Month: January 2017

  • Orcutt Ranch Horticultural Center & Community Garden from “La La Land”

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    On paper, La La Land looked like my perfect movie.  I love Ryan Gosling.  I love Emma Stone.  I love musicals.  And I LOVE L.A.  The film just didn’t work for me, though.  I realize mine is a vastly unpopular opinion, but I found La La Land to be too long, too slow, and too melancholy.  My main beef, though?  For a flick that purports itself to be a love letter to Los Angeles, it certainly did not showcase many real area locations.  Sure there was the Griffith Observatory – I’ll give you that one.  It’s a real site – and a great one at that.  (Though the planetarium featured was a set re-creation.)  What about the Rialto Theatre?  Yes, the Rialto is an actual movie house, but it’s closed and has been since 2010.  You can’t actually see a film there.  Angels Flight?  That’s real and historic – but, again, shuttered.  Watts Towers and Grand Central Market were utilized, but their appearances were fleeting at best.  Not even all of the scenes purported to take place on the Warner Bros. backlot were actually shot there.  [And no, the coffee shop where Mia (Stone) worked isn’t real, either, though its facade can be seen on the WB Studio Tour.]  And while a couple of area restaurants (like the Smoke House) did make the cut, most either played fictitious eateries or were never referred to by name.  So basically everything the movie showcased was fake.  Southern California is chock full of vibrant, picturesque, dramatic, historic, very real sites that are accessible.  Why not celebrate the city and all of its glory by featuring them?  A couple of years ago, I stalked one of the few La La Land locales that is actually open to the public (though it did not play itself in the movie) – Orcutt Ranch Horticultural Center & Community Garden.  I was familiar with the property thanks to its appearance in an episode of Beverly Hills, 90210, so I recognized it immediately when it popped up onscreen.  I had never gotten around to blogging about it, though, and figured what better time than now?

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    Orcutt Ranch was originally established by Union Oil Company president/geologist William Warren Orcutt and his wife, Mary Logan.  The couple purchased and developed a 210-acre plot of land in what is now West Hills and commissioned architect L.G. Knipe to built a large adobe-style residence on the site.  The home, which they dubbed “Rancho Sombra del Roble” (Spanish for “shaded oak ranch”), was completed in 1926 and still stands today.  That’s it below.

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    The Orcutts first used the dwelling as a vacation home before eventually retiring there.

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    William passed away at the residence in 1942 and Mary continued to live there until 1966, at which point she sold the ranch to the Los Angeles Recreation and Parks Department.

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    By that time, a 24-acre portion of the property, which included the house, had already been declared a Historic-Cultural Landmark.

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    The city dubbed the site “Orcutt Ranch” and opened the grounds to the public.

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    When I stalked the place in August 2014 (along with Mike, from MovieShotsLA), I was thrilled to discover how open and accessible it is.

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    Even the Orcutt’s historic adobe was unrestricted, though we were not able to venture inside.

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    Besides the adobe, a large barn, and several other buildings, the sprawling property also boasts a myriad of gardens, groves, and green expanses, each dotted with countless varieties of plants and trees including birch, wisteria, dogwood, purple lily magnolia, oak, sycamore, and eucalyptus.

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    Orcutt Ranch is a beautiful place to peruse nature, sit and reflect, or wander aimlessly.

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    It is also a popular wedding venue.

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    And filming location!  Orcutt Ranch actually portrayed two different places in La La Land.  (For those who have yet to see the movie, be forewarned, the paragraphs that follow contain spoilers.)  The interior of the Orcutt adobe first masked as the inside of the Chateau Marmont bungalow where Mia was staying at the end of the film.  (Why the scene wasn’t shot in an actual room at the historic hotel is anyone’s guess.)  Sadly, I do not have any screen captures of that particular scene to post here, but you can see images of the room used in it here and here.  Later, in La La Land’s dreamy final montage, during which Mia and Sebastian (Gosling) imagine what could have been, the adobe portrays the couple’s home.  Thankfully, I do have screen grabs from that scene thanks to this YouTube video.

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    It was the adobe’s unique arched door that I recognized while watching La La Land.

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    The interior of the Orcutt residence was also used in the sequence, including the solarium (which you can see a photograph of here) . . .

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    . . . and the living room (which you can see a photo of here).  You can check out some more images of the adobe’s interior here.

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    The property’s courtyard and fountain made an appearance in the scene, as well.

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    As did the lush grounds.  (My imagery below isn’t the best because that portion of the scene was shot on a 16mm movie camera and is therefore a bit grainy.)

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    As I mentioned in my intro, Orcutt Ranch also appeared in an episode of Beverly Hills, 90210.  In Season 10’s “Laying Pipe,” it masked as the supposed Ojai-area church where Steve Sanders (Ian Ziering) and Janet Sosna (Lindsay Price) took Kelly Taylor (Jennie Garth) and Dylan McKay (Luke Perry) to meet their minister.

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    Only the exterior of the ranch appeared in the episode.

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    The gazebo where Janet and Steve had a mini wedding rehearsal was not a set piece brought in for the shoot, but is an actual element of the property, which I was thrilled to see!  It does look a bit different today, though, than in 1999 when the episode was shot.

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    The ranch’s gardens made an appearance in “Laying Pipe,” as well.

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    A couple of Orcutt Ranch’s outbuildings also masked as the Thomas family farm in the Season 1 episode of Deadtime Stories titled “Grandpa’s Monster Movies.”

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    One of the buildings used in the episode is pictured below.

