The Inspiration for the “Annie” Orphanage

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My movie obsession began at a young age.  I can pretty much pinpoint it to 1982 when Annie premiered.  I was hooked on the musical from the start.  I watched it over and over and over, eventually wearing out the VHS copy that my parents bought me.  Its locations have also served as a longtime fascination.  Ever since taking my second Warner Bros. tour in 2008, I have known that the Hudson St. Home for Girls, aka the orphanage in the film, could be found in the studio’s backlot, on Hennesy Street to be precise.  The façade and the area surrounding it were created by Annie production designer Dale Hennesy specifically for the film.  What I didn’t know up until a couple of years ago, though, was the fact that Dale based his design of the Hudson St. Home for Girls on two real New York buildings.  I learned this bit of information from the Annie Official Movie Souvenir Program which I picked up at the Hollywood Show while meeting Annie herself, Aileen Quinn, in 2012.  As you can guess, I immediately started chomping at the bit to track the buildings down.

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Of the orphanage’s inspiration, the Souvenir Program states, “Roughly a year before filming on the street [Hennesy Street at Warner Bros.] actually began, Academy Award-winning production designer Hennesy traveled to New York and combed the Lower East Side for the key structure in the Annie script – the orphanage.  He found two he liked.  One was on Mott Street, just south of Houston, and was now a four-unit apartment building.  The other, near Sixth Street and Avenue B, was actually a former Children’s Aid Society home, built in the late 1880s.  Making a movie in that area would have been difficult and expensive, so it was decided to build on the lot rather than film on location.  The orphanage would combine elements of both buildings, and would be flanked with copies of typical New York structures in their area.”  The studio rendering that Dale created is pictured below.

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For all of the trouble he went to creating the Hudson St. Home for Girls, very little of the final product was actually shown onscreen.

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As you can see above and below, only very tight shots of the orphanage, mainly focused on the doorway area, were featured in Annie.

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Thankfully though, I was extremely familiar with the Hudson St. Home for Girls façade from my many visits to the WB, so I knew exactly what to look for when I started tracking down the New York buildings that served as its inspiration.

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The building said to be located near Sixth Street and Avenue B, I pinpointed in a snap.  I simply headed over to Google to do some Street Viewing of the area and found exactly what I was looking for at 630 East Sixth Street.  The picturesque structure at that site features a distinct peaked roof, four levels of angled bay windows (each flanked by a pair of arched windows), and an entrance with a heavy portico situated to the side, all of which match the Annie orphanage to a T.  To top it off, further research informed me that the property did, indeed, used to be a Children’s Aid Society school, as was mentioned in the Souvenir Program.  Voilà!

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The Sixth Street School, as the locale was originally known, was constructed in 1888.  Funding for the site, which was designed by Calvert Vaux (the architect and landscape artist who co-designed Central Park) and George Kent Radford, was provided by Emily Vanderbilt Sloane, daughter of William Henry Vanderbilt.  In 1932, the school was transformed into a men’s homeless shelter.  It has since gone through several different incarnations including a women and children’s shelter, a church, and a social services facility.  Today, it serves as a home for those suffering from AIDS and is known as Pencer House.

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In 1999, the building’s handsome exterior underwent a restoration process led by Harden + Van Arnam Architects, the result of which is stunning.

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You can read a more in-depth history of the site here.

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The second building that served as inspiration for the Hudson St. Home for Girls, which the Souvenir Program described as being “on Mott Street, just south of Houston,” was also a snap to find.  I simply headed to Google Street View once again to take a look at the block of Mott Street located immediately south of East Houston Street and spotted the right place within minutes at 256 Mott.  As it turns out, the site was also once a Children’s Aid Society school known as the Fourteenth Ward Industrial School.

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The Children’s Aid Society actually built twelve such schools in the 1880s and 1890s, all employing the same Victorian Gothic style.  Only six remain intact today.  Lucky for me, the Annie buildings are two of those extant structures.  The purpose of the Children’s Aid Society schools was to teach trades to homeless and poverty-stricken children in the hopes that they would be able to provide for themselves in adulthood.

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The Fourteenth Ward Industrial School was also built in 1888 and was also designed by Vaux and Radford.  The funding was donated by John Jacob Astor III in honor of his wife, Charlotte, who had passed away the previous year.  Today, the structure, which is listed on the National Register of Historic Places, serves as a residential building.

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As you can see, the five-unit, four-story property boasts a peaked roof, angled bay windows flanked by arched windows, and a porticoed door situated off to one side, just like the Hudson St. Home for Girls façade and the Sixth Street School.

