Burlesque – IAMNOTASTALKER

April 28, 2011April 27, 2011

Ali’s Trailer Park from “Burlesque”

While the Grim Cheaper and I were stalking in Downtown Piru this past Saturday, the super-nice owner of Poncho’s Place, the restaurant from True Blood that I blogged about on Tuesday, clued me into the fact that the supposed rural, Iowa-area trailer park where Ali (aka Christina Aguilera) lived in the beginning of Burlesque was located just two blocks north of where we were then standing. And I really should mention here that while the owners of the Downtown Piru businesses that I spoke with were incredibly nice and informative, the citizens of the town were NOT. In fact, some of them were downright menacing. Not only were we given numerous dirty looks by passersby while walking around, but we were also FOLLOWED by (count ‘em!) FOUR different cars while there (NOT kidding), the drivers of which all wanting to know exactly what it was we were doing in their town. I felt extremely uncomfortable the entire time and, while I am admittedly a scaredy cat, the GC also got a bit nervous so my fears were definitely not unfounded. So, while I would highly recommend stalking Downtown Piru and the few restaurants and shops located there, I would advise anyone wanting to drive around the town to exercise caution. Anyway, once I found out about the trailer park, the GC and I immediately headed right on over there.

[ad]

In real life, the Burlesque trailer park is extremely small and is only made up of nine or so homes. And I am very happy to report that it looks EXACTLY the same in person as it did onscreen.

The park makes a very brief appearance in Burlesque in the opening “Something’s Got A Hold On Me” montage in which Ali is shown packing up her belongings before heading out to the local bus depot to buy a ticket to Los Angeles. In the scene the camera is facing west, the opposite direction from which we took our pictures.

According to the DVD commentary with Burlesque writer/director Steve Antin, the interior of Ali’s trailer was actually just a set that was built on a soundstage at Sony Studios in Culver City. I cannot believe that they actually built an entire set for a segment that literally lasted about ten seconds onscreen! Ah, Hollywood!

On a side note – I had the amazing good fortune of meeting the love of my life, Matt Lanter, yesterday and I am very happy to report that he could NOT have been nicer! I will write more about it in a later post, but suffice it to say that he and David Caruso are easily the nicest celebs that I have EVER encountered! As I told fellow stalker Owen, I am officially in love. Winking smile Which explains why today’s post is so short – I was literally so excited I could NOT sit still long enough to write much! I promise to write more tomorrow, though.

Until next time, Happy Stalking! Smile

Stalk It: The Burlesque trailer park is located on Warring Canyon Road, a half a block north of where Warring Canyon Road meets Center Street, in Piru. The park is denoted with a pink arrow in the above aerial view. Please remember that the trailer park is a private community and do not trespass on the premises.

April 27, 2011April 26, 2011

The Piru Creek Bridge from “Burlesque”

Another location that the Grim Cheaper and I visited this past weekend while doing some stalking in the Heritage Valley was the Union Pacific Railroad Piru Creek Bridge which stood in for the supposed Iowa-area bridge that Ali (aka Christina Aguilera) walked across during the opening scene of Burlesque. I once again found this locale thanks to Gary, from the Seeing Stars website, who added the bridge to his Burlesque filming locations page just a couple of weeks ago. In an odd twist, though, when we showed up to stalk the structure we discovered that there were, in fact, two very similar-looking bridges located directly next to each other and I was unsure of which one exactly had appeared in the flick. The GC ended up taking photographs of both of them, though, and I am so incredibly grateful that he did because, as it turns out, they have each appeared on the silver screen in various productions!

The two Piru Creek bridges that we stalked are pictured above via an aerial view. Because I, unfortunately, could not find much information about either of the structures online, for the purposes of clarity I will refer to the bridge denoted with the pink arrow above as the Burlesque Bridge and the bridge denoted with the blue arrow above as the Enough bridge (it had a very brief onscreen appearance in the 2002 flick Enough which starred Jennifer Lopez, but more on that later).

The Burlesque bridge was first built in 1902 and measures 320 feet in length. The steel, through-truss structure is a Ventura County historical landmark and formerly serviced the Union Pacific Railroad.

In the opening scene of Burlesque, Ali is shown very briefly walking across the bridge while on her way to the local bus depot to purchase a train ticket to Los Angeles. You can see some photographs of Christina Aguilera filming the scene on the Zimbio website here.