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    For those who felt like I did about La La Land (or who are completely flummoxed as to why I didn’t like it), this The New Yorker review is a great read.  As author Dale Robinette states, “I saw La La Land in a theatre, sitting up close to a big bright screen, and couldn’t tell whether it was filmed on location or in a studio in front of a green screen.  If [director Damien] Chazelle’s intention was to celebrate, among other things, the public face of the city, he failed miserably at it.”  I couldn’t agree more.  Chazelle really should have taken a note from Swingers.  The 1996 film brilliantly showcased a very real L.A., featuring actual area restaurants, bars and landmarks to such perfection that many still draw fans to this day, twenty years after the movie originally premiered.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: Orcutt Ranch Horticultural Center & Community Garden, from La La Land, is located at 23600 Roscoe Boulevard in West Hills.  The site is open daily from dusk until dawn and admission is free.   You can visit the property’s official website here.

  • The “Swingers” Party House

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    2016 was a great year for me as far as finding locations goes.  So many of my most-wanted unknown locales were identified.  Rod Tidwell’s home from Jerry Maguire, the Say Anything . . . amphitheatre, the Life Goes On house, the “Las Vegas” casino from the Season 4 episode of Beverly Hills, 90210 titled “And Did It . . . My Way” –  I could go on and on.  Another spot that I tracked down in 2016, but haven’t gotten around to blogging about until now is from Swingers.  Though the vast majority of the 1996 comedy’s locations are well-known and have long been documented online, late last year I went on a trek to find some of the missing ones, namely the Spanish-style house where Mike (Jon Favreau), Trent (Vince Vaughn), and the gang attended a party.  And I am happy to report that I was successful!

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    I literally had nothing to go on with this locale outside of the fact that, per Favreau’s DVD commentary, it was located in the Hollywood Hills.  In the scene leading up to the party, Mike and his four friends are shown driving (all separately!) on a curving L.A. road.   I figured that the segment was likely shot in the same vicinity as the house where the party scene was lensed.  Thankfully, while watching the Swingers Blu-ray, I was able to make out an address number of 7902 on the curb of a home that the boys pass.  (Unfortunately, my computer does not have the capacity to play Blu-rays, so all of my screen captures were taken from a regular DVD, which is why the 7902 number is not clear in the image below.)

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    I started searching the Hollywood Hills for houses with a 7902 address number and fairly quickly discerned that the boys drove by the residence at 7902 Fareholm Drive on their way to the party.  I was floored to make the discovery and immediately began scouring the area for the property where the soiree was held – unsuccessfully.  Though there are several rambling Spanish-style homes located on Fareholm, none of them matched the pad from Swingers.  So back to the drawing board I went.

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    Since the movie’s 20th anniversary was fast approaching, interviews with the cast and crew were popping up all over the internet.  I decided to pour through every one I could find with the hope that some information about the party house would be revealed.  I got lucky when I came across this fabulous article on the Grantland website titled “So Money: An Oral History of Swingers.”  (If you’re a fan of the film, I highly recommend a read.)  Not only did the article mention the party scene, but it detailed the exact street it was shot on!  Thank you, Grantland!  According to those interviewed, the production team could not afford to rent a home to shoot the soiree sequence, nor could they afford to hire the large amount of extras that would be required.  So line producer Nicole LaLoggia and director Doug Liman asked some friends who lived in “this very cool old house” located “up in the Hollywood Hills on Temple Hill Drive” if they would throw a get-together and let them film it.  Those words were music to my ears!   I immediately started using Google Street View to search Temple Hill Drive for the residence used.  It took me longer to find the place than expected due to the fact that it is situated on a corner and only a side view of it was shown in Swingers.

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    Very little of the dwelling’s exterior actually appeared in the movie, but, thankfully, enough detailing was visible for me to be able to identify it.

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    I was most excited to see the staircase that Trent and the guys headed up upon arriving at the party.

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    A better view of those stairs is pictured below.

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    Though the outside was only featured briefly in Swingers, the interior of the residence got quite a bit of screen time.  It is while inside the home that Trent gets – and then immediately tears up – the digits of a “business class” girl who touts herself as having a Tina Yothers vibe.

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    In real life, the 1926 pad boasts 4 bedrooms, 4 baths, 3,872 square feet, and a 0.22-acre plot of land.  As I mentioned above, the residence is situated on a corner.  Pictured below is the side of it that fronts Temple Hill Drive.

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    The property is absolutely massive, much more so than it appears to be from the street.  You can check out an aerial view of how it’s laid out below.  (The castle-looking estate located next door is known as Moorcrest.  Charlie Chaplin and Mary Astor have both called it home at different points in time and it currently belongs to actor Andy Samberg.  A post on that locale will be coming soon.)

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    The Swingers party pad has quite the Hollywood pedigree.  As actor/writer Mike White, who was present during the filming of the party scene, explains in the Grantland article, “The house was one of the centers of partying back then.  There were four guys that lived there.  Two of them have gone on to be successful producers — Wyck Godfrey and Marty Bowen.  Their production company is called Temple Hill [Entertainment], in reference to the house.  They produced all the Twilight movies, actually.”  Godfrey and Bowen also gave us The Fault in Our Stars, Revenge and Rosewood!  Not a bad resume.  I cannot express how cool I find it that the duo chose to name their production company in honor of their former digs.

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    In his DVD commentary, Favreau described the property as such, “This is one of those big, great 1920s Hollywood Hills houses that sort of has fallen into disrepair, but people, like, all get together and become roommates and live in these huge mansions.”  The residence remains in a state of disrepair today, sadly.  Though I do kind of love the fact that, 20 years later, it still looks like a dwelling that a bunch of showbiz hopefuls got together to rent.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: The Swingers party house is located at 6161 Temple Hill Drive in the Hollywood Hills.  It is the eastern side of the residence, which can be found on Vasanta Way, that appeared in the movie.