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Unfortunately, it was undergoing a restoration of some kind while we were there and portions of its façade were covered over with plywood.

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You can read a more in-depth history of the building here and here.

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I was absolutely thrilled to see, while making screen captures for this post, that Dale Hennesy chose to use 256, the real life address number of the Fourteenth Ward Industrial School, as the address number of the Hudson St. Home for Girls.

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Interestingly, not only did the Fourteenth Ward Industrial School serve as inspiration for the Annie orphanage, but it is also a filming location!  The building is where Rebecca Bloomwood (Isla Fisher) and Suze (Krysten Ritter) lived in 2009’s Confessions of a Shopaholic.

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And it served as Audry’s (Adrienne Shelly) apartment in 1989’s The Unbelievable Truth.  (I apologize for the horrible screen captures below which I got off of YouTube.)

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On a side-note – I find it surprising that the peaked roofline of the Annie orphanage, which Hennesy took such care to re-create from both of the inspiration buildings and which is so significant to their architecture, never appeared onscreen.  The screen capture below shows the closest we get to seeing it in the movie.

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For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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Until next time, Happy Stalking!  Smile

Stalk It: The Fourteenth Ward Industrial School is located at 256 Mott Street in New York’s Nolita neighborhood.  The Sixth Street School is located at 630 East 6th Street in the East Village.  The façade of the Hudson St. Home for Girls from Annie can be found on Hennesy Street at Warner Bros. Studio, which is located at 3400 West Riverside Drive in Burbank.  Tour information can be found here.

The Hollywood Show!

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This past Saturday morning, I headed out to Burbank to attend the quarterly Hollywood Show, formerly known as the Hollywood Collectors Show. For those who have never heard of the event (like me, up until just recently), let me break it down for you. The Hollywood Show is a convention in which celebrities of yesteryear grant autographs and photo-opportunities, for a fee, to the fans who loved, and still love, them. As Chris Mann stated in his February 2010 Los Angeles Times article, “The quarterly autograph and memorabilia show — a retro nirvana for TV Land, VH1 and Turner Classic Movies fans and celebrity signature collectors — unites vintage Tinseltown idols and survivors with the people who made them as-seen-on-TV commodities.” Or as my girl Miss Pinky Lovejoy, from the Thinking Pink blog, likes to say, “It’s where celebrities go to die.” LOL Harsh, but kinda true. The show works like this – fans pay an entrance fee (of about $20, depending on how many days you want to attend the event and how early you want to be allowed in) to gain admittance to the convention hall, where they will find row upon row of fold-up card tables behind which celebrities are waiting to be paid anywhere from $10 to $150 for an autograph and/or posed picture. It all makes for a very weird, almost depressing set of circumstances and meeting the actors turns out to be more of a business transaction than a personal experience, but nevertheless where else can you find Susan Olsen from The Brady Bunch, the Von Trapp kids from The Sound of Music, and Penny Marshall and Cindy Williams from Laverne & Shirley all under the same roof?

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Pinky had been trying to convince me to stalk the Hollywood Show with her for months, but I was not too keen on the idea. That is until I saw that Aileen Quinn, aka “Annie” from the 1982 musical of the same name, was going to be there. Growing up, Annie was my movie! To this day, I can still quote the entire thing backwards and forwards. I watched the flick so often, in fact, that my VHS copy of it got warped and is now unwatchable. I even entered an Annie lookalike contest shortly after the movie was released and came in second place! Needless to say, you would be hard-pressed to find a more diehard Annie fan out there. So when I saw that Aileen would be attending the show I just about did a cartwheel right there in my living room and told Pinky to count me in! Joining us at the event were our friends Anushika, from the Mike the Fanboy website, and Cody. Being that my head was about to explode from excitement, the four of us hit up Aileen’s table immediately upon arriving at the show and I am very happy to report that she could NOT have been nicer. She was highly amused over how excited I was to meet her and how much I loved Annie growing up.

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Aileen was nice enough to pose for two photographs, a close-up and a full-length shot, both of which Cody snapped for me. Thank you, Cody! I could NOT get over how recognizable Aileen still was from Annie, over three decades later!

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At the Hollywood Show, celebrities have a stack of various 8×10 headshots at their tables that fans can choose from to be signed. Sometimes though, the actor will also have books, programs or memorabilia that can be signed in lieu of a headshot and, let me tell you, I just about died when I saw that Aileen had the original 1982 program from Annie at her table. Not only is the program a must-have collector’s item for any fan, but it also contains a plethora of behind-the-scenes information and an entire chapter on the movie’s LOCATIONS! Um, yes, please! Needless to say, this stalker was in absolute heaven! Not only did I get to meet one of my childhood idols, but I scored a fabulous piece of vintage memorabilia in the process. Aileen even drew me a little cartoon Annie on the program, to boot. Smile LOVE IT! All in all, meeting Aileen was a FABULOUS experience for me and I really felt like I shared a personal, intimate moment with her, despite the chaos that was going on around us.