Sadly, the Burlesque bridge is largely inaccessible to the public, which was highly disappointing as I was hoping to walk across it just like Ali had done in the movie.

And while it has been reported that the Burlesque bridge was the site of the train crash in the 1994 rom-com I Love Trouble, as you can see in the above screen capture, that information is incorrect. The train crash scene was actually filmed on the Sespe Creek Bridge, which you can see a photograph of here, in the neighboring town of Fillmore.

[ad]

Just south of the Burlesque bridge, on the opposite side of Center Street, is the bridge which appeared in Enough. As you can see in the above photographs, despite a difference in color and despite being wide enough for cars to drive on, it is strikingly similar in appearance to the Burlesque bridge.

And while I could find no historical information whatsoever about the structure online, I am happy to report that it is much more accessible than the Burlesque bridge. While one cannot actually walk across it, it is easily viewable from Center Street.

In the 2002 thriller Enough, the high-speed car chase between Slim Hiller (aka Jennifer Lopez) and Robbie (aka Noah Wylie) ends at the bridge when Robbie crashes his SUV into a steel beam that has fallen across the span.

At the end of the scene, Slim is shown driving off of the bridge and west onto Center Street.

Thanks to fave stalking book Hollywood Escapes: The Moviegoer’s Guide to Exploring Southern California’s Great Outdoors, I learned that the Enough bridge was also featured as the plane crash site in 1992’s Hero. Considering how deathly afraid I am of flying, I CANNOT believe that I actually had to scan through the plane crash scene to make the above screen captures. Shudder!

The Enough bridge was also featured during the opening scene of the 1974 movie The California Kid.

Thanks to the Confederate General Lee Fan Club website, I learned that the Enough bridge was also featured in two episodes of The Dukes of Hazzard. It first appeared in the Season 1 episode of the show titled “Luke’s Love Story” during the Hazzard County Obstacle Derby scene.

It later appeared at the very end of the Season 1 episode titled “Route 7-11” as the spot located just over the Hazzard county line where Luke Duke (aka Tom Wopat) and Cooter (aka Ben Jones) dropped off their friend Dewey Stovall (aka Paul Brinegar).

Big THANK YOU to Gary, from the Seeing Stars website, for finding this location.

Until next time, Happy Stalking! Smile

Stalk It: The Piru Creek Bridges, which are depicted in the above aerial view, are both located on Center Street in Piru, above Piru Creek, about 1,000 feet east of the Downtown area. The Burlesque bridge is located on the northern side of Center Street, while the Enough bridge is located on the southern side. And while the Enough bridge is easily visible from Center Street, you can catch the best glimpses of the Burlesque bridge from Piru Canyon Road about 1000 feet east of Orchard Street.

April 26, 2011April 25, 2011

Dwight’s Bar from “Burlesque”

One Burlesque filming location that I had been trying to track down for what seems like forever now was Dwight’s Bar, which was featured in the movie’s opening scene as the supposed small-town, Iowa-area watering hole where Ali (aka Christina Aguilera) worked. Even though the bar only appeared in one very brief, blink-and-you’ll-miss-it establishing shot, I was absolutely obsessed with stalking the place. For whatever reason, though, I just could not seem to find it. Then, like magic, just a couple of weeks ago fellow stalker Gary, from the Seeing Stars website, added the location to his Burlesque filming locations page and I just about died of excitement. The place was, of course, immediately added to the top of my To-Stalk list and I dragged the Grim Cheaper right on out there this past weekend.

As it turns out, Dwight’s Bar is actually a vacant storefront located in Piru, California, a small town (according to Wikipedia its population was only 1,196 as of a 2000 census!) situated about 50 miles north of Los Angeles in the Santa Clara River Valley. Piru (pronounced Pie-Roo) was originally founded in 1887 by a wealthy religious book publisher named David C. Cook. Thanks to its Anytown, U.S.A.-look and proximity to L.A., Piru is an oft-used filming locale and has appeared in hundreds upon hundreds of productions over the years, including Melrose Place, Charmed, Murder, She Wrote, Desert Fury, A Star is Born, Enough, The Dukes of Hazzard, The California Kid, Twilight Zone: The Movie, Torque, Van Helsing, Happy, Texas, Reno 911!, and Race to Witch Mountain. Piru’s historic downtown area, which consists of a tiny, one-and-a-half-block stretch of small brick buildings and which is the area of town most often seen onscreen, was reconstructed after being largely destroyed during the 1994 Northridge Earthquake. Since that time, many of the downtown storefronts have remained vacant, which only adds to the appeal of the place for location scouts as the area can be dressed to fit any sort of production.