  • Rod Tidwell’s House from “Jerry Maguire”

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    People often ask me about my most-wanted unfound locations.  Currently, the one that tops my list is the mansion where this Beverly Hills, 90210 publicity photo was taken.  But for several years, the locale that held that spot was the Mediterranean-style residence where Rod Tidwell (Cuba Gooding Jr.) and his wife, Marcee (Regina King), lived in the 1996 romcom Jerry Maguire.  Try as I might, I just could not seem to find it.  Then last June, I finally decided to call in the big guns and asked my friend Michael (you know him from his many The Brady Bunch guest posts, which you can read here, here, here, here and here, as well as his columns on Too Close for Comfort, The Ropers, Life in Pieces, and Fuller House) for some assistance.  Per usual, he was successful in tracking the place down.  Quickly, too, I might add.  While I covered the house in my The Complete Guide to Jerry Maguire Filming Locations post back in December, because the hunt for it was so lengthy (well, on my end, at least), I figured it was worthy of its own write-up.

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    Though I had always wondered about its location, I did not actively begin searching for the Tidwell’s supposed Arizona-area home until June 2014, shortly after my friend Mike, from MovieShotsLA, tracked down the restaurant where Bob Sugar (Jay Mohr) fired Jerry Maguire (Tom Cruise) in the movie.  Around that time, I purchased the Special Edition DVD of the flick to listen/watch the video commentary (which was fabulous, by the way – I’ve never seen a commentary done in such a manner before) with Cuba, Cruise, Renee Zellweger, and Cameron Crowe.  During their conversation, Cuba mentioned that the Tidwell residence was located in the Thousand Oaks area.  In lightening up a screen capture of the exterior of the house, I also noticed that a partial address number, ending in what I believed was “60,” was visible.  It was also apparent from my numerous watchings that a very large, very unusual rock formation was situated behind Rod’s pad.  I figured that these three clues would make finding the place fairly easy.  I was wrong.  While I scoured Thousand Oaks for a dwelling situated in front of a large rock with an address that ended in 60, I came up empty-handed.

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    Two years of searching later and I was still at a loss.  So I decided it was time to bring in Michael.  I emailed him the above screen capture as well as the three bits of information I had.  The following day, he responded saying he had found some very similar looking homes in a Westlake Village development known as Crescent Oaks, which was established in the late ‘80s.  You can check out one of those residences here.  Though he couldn’t find Rod’s house in that particular community, he figured he was on the right track.  From there, the two of us started combing through neighborhoods in the vicinity of Crescent Oaks (along with my friend Owen, of the When Write Is Wrong blog, who I also called in for an assist), but we could not find Rod’s pad anywhere.

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    Never one to be deterred, I moved on to a different tactic by tracking down Sascha Lorren, who played Rod’s niece in the movie, to see if she remembered where filming had taken place.  She didn’t, but thankfully her mother recalled that the Tidwell home was located in the Thousand Oaks area, west/south of the 101.  From there, Michael worked his magic and found the residence just a few hours later at 1760 Kirsten Lee Drive in Westlake Village.

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    How did he do it, and so swiftly, you ask?  I wondered the very same thing.  As he explained to me, “It was the second area I choose when looking at Google Maps.  I was mainly looking for a lot of terra-cotta roofs, a layout of roads that felt similar to Crescent Oaks, and abutting mountains.  I knew I was in the right area when I saw that rock.  Then I came across an identical house just down the road.  And then voila!”  Thank you, Michael!

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    In real life, the home is part of the Three Springs development, which was established in the early ‘90s.  As Michael said, “I guess there were 5 different developers for the different tracts.  I’d be very surprised if they weren’t the same developers that did those homes in Crescent Oaks a couple years earlier.”

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    The 2-story dwelling, which was built in 1991, boasts 4 bedrooms, 4 baths, 3,649 square feet, a 3-car garage, a 1.09-acre plot of land, and a swimming pool.

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    The front exterior of the Tidwell house is only shown once in Jerry Maguire.  As you can see below, the residence looks much the same today as it did when the movie was shot 20 years ago, despite the lack of the partially-completed garage addition and other construction paraphernalia, which were set pieces brought in for the shoot.  (“Jerry, my house is falling apart.  Nobody’s looking out for Rod Tidwell.  We don’t know where we gonna live in a year.  And I’m supposed to be a superstar, man!”)

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    Though the front of the dwelling only appeared once in the film, the interior was featured numerous times.

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    It was most notably the site of the famous “Show me the money!” sequence.  Per my new friend Greg Mariotti of The Uncool website, that scene, as well as the rest of the Tidwell home scenes, were the last of the movie to be shot.  (I cannot look at the images below without hearing Rod saying, “I am a valuable commodity!” – one of my favorite lines in the film.  Makes me laugh every. single. time.)

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    The residence’s real life backyard also appeared in the “Show me the money!” sequence.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Big THANK YOU to my friend Michael for finding this location!  Smile

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    Until next time, Happy Stalking!  Smile

    Stalk It: Rod Tidwell’s house from Jerry Maguire is located at 1760 Kirsten Lee Drive in Westlake Village.

  • “The Awakening” Sculpture

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    I am not typically a big art person.  This is mainly due to the fact that I love to be outside, especially when on vacation, so I don’t find myself frequenting museums often.  While researching Washington, D.C.-area attractions prior to my trip to the East Coast last September, though, I came across some information about a work of art that enthralled me.  Images of the piece, a massive sculpture called The Awakening, were striking and I quickly decided that I was not returning home without seeing it in person.

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    The unique installation, which depicts a giant fighting to emerge from the sand that engulfs him, was created by J. Seward Johnson, Jr., the same artist who gave us Forever Marilyn and Unconditional Surrender, both of which I blogged about in May 2012.  (I was thrilled to come across reports while researching for this post that Forever Marilyn might be returning to Palm Springs in the very near future!)

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    The sculpture is made up of five half-buried cast-aluminum parts representing the hand, arm, head, knee and foot of a distressed giant struggling to break through the earth’s surface.

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    Rising over 15 feet tall and spanning a length of 70 feet, The Awakening is absolutely breathtaking to see in person.

