had in my four years of college as a theatre major. They were not pleased by the news considering they footed the bill for the latter. Winking smile

The West Wing is not the only production to feature The Colburn School. In the 2002 drama Adaptation, Charlie Kaufman (Nicolas Cage) attends Robert McKee’s (Brian Cox) Story Seminar at Zipper Concert Hall.

The school masks as the Museum of Design, where Milly Wilder (Mandy Moore) and Jason (Tom Everett Scott) go to see an art exhibit, in the 2007 romcom Because I Said So.

And in the Season 7 episode of Castle titled “Castle, P.I.,” which aired in 2015, Colburn portrays The Eastbourne School, where Richard Castle (Nathan Fillion) and Kate Beckett (Stana Katic) investigate the murder of admissions director Shana Baker (Gia Mora). (Note – the exterior seen in the episode is the school’s Olive Street entrance.)

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Zipper Concert Hall, from the “What Kind of Day Has It Been” episode of The West Wing, is located on the campus of The Colburn School at 200 South Grand Avenue in downtown Los Angeles. You can check out the hall’s upcoming events on the school’s official website here.

March 29, 2019March 27, 2019

Imperial Western Beer Company from “Blast from the Past”

I absolutely hate losing things – it is one of my biggest pet peeves, especially when the items can’t be replaced. Such was the case with a group of photos I took of Union Station’s former Fred Harvey Restaurant back in June 2009. Upon learning about the site and its appearance as the dance club in fave movie Blast from the Past, I toured it as a possible wedding venue and it promptly became one of my top contenders. Closed since 1967, the historic and strikingly unique venue is a virtual time capsule of 1930’s glamour. Though the Grim Cheaper and I ultimately got married elsewhere, Fred Harvey Restaurant left a mark on my heart and I vowed to do a post on it. Somehow, I forgot and it was not until discovering that the space had been renovated and finally reopened (after 51 years!) as the Imperial Western Beer Company last October that I was reminded. When I sat down to pen my post, though, I could not find my photos anywhere. I still can’t. Though I am deeply saddened not to have those images, the misplacement gave me a great excuse to get back out there to see the restaurant in its revamped state.

[ad]

Part of the Fred Harvey Company chain of hotels and eateries, the downtown L.A. Fred Harvey Restaurant, which I’ve also seen referred to as the “Fred Harvey Room” and “Harvey House,” initially opened along with Union Station in 1939.

The popular conglomerate, established in 1876, catered to commuters and travelers by offering quick, tasty meals in upscale locations dotted near train stations all over the U.S. The company was also noted for only employing women who became known as “Harvey Girls.” Per a 2009 Los Angeles Times article (which unfortunately is not online), founder Fred Harvey hired the fairer sex because they were less inclined “to get likkered up and go on tears.”

Union Station’s Fred Harvey outpost was designed by architect Mary Colter in the Art Deco and Spanish Colonial Revival styles.

With a colorful tiled entrance,

a large central lunch counter,

rounded leather booths,

a three-story vaulted ceiling,

a grand staircase . . .

. . . leading up to a mezzanine,

and dazzling patterned flooring,

the space really was a sight to behold – and still is.

Fred Harvey proved so popular that in 1941 the need to expand arose and a bar area was added in what was formerly an adjacent breezeway.

Colter was pegged to design the 2,300-square-foot addition and did so to spectacular fashion in the Streamline Moderne style.

During its glory years, the restaurant served more than 800 meals an hour and more than 100,000 hungry patrons each day, per L.A. Weekly.

As train travel waned following World War II, Fred Harvey patronage died off and the place was eventually shuttered in 1967. It would stay that way for the next five decades, opening only for special events and filming.

Though recent years saw a definite want for a new eatery to open in the space, bringing the site up to code proved cost prohibitive. So it remained vacant. You can see what it looked like during that time here.

Finally, in 2014, restauranteur Cedd Moses of 213 Hospitality (the company also owns frequent film stars Casey’s Irish Pub, and Cole’s French Dip) stepped in with a grand vision to restore the place to its original glory and re-open it as a brewery/gastropub. And thus, Imperial Western Beer Company – named in honor of the Imperial, a Southern Pacific liner that initially ran between Los Angeles and Yuma in the 1930s – was born.

The restoration process took four years to complete and, though the menu was modernized and the property brought up to code, aside from turning the lunch counter into a bar, the furnishings and décor were left pretty much intact.

The 1941 bar addition also got a revamp . . .

. . . and is now known as “The Streamliner.”

Of the finished product, Moses told L.A. Weekly, “To me it’s a love letter to our city. We felt responsible to bring this back in a great way and hopefully do the space justice. My only regret is that my father wasn’t here to see it.” Sadly, Cedd’s dad, artist Ed Moses, who hung out at Fred Harvey Restaurant back in the day and even once dated a Harvey Girl, passed away shortly before the eatery opened.

Considering the property’s immaculately preserved state and years of vacancy, it is no surprise that it wound up in scads of productions.

In the 1999 romcom Blast from the Past, Fred Harvey Restaurant portrayed Club 40’s, where Adam (Brendan Fraser) dazzled Eve (Alicia Silverstone) with his swing-dancing prowess.

The exterior, which was heavily dressed with window coverings, neon lights, palm trees and awnings, made a brief appearance in the scene.

The Streamliner popped up briefly, as well.

In 1998, The Brian Setzer Orchestra fittingly shot their video for the swing classic “Jump, Jive an’ Wail” at Fred Harvey Restaurant. You can watch it here.

Fiona Apple’s 2000 “Paper Bag” video, which was directed by Paul Thomas Anderson, made spectacular use of the space . . .

. . . and gives us a great glimpse of what the lunch counter looked like prior to being transformed into a bar.

In the 2003 comedy Anger Management, Fred Harvey Restaurant portrays Mort’s, said to be on 86th Street in New York, where Dave Buznik (Adam Sandler) stages a fake date to make his ex-girlfriend jealous. The exterior of the eatery . . .

. . . as well as the interior . . .

. . . and The Streamliner all make appearances.

In the 2005 thriller The Island, the site masks as the Yucca Amtrak station where Tom Lincoln (Ewan McGregor) and Sarah Jordan (Scarlett Johansson) attempt to catch a train to L.A. . . .