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Because one could easily spend upwards of $300 at the Hollywood Show, I had made the decision prior to walking through the front doors that I was only paying for a picture with Aileen. But I had an absolute blast accompanying Pinky, Anushika and Cody to the tables of the various celebs that they had come to meet. Pinky was dying to get a photograph with Penny Marshall (pictured above) and Cindy Williams, as Laverne & Shirley was her favorite show growing up. You can read her write-up of the event and see her pictures here.

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Anushika was there for the Von Trapp kids from The Sound of Music (you can read her write-up of her experience on the Mike the Fanboy website here) and Cody was dying to meet Tanya Roberts from That ’70s Show. I think it is so incredibly cool that we were all there (and were all beyond excited) to meet such different celebrities!

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And I should mention here that while some parts of the Hollywood Show are awesome, some are most-definitely odd. There are several booths set up where one can buy movie memorabilia, props and costumes, which I loved. (That’s the Bride of Chucky puppet pictured above.) My friend Mikey, from the Mike the Fanboy website, who was dragged to the show under duress by our mutual friend Duggan, showed me a very cool booth that was selling vintage magazines, some from as far back as 1983, which I also loved. But there were also some seriously random, Twilight Zone-worthy booths. Directly next to the Bride of Chucky table, a woman was selling fake Louis Vuitton purses out of a plastic crate, Canal Street-style. I kid you not! It was beyond weird, not to mention the fact that all of the purses were in really bad shape. Most had these odd red stains on them or had large tears through the fabric. I never did know quite what to make of that. All in all, though, I loved being there and am definitely signing up for the next show.

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And we even spotted a few random celebrities while we were walking around, one of whom was Daniel Roebuck, from Lost, Matlock and The Fugitive, who was attending the show as a fan. Daniel was incredibly nice and happily posed for a pic with each of us.

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When we were leaving, we also saw singer Jason Mraz who was rehearsing in a studio nearby. Jason was also incredibly nice and posed for photographs with our entire group. I was especially excited to meet him because “I’m Yours” was my wedding song with the Grim Cheaper. Smile

Big THANK YOU to Pinky Lovejoy, of the Thinking Pink blog, for convincing me to come to this event! Smile

Until next time, Happy Stalking! Smile

Stalk It: There is no stalking location for this one, but you can visit the Hollywood Show website here. The next Burbank show will take place on August 5th and 6th. If you are planning to attend, bring cash as credit cards and checks are not accepted.

Stalking the WB – Again!

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After spending our morning at Sony Pictures Studio, Mike from MovieShotsLA, his fiance Jen, and I headed over to Warner Brothers Studio in Burbank to take their VIP tour once again. I had heard that no two tours are ever alike at the WB and Mike and I wanted to see if that was really true. And you know what? It was! This experience was COMPLETELY different from the first time we took the tour back in September of this year. It was like seeing an entirely different studio.

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Our tour started off the same way as last time, with a movie spotlighting the many productions that have been filmed on the WB lot. Then we were whisked away to our golf cart to begin our backlot tour. This time Mike and I both asked to be taken to specific places that we didn’t get to see on our last Warner Brothers excursion. Mike was dying to stalk the New York City Street area, which was closed off during our last tour due to some filming that was taking place there. My location request was to see the stoop Carrie sat on during her visit to the WB in the SATC episode entitled “Escape From New York”. It is on this fake stoop that Carrie, after many failed attempts at smoking in L.A., lights up a cigarette only to have a security guard walk up and tell her to put it out. “But this is New York!” she says, to which he replies “No, Ma’am, it’s a set!” LOL LOVE IT!

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Our tour guide, Matthew, pointed out Carrie’s stoop on the New York City Street right as we began our tour – it is located about ten feet away from the fire escape where the upside-down kiss from the first Spiderman movie took place. For some reason the stoop didn’t look familiar to me, and “I couldn’t help but wonder” if our tour guide had made up the location to appease me and, in truth, didn’t really know where Carrie’s stoop was located. Turns out I couldn’t have been more wrong! As soon as I got home, Mike emailed me a screen cap of the scene with Carrie smoking on the stoop and quite obviously our tour guide had been correct. 🙂 Turns out they really do know their stuff! The fact that he knew the exact location of a scene that lasted only about 30 seconds in one brief episode of SATC that was filmed over eight years ago absolutely amazed me. I think the WB tour guides may even be better than me at this stalking stuff! 🙂