Which was exactly what happened with Burlesque. For the opening scene of the movie, Downtown Piru was dressed to look like a small farming town in rural Iowa where Ali lives. And even though its appearance onscreen was brief, I cannot tell you how cool it was to see this location in person!

Amazingly enough, according to the DVD commentary with Burlesque director/writer Steve Antin, the interior of Dwight’s Bar, where Ali sang “Something’s Got A Hold On Me”, was actually a set created inside of a soundstage at Sony Studios in Culver City and was not built inside of the vacant Piru storefront as I had originally believed.

Because I had spent so many hours searching for Dwight’s Bar, I immediately recognized the place when it popped up recently in the Season 7 episode of Desperate Housewives titled “Farewell Letter”, in the scene in which Gaby (aka Eva Longoria) and Carlos Solis (aka Ricardo Chavira) return to Gaby’s hometown of Las Colinas, Texas. In the episode, the two pull up in a taxi directly in front of the storefront that was used in Burlesque.

Later on in that same episode, Gaby and Carlos venture out to a restaurant where Gaby is fawned over as the local girl who made good.

In real life, that restaurant is known as the Railway Café and it has appeared in quite a few movies over the years, including 1984’s Rhinestone.

The actual interior of the Railway Café also appeared in the episode.

Sadly though, the place was closed when we showed up to stalk it, so I was only able to snap a few pictures of the interior through the front windows.

The Railway Café can also be seen in the background of Alicia Keys’ “Un-thinkable (I’m Ready)” music video, which starred cutie actor Chad Michael Murray.

Un-thinkable (I’m Ready) video–Piru

You can watch that video by clicking above.

[ad]

And, thanks to the Seeing Stars website, I learned that just across the street from Dwight’s Bar is Poncho’s Place, the eatery which stood in for the supposed Bon Temps, Louisiana-area Crawdad’s Family Style Restaurant where Sam Merlotte (aka Sam Trammell) took Sookie Stackhouse (aka Anna Paquin) for a slice of pie in the Season 1 episode of True Blood titled “Sparks Fly Out”.

And even though I have never seen even one episode of True Blood, since we were right there I just had to stalk it.

The real life interior of Poncho’s Place also appeared in the episode.

Although, as you can see in the above photographs, it was decorated rather differently for the filming.

Big THANK YOU to Gary, from the Seeing Stars website, for finding this location!

Until next time, Happy Stalking! Smile

Stalk It: Dwight’s Bar from Burlesque is located at 3951 East Center Street in Piru. Poncho’s Place, aka Crawdad’s Restaurant from the “Sparks Fly Out” episode of True Blood, is located just across the street at 3944 Center Street in Piru. And the Railway Café from the “Farewell Letter” episode of Desperate Housewives is located half a block down the road at 3989 Center Street in Piru.

March 8, 2011March 7, 2011

The 19th Annual Art of Motion Picture Costume Design Exhibition at FIDM

As I mentioned in yesterday’s post about the Buckland Auction House from Charmed, this past weekend I dragged the Grim Cheaper out to stalk the 19th Annual Art of Motion Picture Costume Design Exhibition which is currently on display at the Fashion Institute of Design and Merchandising Museum & Galleries in Downtown Los Angeles and which features costumes from twenty of last year’s most celebrated films, including Alice in Wonderland, Clash of the Titans, Coco Chanel & Igor Stravinsky, Robin Hood, The Wolfman, Burlesque, Hereafter, Inception, The Kids Are All Right, The King’s Speech, The Last Airbender, Nanny McPhee Returns, Shutter Island, Wall Street: Money Never Sleeps, The Chronicles of Narnia: The Voyage of the Dawn Treader, Prince of Persia: The Sands of Time, The Tempest, True Grit, and The Young Victoria. I had been dying to stalk the exhibition ever since first reading about it on fave website Seeing Stars a couple of weeks ago and because admission was free, the GC did not pose any objections! Yay!