. . . before James McCord (Steve Buscemi) is shot off the mezzanine . . .

. . . and into the bar below.

Fred Harvey Restaurant plays La Noche Cubana nightclub, where Abby (Katherine Heigl) and Mike Chadway (Gerard Butler) grab drinks and dance towards the end of the 2009 romcom The Ugly Truth (another one of my favorites).

And in the 2011 drama Atlas Shrugged: Part I, Paul Larkin (Patrick Fischler), Orren Boyle (Jon Polito), Wesley Mouch (Michael Lerner), and James Taggart (Matthew Marsden) discuss taking down Hank Rearden (Grant Bowler) while at Fred Harvey Restaurant.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Imperial Western Beer Company, from Blast from the Past, is located on the southern side of Union Station at 800 North Alameda Street in downtown Los Angeles. You can visit the gastropub’s official website here. The restaurant is open weekdays starting at 4 p.m. and weekends beginning at 12 p.m.

February 11, 2019November 5, 2019

The Millennium Biltmore Hotel from “A Star Is Born”

It’s not everyday you’ll find photos of a public restroom on my site. It’s not everyday you’ll find me stalking one either. But a couple of years ago, the Grim Cheaper and I were granted an extensive private tour of the Millennium Biltmore Los Angeles that included a visit to the hotel’s Regency Room men’s lavatory. Our guide thought we would want to see the space thanks to a bit of cinema history that exists there. (More on that in a bit.) Flash forward to last week – while scanning through the 2018 A Star Is Born prior to writing my recent post on East Hollywood bar The Virgil, I was shocked to see the very same bathroom (well, the women’s version, at least) pop up in an opening scene and decided I just had to chronicle it here. When I sat down to write the post, though, I discovered that the entire Biltmore property – not just its bathroom – has ties to three of the A Star Is Born movies. So I figured a more all-encompassing article about the hotel was in order.

[ad]

The Biltmore’s Regency Room was originally part of the Sala De Oro ballroom, which was constructed during the hotel’s 1928 expansion. You can see what the stunning venue looked like in its early days here and in its current state below.

The grand space, surprisingly located on a sublevel of the hotel, ran 140 feet long and 107 feet wide and boasted three open stories, an insane vaulted ceiling, a large mezzanine, box seating for 46 groups, a stage (built on hydraulics that allowed it to be raised and lowered), a dance floor, a check room with a capacity for 100 guests, and its own kitchen. So stunning was the massive hall that it was chosen as the site of eight different Academy Awards ceremonies.

In 1934, management decided to change things up by turning the ballroom into a hopping nightclub named the “Biltmore Bowl.” Architect Wayne McAllister, who also gave us Bob’s Big Boy in Burbank, was brought in to revamp the room. And revamp it he did. He moved the stage, making it the central focal point, and also, oddly, split the venue into two levels, a two-story upper floor and a single-story lower floor. You can see what the upper level looked like during its heyday here and here.

Sadly, the nightclub was gutted by a fire in the 1950s and subsequently renovated, at which time the grand ceiling and elegant stage were removed. But the split levels remained, with the top floor becoming a ballroom that retained the Biltmore Bowl name and the sub-level becoming an exhibit hall initially dubbed the “Rex Room” and later the “Regency Room.” The gilded, gated entrance to both spaces is pictured below.

The Biltmore Bowl underwent a re-do again in 2001, during which the venue’s tiered seating was removed and its decorative aesthetic shifted to match that of the rest of the hotel.

The Regency Room, which is largely unchanged from its 1950’s post-fire state, is much less opulent than its upstairs neighbor, as you can see below.

In fact, the only ornamentation the space really has is some decorative grillwork, which is leftover from its days as part of the Sala De Oro ballroom.

The ornate ceiling in the Regency Room’s foyer is also original to the Sala De Oro.

Today, the Regency Room boasts 17,000 square feet of space – and a set of famous bathrooms.

At the beginning of A Star Is Born, Ally (Lady Gaga) breaks up with her boyfriend via phone from a stall in the Regency Room women’s bathroom, which is said to be the restroom of the hotel kitchen where she works.

Though I did not see the women’s bathroom during my tour, I was shown the very similar-looking men’s room.

It was there that Tyler Durden (Brad Pitt) and his pals tied up and threatened Police Commissioner Jacobs (Pat McNamara) in the 1999 drama Fight Club.

Our tour guide highlighted the space not only because of its onscreen cameo, but also because of some damage that occurred during the shoot, which she figured I would be fascinated by. And I was! Apparently, while Pitt and McNamara were filming the fight scene, the base of one of the pedestal sinks was splintered. For whatever reason, the chip was never filled in and the sink currently remains in its post-Fight-Club state, a little piece of filming ephemera left behind for the ages.

You can see said chip in the images above and below, as well as what an intact sink base looks like directly next to it.

The Biltmore’s 25,000-square-foot basement kitchen, which I did not get to stalk during my tour, makes a couple of appearances as Ally’s workplace in A Star Is Born, as well.

That very same kitchen also appeared as the kitchen of a Radisson hotel in East Lansing, Michigan in the Season 4 episode of The West Wing titled “College Kids,” which aired in 2002.

It can also be seen in the Season 4 episode of Bosch titled “Rojo Profundo,” which aired in 2018. As I said in my recent post on the hotel’s South Galleria, every single area of the Biltmore has been utilized in multiple major productions!

The hotel’s loading dock, which leads directly down to the Biltmore Bowl and Regency Room, also pops up a couple of times in A Star Is Born – first in the scene in which Ally leaves work to head to her gig at Bleu Bleu and then later when she and Ramon (Anthony Ramos) get picked up by Jackson Maine’s (Bradley Cooper) driver to go to one of his shows.

The loading dock pops up in the “College Kids” episode of The West Wing, as well.

As I mentioned earlier, the Biltmore had ties to A Star Is Born long before the latest version was filmed. In the 1937 original, Vicki Lester (Janet Gaynor) and Norman Maine (Fredric March) attend an Academy Awards ceremony at what is said to be the Biltmore Bowl.

I am unsure if filming actually took place in the ballroom or on a studio-built set, though.