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    And rather dramatic.

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    Seward, who is the grandson of Johnson & Johnson co-founder Robert Wood Johnson, created the piece in 1980 for the International Sculpture Conference Exhibition in Washington, D.C.  It was originally installed on an open expanse of grassy land overlooking the water at Hains Point in East Potomac Park, just a few miles from the National Mall.  Owned by the Sculpture Foundation, The Awakening’s placement was always considered temporary, thanks largely to a law enacted in 1986 that banned non-commemorative art from being permanently displayed in any District-area national park.  As such, the Foundation quietly put it on the market, where it remained for several years until Milton V. Peterson, chairman of the Peterson Companies, snapped it up in 2007.  The purchase price?  A cool $740,000.  Of the score, Peterson said, “As soon as I found it was for sale, I bought it that week.  I think it is one of the most demonstrative pieces that we have.”

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    Peterson purchased the 4,100-pound statue in order to install it at National Harbor, his 300-acre mixed-use development consisting of shops, eateries, condominium buildings, hotels, offices, and a convention center, all situated adjacent to the Potomac River in Oxon Hill, Maryland.  A beach was constructed in the center of the complex for The Awakening to be displayed.

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    While being assembled at its new home, the giant was altered.  As explained in this December 2007 The New York Times article, “At Hains Point, the pieces were placed slightly off-kilter, making the figure anatomically incorrect.  So when the sculpture’s wire base is reburied, one of the legs will be moved slightly.”

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    National Harbor opened to the public in 2008.

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    As you can see below, the site where The Awakening now sits boasts some incredible views.

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    I have to say that I prefer the sculpture’s original setting, though.  The Awakening is now situated in a relatively tiny area that is below street level, making it virtually hidden from passersby.  Even I had a bit of a hard time spotting it as we arrived on the scene, and I was actively looking for it.  While undeniably huge, the piece gets swallowed up by its surroundings.  In my never-to-be-humble opinion, I think it looked much better – and much more striking – when it was out in the open as it was at Hains Point.  You can see images of The Awakening at its original location here and here.  My other beef with the piece’s new home is that it has seemingly turned into a playground, with kids crawling all over it (as pretty much all of my pictures attest to), and now more closely resembles a jungle gym than a stunning work of art.  A second The Awakening was created by Seward in 2009 and put on display in Chesterfield, Missouri.  That piece is laid out in a much better way than its National Harbor counterpart.  You can check out some photos of it here and here.

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    I was floored to learn while doing research for this post that The Awakening is also a filming location!  Back in 1995, when it was still located at Hains Point, the statue was featured in the opening scene of The Net as the spot where Secretary of Defense Senator Bergstrom (Ken Howard) killed himself.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: The Awakening sculpture is located at 153 National Plaza, in the National Harbor development, in Oxon Hill, Maryland.

  • The Marsh House from “Happy Land”

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    Since we’re on the subject of McDonald Avenue (you can read Wednesday’s post about the McDonald Mansion from Pollyanna here), I figured I should write about another of its famous homes.  While doing research on the picturesque Santa Rosa street, one of the area’s most oft-filmed spots, prior to my trip up to Northern California last October, I came across a post on the Dear Old Hollywood website about Happy Land filming locations.  I had never heard of the 1943 drama prior to reading the post, but was immediately taken with one of the locales mentioned – a gorgeous Victorian dwelling that portrayed the Marsh family residence in the film.  So I made sure to add it to my NorCal Must-Stalk List.

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    In person, the house did not disappoint.  I mean, look at the place!  It’s stunning!

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    All that detailing is sublime!

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    The 2-story pad, which was originally built in 1890, is much larger than it appears to be from the street, boasting 5 bedrooms, 4 baths, and a whopping 3,594 square feet of living space.

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    Amazingly, the dwelling still looks pretty much exactly the same today as it did when Happy Land was shot 74 years ago.

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    I finally sat down to watch the movie earlier this week.  While a sweet film, Happy Land is, ironically enough, extremely sad.  The storyline centers around Lew (Don Ameche) and Agnes Marsh (Frances Dee), a couple trying to come to grips with the death of their son, Rusty (Richard Crane), who was killed in World War II.  Told via flashbacks, Happy Land reminds me a bit of A Christmas Carol, but without the Christmas theme.

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    The Marsh’s idyllic home, said to be located at 1127 Willson Avenue in Hartfield, Iowa, was featured throughout the film.

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    I absolutely love that the property’s real life address number was visible in the movie.  The address placard that appeared in Happy Land even looks to be the same one that is still installed above the front door today!

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    Dear Old Hollywood founder Robby Cress set about tracking down the Happy Land house prior to a 2013 trip to Northern California. Though he had heard that the movie was shot in Santa Rosa, he had no idea how to begin searching the area for the Marsh’s stately Victorian.  It was none other than Alfred Hitchcock who wound up giving him an assist.  The Master of Suspense filmed his famed 1943 thriller Shadow of a Doubt on McDonald Avenue and Robby figured Happy Land might have done the same.  So he began searching the street and, sure enough, found the pad just three blocks north of the property Hitch used.

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    While the exterior of the residence was utilized extensively in Happy Land, I do not believe that the interior made an appearance onscreen.  I cannot find any interior photographs of the actual dwelling to compare to what was shown in the movie, but it is my hunch that inside of the Marsh home was a set built on a soundstage.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Big THANK YOU to the Dear Old Hollywood website for finding this location!  Smile

    The Marsh House from Happy Land-1190322

    Until next time, Happy Stalking!  Smile

    Stalk It: The Marsh family home from Happy Land is located at 1127 McDonald Avenue in Santa Rosa.  Many famous movie houses can be found on the same street.  The McDonald Mansion, aka Mableton, from Pollyanna is located one block south at 1015 McDonaldThe Newton home from the 1943 Alfred Hitchcock thriller Shadow of a Doubt can be found three blocks south at 904 McDonald Avenue.  [The kitchen of that residence was also used as Tatum Riley’s (Rose McGowan) kitchen in Scream.]  And the Newton house from the 1991 made-for-television Shadow of a Doubt remake is located at 815 McDonald.