Upon arrival at the museum, we were given a 24-page booklet detailing the various costumes on display, which are on loan to FIDM for the 12-week exhibition from studio archives, wardrobe departments, and personal collectors. The booklet also featured fascinating interviews with the twenty costume designers who created the varied cinematic looks. Some of the tidbits shared in the pamphlet were the fact that for the movie Clash of the Titans, costume designer Lindy Hemming had to create special closed-toes shoes for the actors to wear during the fight scenes, so as to protect their feet from injury. The tops of the custom-made shoes were painted to look like bare feet so as to appear as if the actors were actually wearing gladiator sandals onscreen. So incredibly cool!

For The Last Airbender, which was filmed on location in Greenland, costume designer Judianna Makovsky created latex gloves resembling bare human hands for the actors to wear during the filming, which often took place in temperatures that dropped to well below zero degrees. She also created special shoes with insulated platform soles for the actors to wear so as to keep their feet as far away from the snow on the ground as possible.

Penny Rose, the costume designer of Disney’s Prince of Persia: The Sands of Time, used such varied tools as a cement mixer and a cheese grater to give her creations the weathered look that the production required.

The filming of Inception’s many zero-gravity scenes posed some challenges for costume designer Jeffrey Kurland. He says, “The clothes in those scenes could not be hanging down because, without gravity, they would be floating. We had to do things like wire shoelaces to make sure they were standing straight out and tack down the men’s ties so they didn’t flop around at random.” Reading the booklet about the exhibition and seeing the actual costumes in person made me realize how much thought, creativity, engineering, problem solving, and detail goes into designing costumes for the big screen – so much more than I ever before realized. It was all absolutely FASCINATING to read about.

[ad]

The first costumes on display that really caught my eye were those from the movie Coco Chanel & Igor Stravinsky, which were designed by Chattoune Bourrex and Fabien Esnard-Lascombe, aka Chattoune & Fab. The costumes were incredibly detailed, yet simple and classic, much like Coco Chanel herself.

I loved, loved, loved the white dress pictured above, which was worn by Anna Mouglalis in the flick.

There were several costumes on display from Alice in Wonderland, which was the winner of the 2011 Academy Award for Costume Design. Colleen Atwood, the movie’s designer, says she collaborated quite a bit with actor Johnny Depp when creating the wardrobe for the character of the Mad Hatter. She says, “Every time Johnny and I hooked up, he took it to another place. We kept pushing it. We talked about him having all the tools of his trade apparent, so they aren’t just on a shelf but part of his costume. So he’s got his thimbles and his pincushion ring, the bandoleer of silk thread spools, the fun ribbons. All these things help make the Hatter otherworldly and magical, but still real in a sense.” She also said it was Depp who came up with the idea of the Hatter’s clothing changing color depending on his mood, an effect which was created digitally in post-production. How incredibly cool is it that an actor of his caliber is so deeply involved in the creation of all aspects of his character, including the costumes? Love it!

And while I was quite impressed with the Mad Hatter’s costume, I was not at all impressed with the gown worn by the White Queen (aka Anne Hathaway) in the flick – which I unfortunately do not have a photograph of as pictures were not allowed in the exhibition hall, something the GC and I did not realize until we had already taken the first few photos which appear in this post.

As you can see above, while the White Queen’s gown is quite detailed and appeared magical and ethereal onscreen, in person it was actually a bit disappointing. For lack of a better word, the dress appeared cheap, much like a child’s Halloween costume one would find at a five-and-dime store, which only made me further realize how difficult and complex a costume designer’s job truly is. Costume designers have to be concerned with how their designs come across onscreen, which is apparently quite a bit different than how they come across in real life. I cannot even imagine how much work it must take to determine that and my hat is definitely off to them!

The costumes that I was most excited about seeing in person – and they did not AT ALL disappoint – were those from Burlesque, all of which were designed by Michael Kaplan. Those costumes included the dress worn by Ali (aka Christina Aguilera) during the movie’s “Show Me How You Burlesque” final dance number. For the costumes worn in that scene, Kaplan came up with the idea of using absolutely no fabric, but rather gold chains that had been linked together. After designing several dresses using real gold links, however, he realized that they did not have enough “give” and did not move on the dancers’ bodies the way he had envisioned. So he opted instead to swap out the gold with rubber washers that he had purchased at a local hardware store and then painted gold. And the effect is nothing short of amazing! Even up close, it is impossible to tell that the links are rubber! Kaplan also used over 250,000 individual Swarovski crystals in the creation of the “Show Me How You Burlesque” costumes, which is absolutely mind-boggling to me! Talk about some serious bling!