My hunch is that a set was utilized being that not much of what was shown onscreen matches early photographs of the Bowl. The wide shot of the room featured in the movie (pictured below) also looks to me like a matte painting of some sort.

I can say with certainty that the Biltmore Bowl was the site of the Grammy Awards in the 1976 version of A Star Is Born. You can see some behind-the-scenes photos of the segment being shot here.

Esther Hoffman (Barbra Streisand) and John Norman Howard (Kris Kristofferson) even head up the escalators situated adjacent to the South Galleria in the scene. It is on the escalator landing that Howard punches a paparazzi.

The Biltmore Bowl is also the site of the Leadership in Journalism Awards gala in the Season 1 episode of The Morning Show titled “A Seat at the Table,” which aired in November 2019.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking!

Stalk It: The Millennium Biltmore Los Angeles, from A Star Is Born, is located at 506 South Grand Avenue in downtown L.A. You can visit the property’s official website here. The Regency Room and its bathrooms are situated underneath the Biltmore Bowl on the south side of the hotel and can be reached via the South Galleria. The kitchen from the film is also located in the basement of the hotel. Unfortunately, neither area is open to the public. The loading dock can be found just south of Coffee on Grand at 530 South Grand Avenue.

January 11, 2019January 11, 2019

The John Ferraro Building

I was recently interviewed for an exciting new project (more details to come) and in my talks with producers beforehand was asked if I had any ideas about where the interview could take place. They were hoping to meet up at a filming location that I felt best represented the spirt of L.A. I didn’t hesitate in my answer – the John Ferraro Building. The strikingly gorgeous structure is not only an onscreen stalwart and an icon of Los Angeles architecture, but it uniquely serves as both a notable part of the city skyline and one of the best places to view it. I have covered the place countless times on my site – in a 2010 post, on My Must-Stalk List, in the “See” section of my 2015 Guide to L.A., to name a few – as well as for other entities, including my article on the Top 10 Science Fiction Locations for Discover Los Angeles and a blurb about must-see locales for the September 2018 issue of Los Angeles magazine. My love for the John Ferraro Building is prolific. While walking the perimeter of the property prior to my interview last week, I realized that in all my chronicling of it, I had yet to do a deep dive into its vast filming history, so I thought it only appropriate to amend that.

[ad]

Designed in 1965 by A.C. Martin & Associates, the Modernist/Corporate International-style structure was “green” before being green was even a thing. Built to house the Los Angeles Department of Water and Power (LADWP), the architecture firm innovatively incorporated both elements into the design in the most unique way.

The building, which features concrete slabs cantilevered between towering glass walls, boasts specially-built ceilings on each of its 17 floors that absorb heat from the lighting system, helping to keep the property warm during cooler temperatures (yes, L.A. does get some of those) and at night.

As for water, the dramatic structure sits atop a 625 x 350-foot moat-like reflecting pool containing 2-million gallons of the stuff, portions of which are pumped through the HVAC system to cool the interior, essentially carrying 1/3 of the entire air conditioning load.

The pool and its eight fountains also make for some incredible views, the likes of which can’t be found anywhere else in the city.

I mean, come on!

I challenge you to find a prettier spot in all of L.A.

Last one, I promise.

Originally known as the DWP’s General Office Building (GOB), the property was renamed the John Ferraro Building in 2000 in honor of L.A.’s longest-serving city councilman.

The distinctive 287-foot-tall site is Los Angeles Historic-Cultural Monument #1022.

Most of my photos in this post come from past visits to the LADWP. While we were there last week, the site was undergoing some sort of maintenance and the typically stunning reflecting pool was dry and the plentiful fountains shut off, as you can see below.

Despite this fact, the building was still dazzling to look at.

Considering LADWP’s beauty, it is no surprise that the place is a frequent film star. What is surprising is all of the misinformation about its various cameos floating around online. But more on that in a bit.

Robert Neville (Charlton Heston) jogs around the building in the 1971 Sci-Fi classic The Omega Man.

Jerry Landers (John Denver) gets interviewed by God (George Burns) at the LADWP, which is said to be located at 1600 Hope Street, in the 1977 comedy Oh, God!, though not much of the building is shown in the scene.

The property portrays a courthouse, where the two young winners of a traffic safety essay contest are interviewed – and mistakenly kidnapped – in the Season 3 episode of CHiPs titled “Kidnap,” which aired in 1980.

Kyle Reese (Michael Biehn) explains to Sarah Connor (Linda Hamilton) what a Terminator is in the building’s parking garage in 1984’s The Terminator. It is the rear side of the parking lot, on 1st Street, that Reese drives in and out of in the scene.

In the Season 7 episode of The X-Files titled “All Things,” which aired in 2000, the John Ferraro Building masks as the exterior of Washington National Hospital, where Dana Scully’s (Gillian Anderson) former professor is being treated.

John Hancock (Will Smith) holds a news conference at the LADWP to announce that he is heading to prison in the 2008 action flick Hancock.

The site appeared regularly as FBI Headquarters on the short-lived television series FlashForward, which debuted in 2009.

During the first season of Pretty Little Liars, which started airing in 2010, Hannah Marin (Ashley Benson) gets a job at her ex-boyfriend’s mother’s dental office, shown in establishing shots to be located at the LADWP, in order to work off the damage she caused by crashing his car.

That same year, the site popped up very briefly as the exterior of a CIA building in the Season 3 episode of Chuck titled “Chuck Versus the Subway.”

Also in 2010, the LADWP served as a dream world in Inception. It is in the building’s reflecting pool that Cobb (Leonardo DiCaprio) and his wife, Mal (Marion Cotillard), conceived reconstructions of homes from their past, which were, of course, just CGI creations.

The interior of the property also appears briefly in the film. As Cobb leads Ariadne (Ellen Page) inside, he says, “We both wanted to live in a house, but we loved this type of building. In the real world, we’d have to choose, but not here.” He then takes her upstairs to his “residence,” which is supposedly located a short elevator ride away, but can actually be found about ten miles north at 215 South Grand Avenue in Pasadena.

Emma (Natalie Portman) and Adam (Ashton Kutcher) randomly run in to each other at a farmers’ market taking place at the LADWP in the 2011 romcom No Strings Attached.