  • The McDonald Mansion from “Pollyanna”

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    I am fully aware that I have a hyperbolic nature.  I use words like “favorite,” “best,” and “most” a LOT.  Caps, too, for that matter.  I wouldn’t say that I am an exaggerator, though.  I just happen to like a lot of things.  Case in point, I have more “all-time favorite” movies than I can count on one hand.  Incredibly, two of them were shot on the same street – the idyllic McDonald Avenue in Santa Rosa.  The flicks, Disney’s 1960 family drama Pollyanna and the 1996 Wes Craven-directed horror film Scream, could not be more different, but I love them both equally – and am rather obsessed with their locations.  Though I grew up in Northern California, I somehow never stalked McDonald Avenue – until this past October, that is.  While visiting my aunt who lives in the area, I dragged practically my entire family out to see both the house where Tatum Riley (Rose McGowan) lived in Scream (a locale I will be blogging about as part of my Haunted Hollywood postings this year) and the legendary McDonald Mansion, which portrayed Aunt Polly’s (Jane Wyman) estate in Pollyanna. As you can see above, I was just a wee bit excited about the latter.

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    The McDonald Mansion was originally built by San Francisco-based engineer/developer Colonel Mark McDonald in 1879.  During the 1860s, McDonald had purchased 160 acres of land in the heart of Santa Rosa and began subdividing and developing it, naming the new neighborhood “McDonald’s Addition.”  His spectacular 14,000-square-foot Stick/Eastlake-style estate became the cornerstone of the upscale community.  Mark, his wife, Ralphine, and their children utilized the home, which they dubbed “Mableton,” as a summer residence.  You can see what the property looked like in its early days here.

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    Mark and Ralphine passed away in 1917 and 1918, respectively, whereupon their oldest son, Mark L. McDonald Jr., and his wife, Isabelle, inherited the manse and set about extensively renovating it to their own style.  Sadly, the exterior was stripped of all of its intricate detailing and became virtually unrecognizable – and rather dull.  You can see what it looked like here.  The couple lived on the premises full time until Mark’s death in 1932, at which point Isabelle moved to an apartment in San Francisco, only spending summers at Mableton.  When she passed away in 1960, the estate was bequeathed to her only surviving child, Marcia, who rarely visited the residence and left it to deteriorate.  Upon her passing in 1971, the property was deeded to both the University of Southern California and Stanford University.  The schools ultimately offered to sell the home to the City of Santa Rosa.

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    Shockingly, and with no apparent regard for its history, the city made plans to tear the mansion down and build condominiums in its place.  Thankfully, a pathologist named Dr. Jack Leissring stepped in and purchased the home in 1974, saving it from the wrecking ball.  He immediately began restoring the estate to its original grandeur, but disaster struck in 1977 when, while Jack and fellow workers were stripping paint with a torch, a fire broke out completely gutting the residence.  A stalwart Leissring decided to rebuild and ultimately spent the next 19 months doing so.  You can read about his painstaking efforts here and here.   Of the process, he says, “The house was completely stripped of its plaster and lath, all of the bricks from the four chimneys were removed and re-used for walkways and pillars, the redwood sheathing was made into the molding for the house – I designed the knives for the molding cutter.  Thus, the crown molding, base molding, casing molding was made entirely of the original materials of the house.  Most of the dentil details were rotted or broken.  During a rainy winter, I cut-out every one of those pieces that decorate the house.  I reconstructed the railings as well, also using the materials native to the house.  This reconstruction was completely, or almost completely a work both of love and of homage to the historic nature of the materials.  This is my understanding of what historic restoration means.”  I wholeheartedly agree, Jack!  You can see the result of his work here.

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    Though the exterior of Mableton is ornate and lavish, its original interior was rather drab.  As Jack explains on his website, “I wish to point out just how ugly this house was inside.  To call this house a mansion was a misnomer.  It had been the summer residence of the McDonalds and was very meanly built – the second story was made of single board walls.  The only graceful aspect of the house was the exterior.”  You can check out some photographs of the property’s interior, with it’s “dark, over-bearing walls and décor,” here.  Jack was not being demeaning in his description – the original inside of the dwelling looked more like a barn than a home!

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    In 2005, Leissring sold the McDonald Mansion to Telecom Valley entrepreneur John Webley and his wife, Jennifer.  The couple decided to take Jack’s work even further and spent the next five years renovating the property, along with architect Stephen Rynerson and design historian Paul Duchscherer.  During the restoration, the exterior of the home was brought back to its 1879 self and the interior was completely gutted and re-designed in a Victorian style.  Sadly, Leissring is not a fan of the final product.  On his website, he states, “The subsequent buyers, to whom I sold the house in 2005, who had much too much money, completely remade the house with new materials, and it now looks like a Disneyland display.  Sigh.”  I think it is gorgeous, though.  The interior is now everything one would expect the inside of a grand Victorian mansion to be – stained glass ceilings, inlaid flooring, rich woodwork, and a library befitting the Beast from Beauty and the Beast.  (In Jack’s defense, the Main Hall is very Tower-of-Terror-esque.  But I love it.)  You can see some photographs of the finished home here, here, and here.

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    The McDonald Mansion was used extensively in Pollyanna.  As you can see below, though, the dwelling looked quite a bit different in the movie due to the fact that a matte painting was added to the roofline in order to make the property appear larger than it actually is.

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    Despite the matte painting and the many renovations that have taken place since Pollyanna was shot in 1960, the McDonald Mansion is still recognizable from its onscreen appearance.