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Not only did Matthew know where Carrie’s stoop was located, but he also pointed out that the administration building where our tour began is the very same location where Carrie attended the studio meeting with Matthew McConaughey in the same SATC episode. AND the gate where she entered the studio for that meeting is the very same gate we were taken through at the beginning of our tour. 🙂 Let me tell you, Matthew really knows his stuff! 🙂

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Next our guide took us up and down New York Street, which was amazing to see! Countless movies have been filmed there, my personal favorite being the 1982 movie Annie. So I was super excited when we were shown the orphanagewhere Little Orphan Annie lived before being rescued by Daddy Warbucks (pictured above). The orphanage looks a bit different now, as it has been dressed and remodeled for different productions through the years.

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Other locations on New York Street include Ross’ apartment building from Friends,

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the salon from You Don’t Mess with the Zohan,

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the restaurant where Jack Nicholson has a heart attack in Something’s Gotta Give,

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and Jack Nicholson’s therapists office in As Good As It Gets.

New York Street was extremely cool – literally every single building there had been used in a famous television or movie production. So much so, in fact, that I can’t even remember all of them!! Next time I need to take along a notebook to write everything down. 🙂

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After New York Street we headed over to a small office building which had just been used in the filming of Without a Trace earlier that morning where it stood in for a motel. The episode was supposed to take place in Autumn, so the prop department had brought in fall leaves to place all over the ground.

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Then we were driven by one of the studio’s commissaries, which our tour guide told us had stood in for a college campus restaurant where Rory Gilmore and her father eat lunch in an episode of Gilmore Girls.

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Next we were driven by another set of offices which just recently were used as the high school in the Sarah Conner Chronicles.

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After that our tour headed to the WB lagoon/swamp area which has been used in countless, countless productions including Million Dollar Baby (where a shack next to the swamp stood in for a roadside cafe), ER (the scene where George Clooney saves a boy from drowning during a rainstorm was filmed inside the lagoon) and Fantasy Island (the lagoon ws the location where the boats bringing weekly visitors were docked).

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Next to the lagoon is a fairly new set named Warner Village, which was built after the WB’s Wild West Town was torn down. Warner Village is a small street of middle America style homes very similar to the Wisteria Lane set over at Universal Studios. Homes on this street have been used in everything from The George Lopez Show to Cold Case to this year’s An American Carol. Inside the Warner Village homes are production offices for television series and movies which are produced on the lot.

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After visiting Warner Village, we headed over to the ER hopsital set. Even though we had seen this set on our last WB tour, it still held a new experience for us. This time the entire hospital exterior was decorated for Christmas and covered in snow, which was really exciting to see. In actuality, the snow is made from the shavings of plastic water bottles, but even up close it looked extremely real.

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During this tour, we were allowed to venture inside the Emergency Room facade of ER to snap some pics. The vending machines pictured above are fake, by the way. In reality, they are high quality photographs of real vending machines pasted onto carboard stands. They were so realistic, though, that I actually had to go up and touch them before I would believe that they weren’t real. 🙂

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After the ER set, we were driven by a small park-like area where some Ghost Whisperer filming was taking place. AND we even got to see Jennifer Love Hewitt for about half a milli-second as she hopped into a waiting van. JLove was super cute – at least she seemed so in the very brief moment we saw her.

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Next we headed to a prop warehouse where everything from furniture to artwork used in various Warner Brothers productions is stored. The most famous prop piece located there? One of the Sam’s pianos from Casablanca, which is actually on loan from an art collector who stumbled upon the piece at an auction a few years back. The art collector liked the look of piano, bid on it, and apparently got it for quite a steal as the previous owner didn’t realize its cinematic significance. It wasn’t until the new buyer got home that he noticed a piece of paper with a Warner Brothers stamp and a serial number tacked to the inside of the piano. When he contacted Warner Brothers to ask about it, the serial number led them to discover the movie in which the piano had been used. And, lo and behold, it was one of the most famous films in history. 🙂

Mike, Jen and I had a blast on our second Warner Brothers Tour and it is definitely true what they say – it’s never the same tour twice. I HIGHLY recommend taking this tour – even if you have already been on it previously. : ) I can’t wait to go back myself for yet another WB adventure! 🙂

Until next time, Happy Stalking! 🙂

Stalk It: Warner Brothers Studios is located at 3400 Riverside Drive in Burbank. Tours run every 30 minutes Monday through Friday from 8:20am to 4:00pm. Advance reservations are recommended. Tickets cost $45 per person. You can learn more about the tour here .