In 2012, Detective Lydia Adams (Regina King) told Terrell (Michael Jace) that she was expecting his baby at the John Ferraro Building in the Season 4 episode of Southland titled “Thursday.”

The locale pops up briefly in some establishing imagery of what is supposedly the Department of Justice in 2016’s The Nice Guys.

Melinda’s (Punam Patel) “fountain unveiling” in the Season 2 episode of Adam Ruins Everything titled “Adam Ruins the Future,” which aired in 2017, takes place at the LADWP.

In The Rookie, which began airing in 2018, the LADWP portrays the Los Angeles Police Department’s Mid-Wilshire Station.

Now that we’ve covered a plethora of the productions that LADWP has been in, let’s debunk some of that erroneous info I mentioned earlier. There is so much of it swirling around the internet that writing this post felt more like a disproving of the false reporting of the building’s film history than a chronicling of its many appearances.

Though several websites claim that the LADWP masked as Washington, D.C.’s Bureau of Internal Revenue at the beginning of 1964’s What a Way to Go!, that is incorrect. Filming actually took place at the Gateway West Building, once located at 1801 Avenue of the Stars in Century City. The structure was demolished in 2015 as part of the Westfield Century City expansion, but you can see what it formerly looked like here.

LADWP wasn’t a courthouse in the Season 6 episode of Adam-12 titled “Clinic on 18th Street,” which aired in 1974, either. That building is actually the Clara Shortridge Foltz Criminal Justice Center located just a few blocks away at 210 West Temple Street.

Nor did it portray the 14th Street Precinct in the 1980s television series Cagney & Lacey as has been reported. The confusion on this one is semi-understandable, though, being that filming took place at another downtown L.A. DWP site – the Central District Facility located at 1350 South Wall Street. Sadly, the exact building utilized has since been torn down, though.

It has also been reported that the John Ferraro Building played the Tacoma Police Department in the 1989 comedy Three Fugitives. That location, though, is actually the very same former Central District Facility building from Cagney & Lacey.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: The John Ferraro Building, aka the Los Angeles Department of Water and Power, is located at 111 North Hope Street in downtown L.A. The facility’s lobby is open to the pubic each weekday from 9 a.m. to 5 p.m.

January 2, 2019December 31, 2018

Grand Central Market from “Bosch”

Happy 2019, my fellow stalkers! I was originally going to write about a different locale today, one that was sadly lost in the Woolsey Fire, but decided it would be best to start the year off on a happier note. So instead I’m covering a quintessential Los Angeles spot that I have stalked countless times, but somehow never blogged about – DTLA’s Grand Central Market. The bustling food emporium/retail grocery mart is a virtual city landmark, though I only visited it for the first time while on jury duty in 2007, a full seven years after I moved to Southern California! Upon stepping inside the vibrant marketplace and poring through the rows upon rows of diverse food vendors – an activity that was recommended as part of jury orientation – I was immediately enthralled. The Grim Cheaper and I subsequently popped by countless times in the years that followed to grab a bite to eat or do some specialty grocery shopping, but it was not until spotting the place in a Season 4 episode of Bosch recently that I realized I had yet to dedicate a post to it. So here goes.

[ad]

Grand Central Market is situated on the ground floor of what is, interestingly enough, two adjacent buildings. The Homer Laughlin Building, which fronts Broadway, was designed by architect John Parkinson for Homer Laughlin, founder of the Homer Laughlin China Company, in 1897. Eight years later, Harrison Albright was commissioned to build an adjoining structure, facing Hill Street, to enlarge the property. My photos below show the secondary edifice, known as the Laughlin Annex/Lyon Building. Upscale department store Ville de Paris became the first tenant of the two building’s massive street level space, which opens to both Hill and Broadway.

I had always assumed Grand Central was a more recent addition to the Los Angeles landscape, established sometime in the 1990s or thereabouts, and was shocked to discover while researching for this post that it actually opened its doors on October 27th, 1917, just a few months after Ville de Paris relocated to a different location downtown. More than one hundred years later, the market is still a DTLA staple.

Stretching a full city block, the 30,000-square-foot emporium initially housed 90 vendors and catered to the wealthy Angelinos living just up the road in Bunker Hill, who accessed the market via Angels Flight situated right across the street. Today, the locale plays host to more than 25,000 visitors each day – area businessmen and women, tourists and locals alike, all looking for a unique bite to eat or specialty ingredient to take home.

Grand Central Market has been rehabbed a few times throughout its history – first in the 1960s, then in 1990, and then again, to the chagrin of many locals, in 2013. Regardless of the revamps, the site is doing better than ever today. In fact, Bon Appétit magazine named the entire place one of the best new restaurants of 2014! Boasting 38 stalls, the locale offers such varied fare as German currywurst, Japanese bento boxes, fresh oysters, and handmade Salvadorian pupusas. You’ll also find staples like handcrafted bread, gourmet coffees and teas, and artisanal cheeses.

Bright, vibrant and colorful, GCM serves as the heartbeat of downtown. As such, it is no surprise that the site has wound up onscreen in numerous L.A.-set productions.

In the Season 4 episode of Bosch titled “Ask the Dust,” which aired in April 2018, Harry Bosch (Titus Welliver) walks through the Broadway entrance of Grand Central Market and is then shown exiting the Hill Street side on his way to Angels Flight, where the murder of a prominent lawyer has recently occurred. Only the outside of the locale is shown in the scene, though.

Back in 1974, Grand Central Market was the site of a lengthy chase and shootout in the comedy/action flick Busting.

Eddie Moscone (Joe Pantoliano) convinces Jack Walsh (Robert De Niro) to track down accountant/embezzler Jonathan Mardukas (Charles Grodin) over breakfast there at the beginning of 1988’s Midnight Run.

In 1991, Huell Howser chronicled Grand Central Market in the episode of California’s Gold titled “L.A. Adventures,” which you can watch here.

Gy. Sgt. James Dunn (Keenen Ivory Wayans) takes refuge in the emporium at the end of the 1997 thriller Most Wanted.

Seth (Nicolas Cage) and Dr. Maggie Rice (Meg Ryan) shop for produce there in the 1998 drama City of Angels.