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    Only the exterior of the home and its extensive grounds were used in the filming.

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    The inside of Polly’s mansion was an elaborately-built studio set.  Ironically – and in a case of life imitating art – it very much resembles the current, rebuilt interior of the McDonald Mansion.  So I guess the property has truly come full circle.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    The McDonald Mansion from Pollyanna-1190174

    Until next time, Happy Stalking!  Smile

    Stalk It: The McDonald Mansion from Pollyanna is located at 1015 McDonald Avenue in Santa RosaThe Newton home from the 1943 Alfred Hitchcock thriller Shadow of a Doubt is located a block away at 904 McDonald Avenue.  [The kitchen of that residence was also used as Tatum Riley’s (Rose McGowan) kitchen in Scream.]  And the Newton house from the 1991 made-for-television Shadow of a Doubt remake is located across the street from the property used in the original at 815 McDonald Avenue.

  • Happy Martin Luther King Jr. Day!

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    I will be taking today off for Martin Luther King Jr. Day, but will be back on Wednesday with a whole new locale!  I hope everyone has a safe holiday.

  • McSorley’s Old Ale House from “Rounders”

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    It has been said that 60% of restaurants close within a year of opening and that 80% don’t make it past year five.  Many in New York, though, have real staying power.  Take McSorley’s Old Ale House, for example.  The East Village watering hole/eatery has been around for more than 16 decades!  Yep, 16 decades!  I first learned about the place thanks to The History and Stories of the Best Bars of New York while doing research for last April’s Big Apple vacay and figured the fact that Abraham Lincoln once drank there warranted it a visit.  So the Grim Cheaper and I headed to the historic tavern, along with our good friends Lavonna (she’s a major Lincoln aficionado – you may remember her from this post), Kim, and Katie, for lunch one sunny afternoon during our trip.  At the time, I had no idea McSorley’s was a filming location, so imagine my surprise when I spotted it while watching Rounders with the Grim Cheaper last week!  I so love it when a place I have visited pops up unexpectedly onscreen!

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    To say that McSorley’s Old Ale House is New York’s OG bar would be an understatement.  Originally established in 1854 by Irish native John McSorley, the site was initially dubbed “The Old House at Home.”  It held court under that moniker until 1908 when a storm hit Manhattan and knocked down the sign that hung out front.  John replaced it with one reading “McSorley’s Old Time Ale House,” thereby changing the name of his saloon.  (He later dropped the word “time”, as well.)

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    I would be remiss if I didn’t mention here that the bar’s origin date has been disputed by various historians, namely researcher Richard McDermott, who asserts that the spot where McSorley’s now stands was a vacant lot up until 1858.  The NYC Landmarks Preservation Commission put McDermott’s doubts largely to rest, though, in this 2012 Designation Report, stating, “Supporting the claim that McSorley’s Old Ale House first opened on this site in 1854, tax records reveal that the first improvement on this lot may have occurred in the mid-1850s.  Though tax records note the lot as vacant until 1860-61, the value of the lot increased steadily between 1848 and 1856, indicating that a small structure may have been constructed here and not recorded (note: nearby lots did not change in value during the same period).  The lot was purchased in 1854 by real estate speculator John W. Mitchell.  As noted by Bill Wander, official historian for the pub, Mitchell may have constructed a small “taxpayer” structure on the lot to cover expenses, and McSorley’s could very possibly have operated out of this small structure.”

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    Regardless, McSorley’s asserts itself as “New York City’s oldest continuously operating saloon.”  Other Big Apple bars, like Pete’s Tavern, may assert the same exact thing, but disputing the claim seems entirely beside the point.  No one can argue that McSorley’s has history.

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    In 1864, the two-story structure that originally housed McSorley’s was renovated, expanded and transformed into a five-level tenement.  John and his family moved into a unit upstairs and then eventually purchased the building in 1888.

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    When John passed away in 1910 at the age of 83, his son Bill took over operation of the bar.  Bill continued to run the place for the next 26 years, even keeping it open during Prohibition.  Though the sale of alcohol was outlawed during that time, McSorley’s managed to dole out ale made onsite in the basement.  Bill called his libation “near beer” and authorities were none the wiser.  As author Jef Klein states in The History and Stories of the Best Bars of New York, “McSorley’s passed through Prohibition without passwords, secret exits, or hideaways.”

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    In 1936, Bill sold McSorley’s to a long-time customer/NYC policeman named Daniel O’Connell.  Daniel’s tutelage did not last long, though.  He passed away just three years later, leaving the bar to his daughter, Dorothy O’Connell Kirwan.  The change of hands was ironic considering that McSorley’s did not allow women on the premises at the time.  Kirwan promised her father that she would not overturn that rule.  She also vowed never to set foot in McSorley’s during operating hours – a promise she kept even after the establishment was forced to admit the fairer sex in 1970 thanks to a lawsuit brought about by two females who were denied entry.

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    When Dorothy and her husband, Harry, passed away in 1974 and 1975, respectively, their son, Danny, inherited the bar.  Just two years later, he sold it to night manager Matthew Maher, who still owns the tavern to this day.

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    Virtually nothing about the bar (aside from finally admitting women and the subsequent addition of a women’s restroom, which did not occur until 16 years later) has changed over its 163 year history – and I do mean nothing.

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    The décor, the memorabilia, and even some of the fare (the cheese, crackers and raw onion dish has been offered since opening day!) remain untouched from the time that John McSorley ran the place.

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    Menu items are written on chalkboards posted throughout the bar and, along with the aforementioned cheese plate, typically include hash, chili, burgers, and a fried chicken sandwich.

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    Don’t go to McSorley’s hoping for a chilled glass of pinot, though.  As the name suggests, the only libation served on the premises is ale.