The pearl-chained costume that Christina wore during the “Guy What Takes His Time” dance number was also on display. To create the “illusion of nudity” in that and other scenes, Kaplan designed a body-suit that was dyed to match the exact skin color of each individual actor. Of the bodysuit he says, “It let us keep our rating and provided something to anchor the chain.”

Kaplan also designed a skirt made solely out of garter belts for the “E.X.P.R.E.S.S.” dance number. Of the design, he says, “It was a lot of fun to do that one – it was one of my favorites.”

For the dancers’ wardrobe in the “I Am A Good Girl” scene, Kaplan went to the Western Costume Company and found costumes that had been deconstructed and taken apart. “There was something that really attracted me to them, the history or the colors or the silhouettes,” he explains. “I talked to the people at Western Costume and told them that I wanted to take these broken-down costumes and revamp them. I took them apart and then put them all back together again as different costumes. We had all this beautiful, old lace and fishnet and feathers.”

Christina’s outfit for the “I Am A Good Girl” number was also on display at the museum and it was by far my favorite out of the entire collection. The outfit was nothing short of incredible and I must have gone back to look at it at least five different times. I literally could not get enough of it, especially the shoes! Oh, the shoes! They were cream-colored high heels that had been emblazoned with hundreds upon hundreds of different-sized Swarovski crystals. The detail that went into those shoes was ASTONISHING and they were breathtaking to look at! I was absolutely SHOCKED to discover after leaving the museum that Michael Kaplan had not been nominated for an Academy Award. All the creativity, innovation, and beauty that went into those costumes and the guy was not even nominated for an Oscar???? How is that possible?????? You can see some great photographs of the shoes, as well as some of the other Burlesque costumes on the Hollywood Movie Costumes & Props website here.

The other costumes that I was most impressed with were those of Nic (aka Annette Bening) and Jules (aka Julianne Moore) from The Kids Are All Right, which you can take a look at on the FIDM Museum blog here. While the costumes were not especially detailed or unusual, they were extremely realistic – clothing I believed an actual 2010-era couple would be wearing. What struck me the most, though, was the women’s jewelry. While each woman wore strikingly different jewelry, they both had matching red and gold beaded bracelets, which was a touch that I absolutely LOVED. Those bracelets were not mentioned in the movie, but upon seeing them I conjured up a whole back-story in my mind – I could see the women purchasing them while on vacation together in some exotic locale and then wearing them daily as a reminder of that vacation. All that thought and detail put into an accessory that I am sure was not even widely noticed onscreen. It just goes to show how much costume can add to the backstory and history of a character.

I honestly cannot more highly recommend stalking the 19th Annual Art of Motion Picture Costume Design Exhibit at FIDM! It was a fabulous experience for me (although the GC did not enjoy it all that much Winking smile ) and I cannot wait to do it again next year!

Until next time, Happy Stalking! Smile

Stalk It: The 19th Annual Art of Motion Picture Costume Design Exhibition is open through April 30th, excluding the week of April 22nd through 25th, at FIDM’s Museum & Galleries, which is located at 919 South Grand Avenue in Downtown Los Angeles. The exhibit is open each Tuesday through Saturday from 10 a.m. to 4 p.m. and admission is free! For more information, you can visit the FIDM Museum & Galleries official website here.

February 25, 2011February 25, 2011

Burlesque Lounge from “Burlesque”