Sam Dawson (Sean Penn) does the International House of Pancakes quiz with a random stranger – and mistakenly gets arrested for solicitation – at Grand Central Market in I Am Sam, though very little of the place can be seen in the 2001 drama.

Mia (Emma Stone) and Sebastian (Ryan Gosling) are very, very briefly shown grabbing pupusas there in the 2016 favorite La La Land.

And in 2018’s Will & Liz, Grand Central Market is the spot where titular characters Will (Nathan Wilson) and Liz (Christine Tucker) go on a date.

Though several sites claim that GCM was also featured in National Treasure, that is incorrect. The 2004 adventure flick’s market scene was actually lensed about 3,000 miles away at Reading Terminal Market in Philadelphia, as I blogged about here.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Grand Central Market, from the “Ask the Dust” episode of Bosch, is located at 317 South Broadway in downtown Los Angeles. You can visit the emporium’s official website here.

August 6, 2018August 8, 2018

The “Portal” Light Installation

Today’s locale can be filed in the hidden-gem-that-is-not-a-filming-location category, much like the Barthman Sidewalk Clock in New York. (Well, it’s not really a filming location, but more on that in a bit.) This one is located in Los Angeles, though, and is a definite must-see under-the-radar spot. Looking back, I can’t remember how I first learned about Portal, the unique light installation tucked away in Little Tokyo’s Weller Court shopping center, but as soon as I did I was transfixed. I pored over images of the site, practically drooling, and immediately added it to the tip top of my To-Stalk List. But when I ventured out there a few weeks later, I was shocked at what a hard time I had locating the art piece. Walking around Weller Court, I could not seem to find it anywhere and no one I asked (even two local cops patrolling the area) had any clue as to what I was talking about (though the cops were intrigued and asked me to report back to them if I ever did track the thing down as they wanted to see it themselves). The lack of awareness on the subject was surprising considering Portal’s current popularity on Instagram. I finally managed to pinpoint the installation after about thirty minutes of searching and figured a blog post was in order so that my fellow stalkers don’t have to suffer the same confusion I did.

[ad]

Portal is the work of visual artist Akiko Yamashita, who was commissioned by the owner of Weller Court in 2014 to jazz up a lackluster exterior hallway leading to the shopping center’s elevator and rear entrance/exit that fronts East 2nd Street.

Her vision, which consists of 7,000 colorful light pixels that bounce and dance around the small corridor, was completed the following year.

To create the piece, Yamashita embedded individually addressable LED strips into the floor, sides, and ceiling of the 271.5-foot passageway.

Illumination continually moves throughout the strips, shining different colors along the way, resulting in a virtual light show.

Though the installation runs 24 hours a day, it operates intermittently, which is why I had a hard time finding it.

As you can see below, the passageway doesn’t look like much when Portal isn’t running.

But when the lights go on, it is pretty darn spectacular.

And it becomes even more so at night, as you can see in these images.

The “show” reminds me a bit of the Main Street Electrical Parade at Disneyland, though it is not set to music.

As I mentioned, Portal has become an Instagram favorite, popping up all over the grid of countless feeds. The installation also won A’Design Award & Competition’s Silver Award in the Lighting Products and Lighting Projects Design category for 2017-2018.

If you find yourself in downtown L.A. looking for something to do, I highly recommend stopping by Weller Court to catch a glimpse of Portal. To save you the headache of pinpointing it, here is a breakdown of its exact location. The easiest method of reaching the installation is via the 200 block of East 2nd Street, as the passageway serves as the shopping center’s rear entrance. Portal is located just beyond the staircase pictured below.

Portal can also be reached from the inside of Weller Court shopping center, which is located at 123 Astronaut Ellison S Onizuka Street. The entrance to the marketplace is pictured below.

The installation is situated directly across from the main entrance through the doorway with the red awning that is denoted with a pink arrow in the photo below.

And in the interest of being thorough, here’s a close-up image of that doorway, which serves as Portal’s entrance.

Thanks to fellow stalker Walter, I learned that Weller Court makes an appearance at the beginning of the Season 3 episode of Highway to Heaven titled “All That Glitters” as the spot where Charley Trapola (John Pleshette) hocks fake gold necklaces.

The hallway that now houses Portal is very briefly visible in the scene.

At the beginning of the 2008 action flick Hancock, John Hancock (Will Smith) is seen sleeping on a bench situated just outside of Weller Court, in front of the Bank of the West outpost at 123 Astronaut Ellison S Onizuka Street, Suite 101.

In the Google Street View image below, the pink box denotes where the bench was placed in the scene.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Portal is located in the hallway leading to the elevator on the southern side of Weller Court shopping center at 123 Astronaut Ellison S Onizuka Street in Little Tokyo. The corridor also serves as Weller Court’s East 2nd Street entrance, which can be found on the 200 block of East 2nd Street, in between South Los Angeles and San Pedro Streets. Kinokuniya, one of my favorite area book/gift stores, is located on Weller Court’s second level directly above Marukai Market. And Demitasse Cafe, one of my fave L.A. coffee shops, is just down the block at 135 South San Pedro Street, as is Kyoto Gardens from Her, which can be found on the third floor of the DoubleTree by Hilton Hotel Los Angeles Downtown at 120 South Los Angeles Street.

February 28, 2018February 27, 2018

Pico House from “My Sister Sam”

The name of my blog is (obviously) meant in jest. I always feel a pang of guilt over having chosen it, though, when I think about Rebecca Schaeffer, the young actress who was gunned down in her doorway by a deranged stalker at the tender age of 21 in 1989. My grandma and I religiously watched My Sister Sam, the CBS series she starred on, when it was on the air in the late-80s and were both considerably obsessed. We were equally devastated when it was cancelled after a scant one and a half seasons and then again when we learned of Schaeffer’s murder a little over a year later. While the show and its star have never strayed far from my mind in the years since, somehow I never though about tracking down the supposed San Francisco building where Schaeffer’s teenaged character, Patti Russell, lived with her older sister, Sam Russell (Pam Dawber). Thankfully, in 2013, a reader named Vera Charles left a comment on my 2009 post about downtown L.A.’s Pico House, which I was reporting on due to its use as “Sacramento’s” CBI headquarters on The Mentalist, alerting me to the fact that the very same spot served as the My Sister Sam apartment! I was floored over the news, but, for whatever reason, am only just now getting around to re-blogging about the historic site.