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    Notables have long been attracted to McSorley’s no-frills environment.  Ulysses S. Grant, Theodore Roosevelt, John Lennon, Woody Guthrie, Peter Cooper, e.e. cummings, Harry Houdini, J. Giels, John F. Kennedy, and Frank McCourt have all sidled up to the ale house’s bar at one time or another.

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    Ah, yes, and Abraham Lincoln, who stopped by in 1960 while in town to give his famous Cooper Union address.

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    McSorley’s boasts another connection to Lincoln.  An 1865 wanted poster offering a $100,000 reward for the capture of the president’s assassin, John Wilkes Booth, hangs above the bar.  Yes, it’s an original.

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    McSorley’s has also long proved popular with felines.  Ironically, while women were not welcome throughout much of the bar’s history, cats were.  Up until a city law was passed in 2011 which banned the animals from restaurants, a number of them called the watering hole home.  Aside from keeping vermin away, you could often find the McSorley’s cats curled up next to patrons or warming themselves by the pot-bellied stove.  When Bill ran the place, as many as 18 roamed the premises.  The most recent feline resident was a grey tabby named Minnie.  Ironically, McSorley’s was shut down by the health department briefly in November of last year for several violations.  One of the violations was – you guessed it – evidence of rats.  If only Minnie was still on duty!

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    Considering McSorley’s historic aesthetic and unique decor, it is not surprising that it has wound up onscreen.  I mean, the place just looks like a movie set!  In Rounders, it is at McSorley’s that Jo (Gretchen Mol) admonishes her boyfriend, Mike McDermott (Matt Damon), for lying to her about gambling.

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    The exterior of the bar was featured in the 1998 film, as well.

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    The ale house also appeared in the 1984 gangster drama Once Upon a Time in America.  It is there that a young David ‘Noodles’ Aaronson (Scott Schutzman Tiler) and his friends choose a drunk to “roll.”

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    In 1991’s The Hard Way, Nick Lane (Michael J. Fox) gives John Moss (James Woods) advice on women at McSorley’s.

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    And in 2018, Miriam Maisel (Rachel Brosnahan) and Benjamin (Zachary Levi) headed to McSorely’s for a date in the Season 2 episode of The Marvelous Mrs. Maisel titled “Look, She Made a Hat.”

    Folk singer Dave Van Ronk also posed outside of McSorley’s Old Ale House for the cover of his 1964 album, Inside Dave Van Ronk.  One of the bar’s former in-house cats even made it into the photo.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

    Big THANK YOU to my friend Kim for providing many of the images that appear in this post.  Smile

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    Until next time, Happy Stalking!  Smile

    Stalk It: McSorley’s Old Ale House, from Rounders, is located at 15 East 7th Street in New York’s East Village.  You can visit the watering hole’s official website here.

  • The Conservatory Garden from “The Girl on the Train”

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    One of my favorite places in all of Manhattan is, surprisingly, not a stalking location.  Or at least it wasn’t up until recently.  The Conservatory Garden, a six-acre oasis in East Harlem situated across from the Museum of the City of New York, is easily the most picturesque park I have ever set foot in.  I first learned about the site in 2007 thanks to Real City: New York City (sadly, the book is no longer in print, so I cannot provide a link), which described the “floral sanctuary” as “the most studiously tended area in Central Park.”  My interest was immediately piqued and I headed right on over there during our NYC vacation later that year.  (The photo above was taken during that trip, hence why I look sooooo different.  Winking smile)  In person, it was even more stunning than I had envisioned.  The Conservatory Garden has since become a regular stop during our New York travels.  I have wanted to blog about it ever since my first visit, but had never come across any filming done there.  So imagine my thrill when I spotted the Conservatory Garden while watching a SAG Awards screener of the 2016 thriller The Girl on the Train.  Now I can finally write about the place!  (For those who have not yet seen the movie and aren’t in SAG, have no fear – the DVD comes out on January 17th).

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    The garden was initially established in 1899 and consisted of a large e-shaped glass greenhouse, or conservatory (hence the name), surrounded by flowerbeds.  By the 1930s, the greenhouse had started to deteriorate and in 1937 NYC Parks Commissioner Robert Moses had it razed and commissioned a new, formal garden to take its place.  The site became known as the Conservatory Garden(not to be confused with the Central Park Conservatory Water).

    The Conservatory Garden in Central Park

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    The lush property is actually made up of three distinct gardens – one English in style, one French, and another Italian.  The English garden, located in the southern portion of the park, is lined with annuals and flowering trees and features the Burnett Memorial Fountain, designed in 1936 by American sculptor Bessie Potter Vonnoh in honor of The Secret Garden author Frances Hodgson Burnett.  Its surrounding pool is dotted with water lilies.  (The fountain is pictured below and in the first image in this post.)

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    The French garden, situated in the northern part of the park, features an astounding array of perennial flowers, including over 20,000 tulips during the spring months and more than 2,000 Korean chrysanthemums that bloom during the fall.  The garden also consists of the Three Dancing Maidens fountain, designed in 1910 by German sculptor Walter Schott.  (The fountain is also sometimes referred to as the Untermeyer Fountain, in honor of the family that donated it to the Conservatory Garden.)

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    The central garden is Italian in style and boasts a sprawling lawn, a pergola strung with wisteria vines, a 12-foot high fountain, and a smattering of colorful crab apple trees.

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    Though technically a part of Central Park, the Conservatory Garden is tucked away – hidden almost.  Its main entrance can be found on Fifth Avenue, just south of 105th Street.  There visitors wander through a towering wrought-iron gate that initially stood in front of the Vanderbilt Mansion, which was formerly located 47 blocks south.  Assembled in France, the ornate gate was designed by American architect George B. Post and donated to the park by Gertrude Vanderbilt Whitney in 1939, twelve years after the Vanderbilt Mansion was razed.