A couple of months ago, I dragged the Grim Cheaper out to see Burlesque and, because of all of the bad reviews the movie was generating, I did not have very high hopes that either of us would enjoy it much. As it turns out, though, I could NOT have been more wrong! It is a highly entertaining romp which boasts fabulous musical numbers, sparkling and intricately-designed costumes, and incredibly beautiful sets that made me want to hop right into the movie screen. I LOVED, LOVED, LOVED it. And even though the movie is definitely a chick flick, the GC said he thoroughly enjoyed it as well. So when I saw that fellow stalker Gary, of the Seeing Stars website, had just published a page detailing various filming locations from the movie, I just about died. The were two locations that I was most interested in stalking, the first of which was the Mediterranean-style apartment complex where Ali (aka Christina Aguilera) and Jack (aka Cam Gigandet) lived, which come to find out does not, in fact, exist. Fellow stalker Chas, of the ItsFilmedThere website, contacted a few Burlesque crew members on my behalf to find out the location of the apartment building, but they all informed him that it was a set that had been built on the Sony Pictures Studio backlot, which was shocking to me as I had been convinced that the building was a real place. I absolutely cannot wait to get my hands on the DVD of the movie, which is being released on March 1st, so that I can listen to the commentary to learn more about the construction of that set. Anyway, the other location that I was dying to stalk was the exterior of the Burlesque Lounge, which, thanks to Gary I now know, was in actuality the side entrance of the historic Ricardo Montalban Theatre in Hollywood. So, I dragged the GC right on out there to stalk the place this past Monday afternoon.

[ad]

The Ricardo Montalban Theatre was first built in 1926 by Myron Hunt, the legendary Los Angeles architect who also designed the Rose Bowl, Occidental College, the California Institute of Technology, the Huntington Hotel (now the Langham), and the Huntington Library, among countless other area buildings. The Beaux Arts-style theatre was originally a live, or a “legitimate”, stage venue known as the Vine Street Theatre, but was transformed into a single-screen movie theatre during the Great Depression. A few years later it was purchased by CBS and became a radio broadcasting venue known as the CBS Playhouse Theatre. It was there that legendary Hollywood producer/director Cecil B. DeMille hosted his Lux Radio Theatre show in which movie stars of the day would act out radio versions of his many films. In 1954, the property once again became a live theatre venue and was renamed the Huntington Hartford. In 2000, the 1200-seat venue was purchased by Nosotros, a non-profit performing arts organization founded by Fantasy Island star Ricardo Montalban. The organization set about renovating the theatre and restoring the property to its former 1927 glory and in May of 2004 reopened the space as the Ricardo Montalban Theatre.

In Burlesque, the Ricardo Montalban Theatre’s side entrance, side exterior stairwell, and parking lot area were all used as the Burlesque Lounge’s main entrance. Amazingly enough, the wrought-iron gate which was featured so prominently in the movie is actually there in real life, which I was BEYOND excited to see! You can check out some pictures of the gate dressed for the filming here. (The theatre was having some sort of a movie screening when we showed up to stalk it, which is why there are people camped out on the sidewalk in all of my photographs).

Sadly, the parking lot area, which was featured in the scene in which Tess (aka Cher) and Nikki (aka Kristen Bell) get into a fight, has been ripped up and is currently under construction. According to the signs posted on the fence which now surrounds the former lot, a parking garage is set to be built in that area.

You can see what the parking lot area used to look like thanks to Bing Streetside in the pictures above and by clicking here.

I literally just about fell over when, while stalking the theatre, I recognized the burger stand located next door as the spot where Lucy (aka Britney Spears), Ben (aka Anson Mount), Kit (aka Zoe Saldana), and Mimi (aka Taryn Manning) signed up for the Slide Records singing audition in the movie Crossroads! I had actually been on the hunt for that location for quite some time and was absolutely FLOORED to have stumbled upon it in such a way. For whatever reason, I always seem to have that sort of luck when it comes to Crossroads locales as I also stumbled upon the gas station which appeared in the movie in a very similar manner.

If you would like to stalk the stand, which is named Molly’s Charbroiler in real life, you should do so soon as, according to fave website CurbedLA, the tiny restaurant may be torn down in the coming months in order to make way for a new office building. Sad smile Have I mentioned how much I love change?

Burlesque Trailer

You can watch the trailer for Burlesque, in which the exterior of the Burlesque Lounge is briefly shown, by clicking above.

Big THANK YOU to Gary, from Seeing Stars, for finding this location and to Chas, from ItsFilmedThere, for contacting Burlesque crew members to find out where Ali and Jack’s apartment building was located! Smile

Until next time, Happy Stalking! Smile

Stalk It: The Ricardo Montalban Theatre, aka Burlesque Lounge from Burlesque, is located at 1615 North Vine Street in Hollywood. The Burlesque Lounge entrance is located on the north side of the property. You can visit the theatre’s official website here. Molly’s Charbroiler, from Crossroads, is located at 1601 North Vine Street. You can visit the burger stand’s official website here.