[ad]

Constructed from 1869 to 1870, Pico House has the distinction of being Los Angeles’ first three-story building.

Commissioned by Pio Pico, the last governor of California under Mexican rule, the Italianate structure originally served as an 82-room hotel. Not just any hotel, though – it was the city’s finest, featuring arched windows and doors at every turn, a grand double staircase, an aviary, 21 parlors, 2 courtyards, a French restaurant, restrooms and water closets for both sexes on each floor, a bar, and a billiards room. Designed by architect Ezra F. Kysor, the lodging cost $48,000 to construct and a whopping $34,000 to decorate and furnish. At the time of its opening, the most expensive rooms ran for $3 a night.

Though the property proved bustling throughout its first decade, Pio wasn’t the savviest when it came to finances and he wound up losing Pico House to foreclosure in 1880. The site subsequently passed through several hands, continuing to function as a hotel, before being transformed into an inexpensive boarding house named The National in 1892. It operated as such for the next three decades, growing more dilapidated as time passed. Though the original moniker was restored in 1920, the building continued to deteriorate, becoming a mere shadow of its once grand self, and was eventually condemned in 1922.

It was finally acquired by the city of L.A. in 1953 and incorporated into El Pueblo de Los Angeles State Historic Monument. Though it has remained vacant ever since (you can check out some images of the interior taken in 2006 here), the site has undergone several renovations in the ensuing years and is both a California Historical Landmark and a National Historic Landmark. Today, it is utilized mainly as a special events venue and, of course, for filming.

Pico House has the fortunate and unique quality of boasting four rather diverse façades. As such it has proved an extremely versatile landscape for filming. The north and west edifices are both elaborately Italianate in style, with arched windows and doors and stuccoed exteriors fashioned to resemble blue granite. Though similar, the north end (pictured below) stands alone facing El Pueblo de Los Angeles’ Old Plaza and bears the look of a 19th Century courthouse or city hall . . .

. . . while the west end (pictured below), which runs along North Main Street, is much wider and is adjacent to several buildings with Victorian detailing, giving it a very San Francisco feel.

The south façade, which is situated on Arcadia Street, boasts an Old West style and has a very Sacramento-ish look.

And the east side, which runs along Sanchez Street, features fabulous red brickwork as far as the eye can see.

It is the western end that masked as Sam and Patti’s apartment building on My Sister Sam, which, as I mentioned above, was said to be located in San Francisco.

Only the exterior of the building was utilized on the series. The interior of Sam and Patti’s apartment was just a set constructed at Warner Bros. Ranch (then named The Burbank Studios Ranch), where the show was lensed.

In the Season 1 episode of Amazing Stories titled “Alamo Jobe,” which aired in 1985, the north side of Pico House masks as the site of the modern-day Alamo.

Martin Riggs (Mel Gibson) and Roger Murtaugh (Danny Glover) work patrol in front of Pico House’s north end at the beginning of 1992’s Lethal Weapon 3.

That same year, Pico House’s southern side masqueraded as Hotel Brian in 19th Century San Francisco where Lt. Commander Data (Brent Spiner) tried to secure lodging in the Season 5 episode of Star Trek: The Next Generation titled “Time’s Arrow: Part 1.”

The building situated adjacent to Pico House at 425 North Los Angeles Street also appeared as 19th Century San Francisco in the episode.

In real life, that structure (pictured below) houses the Chinese American Museum.

In the Season 1 episode of Criminal Minds titled “Machismo,” which aired in 2006, the south side of Pico House . . .

. . . . as well as the interior courtyard portrayed a police station in Allende Del Sol, Mexico.

Beginning in 2008, the south end of the site was utilized regularly as Sacramento’s CBI Headquarters on the television series The Mentalist. Besides appearing in weekly establishing shots . . .

. . . some location filming also took place on the premises, as was the case with Season 1’s “Bloodshot.”

The building’s east side was even used to portray a nightclub in that particular episode.

JLS shot their 2009 music video for “Everybody in Love” in Pico House’s courtyard. You can watch the video here.

That same year, the courtyard situated just outside of Pico House’s north entrance appeared in the “ . . . if he’s not marrying you” vignette in He’s Just Not That Into You. The bit contains one of my favorite lines from the movie – “The second you hear that, you just run to the store and get yourself some ribs and some ice cream, because you have been dumped!” You can watch the hilarious segment here.

The Ghost Adventures crew investigates paranormal happenings related to an 1871 race riot in which 19 people were killed at Pico House in the Season 4 episode titled “Pico House Hotel,” which aired in 2011.

In the 2016 drama Live by Night, Pico House’s courtyard appears as the hospital where Joe Coughlin (Ben Affleck) recovers from a beating.

The Chinese American Museum also pops up in the movie as the spot where Joe and his crew rob card players during a high stakes poker game.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Pico House, aka Sam and Patti’s apartment from My Sister Sam, is located at 424 North Main Street in downtown Los Angeles. The site is part of El Pueblo de Los Angeles State Historic Monument. Several areas of the monument have appeared onscreen, including the Old Plaza, located just north of Pico House at 1 Olvera Street, and the historic Olvera Street outdoor marketplace, the entrance to which is just beyond the Plaza. Union Station, another popular filming locale, can be found directly across the street at 800 North Alameda Street.

August 16, 2017July 30, 2019

Mawby’s Bar from “Flashdance”

While I am definitely a child of the ‘80s, there are some classic films from that era that I have never been a fan of. Pretty in Pink, Fast Times at Ridgemont High and Flashdance come to mind. Being that there’s pretty much nothing I love more than movies with musical and dance montages, the latter should be right up my alley, but, for whatever reason, it never struck a chord. There is one spot from it that I have been asked about regularly over the years, though – Mawby’s Bar, the club where welder-by-day/exotic-dancer-by-night Alex Owens (Jennifer Beals) worked in the 1983 flick. Filming websites had long documented that the Mawby’s exterior could be found in downtown L.A., though it’s exact address was never specified. Then in September 2014, The Worldwide Guide to Movie Locations published some more detailed information. According to a tip from location manager Charles Newirth, Mawby’s was a mocked-up vacant warehouse at the corner of Boyd and Wall Streets that had been demolished at some point since filming took place. Because the building was said to be gone, I did not put any further thought into it. So imagine my surprise when this past December, fellow stalker Chas, of It’s Filmed There, posted a page about Flashdance locales, along with the address of the still-intact Mawby’s warehouse!