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    The Conservatory Garden is beautiful at any time of year, as my photos, which were taken on various trips to NYC during various seasons, attest to.

    The Conservatory Garden in winter

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    On any given day, even during the cold winter months, you will encounter people reading quietly under the shade of the trees, painters replicating the idyllic foliage via watercolor, and students sprawled out on the bucolic lawn, books surrounding them.  Designated an official Central Park Quiet Zone, the Conservatory Garden is one of the most peaceful places in all of New York.

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    The Conservatory Garden is featured twice in The Girl on the Train.  It first appears in an early scene in which a distraught Rachel (Emily Blunt) tries to find solace after discovering that the woman she has been watching is having an affair.

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    It then pops up again in one of the film’s closing scenes.  Interestingly, the Three Dancing Maidens fountain figures prominently in The Girl on the Train’s theme.   As is explained in the movie’s production notes, “Central Park provided the visual image that [director Tate] Taylor chose to frame the story: a sculpture of three dancing maidens at the Untermeyer Fountain, which graces the Conservatory Garden near 105th Street and Fifth Avenue.  Early in the story, unemployed and drunken Rachel goes to the fountain to kill time.  Later in the film, she returns there sober, with a new appreciation of the artwork’s three joyful females holding hands as they encircle the fountain.  ‘Tate connected with this idea of the three women in the sculpture and the three women in our story,’ says [production designer Kevin] Thompson.  ‘That was the poetry that he saw in that fountain.’”

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    It is at the Conservatory Garden that David Shayne (John Cusack) tells Helen Sinclair (Dianne Wiest) that he is falling in love with her in the 1994 comedy Bullets Over Broadway.

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    While a few websites state that the Conservatory Garden is where John Reese (Jim Caviezel), Lionel Fusco (Kevin Chapman), and Joss Carter (Taraji P. Henson) discuss HR in the Season 2 episode of Person of Interest titled “Bury the Lede,” that information is incorrect.  Though an overhead shot of the park is shown leading up to the scene . . .

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    . . . actual filming took place elsewhere.  (Though I am not certain, I believe the scene was shot at Forest Park in Queens, where another portion of the episode was lensed.)

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    Being that the Conservatory Garden is easily one of the most picturesque spots on the island of Manhattan, I’m shocked it has not been featured in more productions over the years.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: The Conservatory Garden, from The Girl on the Train, is located at 5th Avenue and 105th Street in New York’s East Harlem.  The park is open daily from 8 a.m. to 6 p.m.

  • Donna’s House from “Rosewood”

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    I’ve never met a police procedural I didn’t like.  When one centers around an insanely charming male lead who constantly (and comically) spars with his cynical female partner, it’s a guarantee it will make my top ten.  Such was the case with the FOX drama Rosewood, which began airing in 2015.  For those who don’t watch, the insanely charming male lead in this instance is Dr. Beaumont “Rosie” Rosewood, Jr. (Morris Chestnut) and his cynical partner is Det. Annalise Villa (Jaina Lee Ortiz).  An additional bonus – though the series is set in Miami, it is lensed primarily in Southern California.  So I, of course, became obsessed with finding its locations at around the same time I became obsessed with the show.  The one spot at the top of my track-down list was the large Craftsman-style home belonging to Rosie’s mom, Donna (Lorraine Toussaint), aka “Mama Rosewood.”  It was not until the seventh episode of the series aired in November 2015 that I was able to locate it, though.

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    In the episode, titled “Quadriplegia and Quality Time,” an address number of 521 was visible on the front of Donna’s house.  I knew from researching the show that filming mainly takes place in the Anaheim area.  I also knew, from the shots of the residence shown in previous episodes, that it was situated on a corner.  And, because the dwelling is large, grand, and such an amazing example of Craftsman architecture, I had a hunch it was a historical landmark of some sort.  So, armed with that information, I started searching the 500 blocks of historic areas of Anaheim for a large Craftsman home located on a corner.  It was not long before I found the right place at 521 North Lemon Street.

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    Because I so rarely find myself in Orange County, I did not make it out to see the residence in person until this past October, almost a full year after tracking it down.  But it was worth the wait.  As you can see, the home is absolutely stunning.

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    My hunch about it being historical turned out to be correct!  Known as The Duckworth House, the 1922 pad was originally built for food merchant/land developer William E. Duckworth and, as the sign affixed to the front porch states, has been designated as “historically significant to the Anaheim Colony Historic District.”

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    The sprawling property boasts 4 bedrooms, 3 bathrooms, 3,701 square feet of living space, and 0.39-acres of land complete with fruit trees and rose gardens.

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    In person, the residence is massive – even larger than it appears to be on TV.

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    Aside from that, though, it looks much the same as it does on Rosewood.

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    Donna’s home is featured regularly on the series, typically during the scenes involving the Rosewood family’s weekly dinners.

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    In an April 2016 The Orange County Register article about the show’s locations (which I wish had been published at the time I was looking for Donna’s house as it would have saved me some time), Rosewood co-executive producer Vahan Moosekian said that “The house (on Lemon Street) looked like it belonged in Florida.”  That statement is rather surprising to me because, being Craftsman in style, the residence, in my opinion at least, couldn’t be more quintessentially Californian.

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    I believe that the real life interior of The Duckworth House is used as the interior of Donna’s home on the series, which is unusual.  Don’t quote me on that, though.  The inside of Mama Rosewood’s residence could also very well be a set at MBS Media Campus in Manhattan Beach where the show is lensed.  From the way episodes are shot, though, it appears that the property’s actual interior is utilized.

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    For more stalking fun, follow me on Facebook, Twitter, Instagram, Los Angeles magazine and Discover Los Angeles.

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    Until next time, Happy Stalking!  Smile

    Stalk It: Donna Rosewood’s house from Rosewood is located at 521 North Lemon Street in Anaheim.