[ad]

I immediately headed over to Google Street View to check out the building, which, as Chas explained, looks considerably different in reality. Not only was the structure, located at 229 Boyd Street, heavily dressed for the filming of Flashdance (with a neon, glass brick and black metal façade added to the exterior, as well as letters spelling out “hotel” written across the second level), but it was also altered in the years following the shoot. Most noticeably, the five rounded second story windows were filled in at some point.

Amazingly though, the outlines of those windows are still discernible today, which I was absolutely floored to see!

I was also floored to see that the utility access cover visible in the sidewalk directly outside of Mawby’s front door is still there today! (I know, I know – it doesn’t take much to excite me.)

Mawby’s, which was loosely based upon a real Toronto-area strip club named Gimlets, was featured numerous times throughout Flashdance.

Though I cannot say for certain, from the way the film was shot and a few blurbs I have read online, it seems that the actual interior of the warehouse was also utilized in the filming. Ron Karabatsos, who played Mawby’s Bar owner Jake Mawby in the movie, even wrote in to the Fast Rewind website explaining that the club was built from scratch in an empty storefront in downtown Los Angeles. (Though he states that said storefront was on 5th and Los Angeles Streets, that intersection is only a hop, skip and a jump away from the Boyd warehouse, so I believe he was just a bit off in his recollection. It is also possible that a different vacant site was utilized for interior shots of Mawby’s, but I do not think that was the case.)

I was really hoping to find some additional onscreen appearances of the warehouse from the same time period so that I could further verify the location (you know me – I don’t like to leave any stone unturned when it comes to this stuff). While I did come across a couple, neither provided a great view of the building. We catch a very brief glimpse of the side of it in the 1984 Sci-Fi horror flick Night of the Comet. In the screen captures below, the Mawby’s warehouse, located just beyond the stop sign, is denoted with a yellow arrow.

A much better view of the warehouse is shown in 1988’s Miracle Mile, in the scene in which Harry Washello (Anthony Edwards) and Wilson (Mykelti Williamson) attempt to get gas at a downtown gas station. Unfortunately, I did not take any photographs of that side of the structure while I was stalking the place, so please bear with the Google Street View images pictured below.

Oddly, the second floor windows that I was so excited to see the outlines of appear to have been replaced by long rectangular windows by the time Miracle Mile was shot, which makes no sense whatsoever. If the rounded windows were actually swapped out, how are vestiges of them still apparent today?

Miracle Mile also provides a quick glimpse of the parking lot that was formerly situated across the street from the warehouse and was visible in Flashdance. Today, a one-story building stands on that site.

Thanks to a commenter named Sam I learned that an establishing shot of Mawby’s from Flashdance was re-used in the 1990 made-for-television movie Perry Mason: The Case of the Poisoned Pen. No actual filming took place at 229 Boyd Street, though.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Big THANK YOU to The Worldwide Guide to Movie Locations and Chas, from the It’s Filmed There website, for finding this location! Smile

Until next time, Happy Stalking! Smile

Stalk It: The warehouse that masked as Mawby’s Bar in Flashdance can be found at 229 Boyd Street in downtown Los Angeles. The neighborhood where it is located is not the greatest, so please exercise caution when visiting.

May 8, 2017May 6, 2017

Kyoto Gardens from “Her”

As a kid, I was pretty much never without a book in hand. (Truth be told, not much has changed since.) One of my favorite childhood tomes was Frances Hodgson Burnett’s 1911 masterpiece The Secret Garden. Reading it made me want nothing more than to unearth a lush hidden idyll of my own. That desire has never left me. So when I learned about a “secret” garden tucked away on the third floor of a downtown L.A. hotel back in 2011, I rushed right out to stalk it immediately. Known as Kyoto Gardens, the site did not disappoint and the Grim Cheaper and I spent quite a bit of time exploring. While I took a myriad of photographs that day, at the time the place had yet to be featured onscreen (at least that I know of), so I never blogged about it. Then last week, while researching my post on the Peace Awareness Labyrinth & Gardens, I was thrilled to randomly come across a mention of Kyoto Gardens’ appearance in the 2013 sci-fi drama Her, which meant that I could finally write about them!

[ad]

The 1/2-acre urban oasis was originally created in 1977 as part of Little Tokyo’s New Otani Hotel & Garden.

At the time, the tiny glen was called “Garden in the Sky.”

In 2007, the 21-story, 434-room hotel changed ownership and became the Kyoto Grand Hotel and Gardens. It was sold once again in 2011 and turned into the DoubleTree by Hilton Hotel Los Angeles Downtown. The garden area is now known as Kyoto Gardens.

Situated atop the hotel’s two-story parking garage, Kyoto Gardens boasts an upper and lower terrace, waterfalls, streams, pathways, incredible views of the city, and a banquet room named Thousand Cranes that overlooks it all.

The garden was modeled after a breathtaking 10-acre site in Tokyo that was created as a private oasis for feudal lord Katō Kiyomasa during the 16th Century. Today, it is part of the Hotel New Otani Tokyo. You can see photographs of it here.

Kyoto Gardens is often used for special events and weddings.

You can check out some great images of the gardens, as well as the rest of the hotel, here.

Kyoto Gardens was transformed into a bucolic restaurant for the filming of Her. In the movie, Theodore (Joaquin Phoenix) and Katherine (Rooney Mara) meet up at the picturesque site to sign their divorce papers over lunch.

During the meal, the two get into an argument over the fact that Theodore is currently dating Samantha (voiced by Scarlett Johansson), who is actually an operating system.

The hotel itself has also been featured in numerous productions, but since I did not take photos of anything other than Kyoto Gardens while I was there, I will have to save that info for a future post.

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Kyoto Gardens are located on the third floor of the DoubleTree by Hilton Hotel Los Angeles Downtown, which is located at 120 South Los Angeles Street in Little Tokyo. You can visit the hotel’s official website here.

March 10, 2017March 8, 2017

Màs Malo from “Scandal”

Los Angeles is often ridiculed for having no history – or no appreciation of its history. Demolition of the Ambassador Hotel aside, I don’t find that to be true. There is history – well-preserved history – around pretty much ever corner. You just have to know where to look. Case in point – Màs Malo, a downtown L.A. Cal-Mex eatery that is situated inside of a gorgeous former 1920s jewelry emporium. The site first hit my radar while I was researching DTLA watering holes for my Double Shot: Two Downtown Bar Crawls article for the June 2016 issue of Los Angeles magazine. As I mentioned in the piece, Màs Malo’s second-floor lounge was featured in a Season 5 episode of Parks and Recreation. I became completely enamored of the gorgeous space after perusing photos of it online and added it to my To-Stalk List, but somehow never made it out there. Then when I spotted the restaurant pop up on a recent episode of Scandal, I decided I had to head over there stat and finally did, Grim Cheaper in tow, two weeks ago.

[ad]

The 1922 building that Màs Malo calls home was initially constructed as the headquarters and flagship store of Brock & Company Jewelers, one of the city’s most prominent jewelry shops at the time. Originally founded in the 1880s by George A. Brock, Brock & Co. was often referred to as the “Tiffany of the West.”

The Spanish Colonial Revival-style property, which boasts Churrigueresque elements, was designed by William James Dodd and William Richards of the Dodd & Richards architecture firm.

The structure’s highly ornate exterior was assembled out of terra cotta.

Though the building’s façade is undeniably beautiful and definitely picture-worthy, it is the interior that had me so intrigued.

The ground floor of the property, which served as the watch and jewelry showroom during Brock & Co.’s tenure, boasts a stunningly intricate and sweeping vaulted ceiling.

The ornamental carvings are nothing short of breathtaking. In fact, pictures don’t do them justice – they are even more spectacular in person.

Brock & Co. was eventually taken over by George’s son, George C. Brock, who had no children. With no one to leave the company to upon retiring in 1964, he sold it to real estate developer Ben Weingart, who continued to operate the site as a jewelry store for a few years before eventually shuttering it. In 1975, the grand space was leased to the Clinton family, owners of the popular Clifton’s Cafeteria chain.

The Clintons modified the former jewelry store in order to transform it into another Clifton’s outpost, this one named Clifton’s Silver Spoon Cafeteria, which operated from 1975 to 1997. Thankfully, the modifications were minor and the building’s baroque ceiling was left intact, as were the handmade Mahogany display cases that lined the interior. You can see some images of the building during the Clifton Silver Spoon days here, here, and here.

After Clifton’s was shuttered, the Brock & Co. building, which is a Los Angeles Cultural-Historic Monument, remained vacant for close to a decade. In 2007, 213 Nightlife Group founder Cedd Moses set his sights on the property’s second floor, which the jewelry company had utilized as a silver, china and crystal department. He revamped the space into Seven Grand, a dimly-lit, wood-paneled whiskey bar festooned with mounted buck heads. Moses even made use of Brock & Co.’s original display cases to store the watering hole’s extensive liquor collection. Seven Grand became an immediate hit and though the bar is also a popular filming location (it has popped up on The Office, Lie to Me, Body of Proof, and Modern Family, just to name a few), I have yet to stalk it. But don’t worry, it’s on my list.

In 2010, Brock & Co.’s lower level was leased by Mitchell Frank and Jeff Ellermeyer. Along with interior designer Tracy Beckmann and restoration expert Amy Higgins, the two renovated and reimagined the former jewelry showroom, transforming it into Màs Malo, a sister restaurant to their Silver Lake eatery, Malo. The site opened to the public in January 2011. You can check out some fabulous photographs of Amy’s restoration work on the ceiling here.

Màs Malo is hands down one of the most beautiful places I’ve ever visited. Even if the food was bad, I’d recommend the place for the ambiance alone. Thankfully, that’s not the case, though.

As the GC and I came to find out, the fare at Màs Malo is out of this world! I opted for the Ground Beef & Pickle Tacos, which were recommended by the bartender. Pickles on a taco? I was skeptical, too. The entrée was actually created by chef Robert Luna’s mother. As he explained to The Huffington Post, “I was twelve years old and my mom was prepping for hamburgers when she realized she had no bread. She took a tortilla and turned it into a hard taco with the beef and the pickles. Since then I haven’t wanted hamburgers any other way.” Countless Angelinos agree. The dish quickly became a signature item. While the pickles add a unique and altogether pleasant touch, for me, the taco’s real pièce de résistance is the tortilla shell, which is the perfect blend of crispy and chewy.

Considering its gorgeous aesthetic, it is no surprise that the Brock & Co. space has been featured in several productions.

In the Season 6 episode of Scandal titled “Hardball,” Màs Malo masked as the supposed Washington, D.C. bar where Olivia Pope (Kerry Washington) took FBI Director Angela Webster (Saycon Sengbloh) for drinks to distract her so that Huck (Guillermo Diaz) could search her car. The scene was shot in the restaurant’s mezzanine area.

Shortly after Clifton’s Silver Spoon Cafeteria closed, the then vacant space appeared in the 1999 film Fight Club as the spot where The Narrator (Edward Norton) ate for free while warning Marla Singer (Helena Bonham Carter) that she needed to leave the city. As you can see, the site looked quite a bit different at the time due to a huge wooden partition that was set up around the ground floor.

In the Season 5 episode of Parks and Recreation titled “Animal Control,” which aired in 2013, Màs Malo’s mezzanine masked as the Pawnee Smokehouse, where Ben Wyatt (Adam Scott) gave a Sweetums charity pitch to perfume mogul Dennis Feinstein (Jason Mantzoukas).

For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

Until next time, Happy Stalking! Smile

Stalk It: Màs Malo, from the “Hardball” episode of Scandal, is located at 515 West 7th Street in downtown Los Angeles. You can visit the eatery’s official website here.